即

Adding color for instance is empty namely this film is, if make this name over caption only, repeat extremely easily with other station, the mood that affects search engine (search engine is not to like to see same) is over there the caption of list of one page search, contrary, you are adding color is empty namely when, adding sky of a lubricious since to perhaps exchange new look incidentally is cool one's heels namely, mix not only did not stand on caption to have distinction, and be nodded more easily also by caller.

比如加色即是空这个电影是，如果只在标题那里做上这个名字，则极易与别的站重复，影响搜索引擎的心情(搜索引擎是不喜欢看到一页搜索列表的标题那里都是一样的)，相反，你在加色即是空的时候，顺便加一个色既是空或者换成新色即是空等，不仅和别站在标题上有了区别，而且也更容易被访客点入。

We have shown in this paper that there exists a countable prime event structure U which is universal,i.e.

我们已经表明，本文存在可数的主要事件结构是普遍的，即"通用即插即用"的。

Our study contained three sub experiments: First, we looked into the music perception neural mode under the u...更多n-attention condition, then pre-attention condition, and attention condition at last. It suggested that:1. Similar to the past studies, ERAN was also acquired when irregular chords was played to both music experts and ordinary persons, with the former swings larger than the latter ones, and the former delitescence earlier than the latter ones.2. N5 was also acquired in the same condition, and it reflected the conformity process of music perception. The swings of experts' N5 were lager than the ordinary ones, and delitescence earlier.

本研究分为三个实验进行：实验一即在非注意实验条件下进行音乐感知能力的研究；实验二即在前注意实验条件下进行音乐感知能力的研究；实验三即在注意实验条件下进行音乐感知能力的研究，研究结果表明：1类似于前人的研究，不规则和弦在音乐专家和普通人中都产生了右前负极性，音乐专家的ERAN比普通人的振幅更大，潜伏期更早。2伴随着ERAN，不规则和弦在音乐专家和普通人中还产生了晚期负极成分(简称N5)，它反应了音乐的整合。

First, select four kinds of main risks source from bigly celebrate the main risk in region source, namely the flood, drought, sand-dust weather and petroleum pollution accident, etc. According to the different a request for to habitat, study this 19 kinds of landscapes ecosystem type of the Regional induce for 7 kinds of ecosystems system: Then the marsh of bulrush, lakes and reservoirs , salt alkali wasteland, prairie, island form wood, farmland, town. The difference is proceeded by characteristic according to each type ecosystem to the analysis of four kinds of main risks source, including the certain risk all rate, delimiting the space distribute, analyzing the risk strength to the receptor etc. At proceed the revelation the different from endanger to analyze the inside, this text borrows ecosystem index number that this index sign to reflect primarily habitat the ecosystem meaning of the type of habitat the different from position, with weak an index number to show the destructibility of the habitat, from but compute each ecosystem that is lost by ecosystem system an index number.

首先，从大庆地区主要的风险源中遴选出四种主要的风险源，即洪涝、干旱、沙尘天气和石油污染等；依据不同生物类群对生境的要求，将本研究区域的19种景观生态类型归纳为7种生态系统：即芦苇沼泽、湖泡库渠、盐碱荒地、草甸草原、岛状林、农田、城镇；对四种主要风险源的进行分析，包括确定风险概率，划定空间分布，对风险受体的作用强度分析等；在进行暴露和危害分析中，本文主要借生态指数这一指标来反映不同生境类型的生态意义和地位，以脆弱度指数来体现不同生境的易损性，从而计算出各受体生态系统的生态损失度指数；由于各主要风险物质对风险受体的作用强度是不同的，对形成区域性生态风险的作用大小也有差异，因此本文采用层次分析法对主要生态风险物质进行综合评价，并把判断矩阵排序权值的合理计算问题归为—非线性化问题，并提出用基于遗传算法(GA[5])的层次分析模型进行权重分析；进行风险表征，即综合前面两个阶段的信息，对环境中风险的性质和强度以及风险评价过程中不确定性问题进行分析与描述，并划分出五级生态风险区；最后，根据划分的五级生态风险区的特征，分别提出针对各生态风险区的生态风险管理对策。

The surface generated by a straight line, the generator, passing through a fixed point, the vertex, and moving along a fixed curve, the directrix.

