印象派

Has often been invoked by the impressionist painter with a story of light: in 1867, Monet painted "Luncheon on the Grass," the sun is down in the outdoor painting, sketching directly with the completion of creation.

经常被援引的一个有关印象派画家与光的故事是：1867年，莫奈画《草地上的午餐》，肯定是在室外阳光下来画，用写生的方式直接完成创作。

His books on the secret codes hidden in the paintings of Poussin and Teniers were some of Langdon's favorite classroom texts.

再加上照相术的日益精进，印象派那种客观的绘画法，只要彩色相片加上网线和布纹纸，绘画实在不是其对手。

Any of various smooth-coated hounds of a breed developed in the southeast United States to hunt raccoons.

点彩画派正相反，后印象派认为色彩是逐渐过渡的，所以用一个个色点堆砌，即使是一片蓝天，也要用各种蓝色色点堆积。

Impressionist painter Manet's Olympia firstly demonstrates this social fact. Sex becomes the public legitimate goods. Olympia is side-lying in bed watching her client; the maid alongside is taking over the flowers the guest brought. The beauty of "Olympia" is the goods waiting for the guest to consume.

印象派画家马奈的《奥林比亚》最先表现了社会的这一事实，性成为公开的合法的商品，侧卧在床上的&奥林比亚&目视着她的客户，旁边的女仆正接过客人送来的