锥面由一条直线，即母线，通过一固定点，即顶点，沿一给定曲线，即准线，连续移动而产生的平面

Origin, developmental changes and homologies of the stage morphostructures were considered according to their location in three morphogenetic fields. The first, or central, field forms at the prodissoconch I stage. It can be inherited by prodissoconch II and nepioconch stages in one taxa, or PD-II, N and dissoconch stages in others. The second, or postero-dorsal, field appears at the N stage, and the third field, or antero-dorsal, at the D stage.

主要对3个形态发生区域的阶段形态结构的起源、发育变化和同源性做了研究，其一，即中央区域，开始形成于前双壳I期，在某个分类单元它可以在前双壳II期和幼贝期形成，而在其它分类单元则在前双壳II期、幼贝期和双壳期形成；第二区域，即背部后区，在幼贝期出现；第三区域，即背部前区，出现于双壳期。

Origin, developmental changes and homologies of the stage morphostructures were considered according to their location in three morphogenetic fields. The first, or central, field forms at the prodissoconch Ⅰ stage. It can be inherited by prodissoconch Ⅱ and nepioconch stages in one taxa, or PD-Ⅱ, N and dissoconch stages in others.

其一，即中央区域，开始形成于前双壳Ⅰ期，在某个分类单元它可以在前双壳Ⅱ期和幼贝期形成，而在其它分类单元则在前双壳Ⅱ期、幼贝期和双壳期形成；第二区域，即背部后区，在幼贝期出现；第三区域，即背部前区，出现于双壳期。

The basal geomorphology structure of the Tidal-Basin System of the Tiaozini Sandbanks is watershed and tidal creek system. We analyses its formation, evolvement, geomorphology characters and development and discusses the main influence factors which is water, sediment and space. We divide the evolution phases which is formation phase, autumn phase and contabescence phase. In the end we confirms its main functions, which is discharging the folium water on the tidal flat of the Tidal-Basin in the end of the ebb-tide, transporting sediment to Tidal-Basin through tidal creek systems, confining the swing range of the dynamical axis of flood tide or ebb tide, balancing the dynamical status of the South and North. At the same time, we compare coastal tidal-basin and sandbanks tidal-basin on geomorphology characters, formation causes, style and so on.

条子泥潮盆—潮沟系统的基本地貌结构为分水滩脊和潮沟系统，本文分别对它们的形成与发育、地貌特点及动态变化进行了分析，并探讨了影响其发育的主要因素，即来水条件、来沙条件、空间条件，划定了其主要发育阶段，即形成期、成熟期、衰亡期；在上述分析的基础上确定了潮盆—潮沟系统的主要功能，即通过潮沟系统渲泄落潮后期滞留在其潮盆范围内的滩面薄层水、通过潮沟系向潮盆内部输入或输出泥沙、限制涨落潮动力主轴摆动范围、平衡南北两侧动力状态；同时针对岸滩潮盆—潮沟系统与沙洲潮盆—潮沟系统的地貌特征、成因类型等进行了对比分析。

Among that, the core of modernity includes the mechanism of the modernity, that is how does the modernity run; the prices of the modernity, which means what does the people pay for the mechanism; the enervation of the modernity, that is the exhibition and reason of the enervation.

其中，"现代性"的思想核心包括："现代性"的机制，即"现代性"是如何发挥作用的；"现代性"的代价，即在"现代性"的机制的运作下，人类为此付出了何种代价；"现代性"的削弱，即"现代性"正走向衰弱的原因和表现。

Aesthetic perceiver and creator stand outsider character\'s life-word and make use of extra-view to draw the outline of the whole life of the character. The concept of other, exteriority, and extra-view drive from the thought of "form is outline", which is the formation of Bakhtin\'s aesthetic creative theory.

他者—外位—超视原则是巴赫金审美创造理论的基本原则，这一原则来自于"形式即边缘"的观念，本文以"形式即边缘"这一观念为中心，从以下三个方面考察巴赫金的审美创造理论：一、形式即边缘的哲学基础。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。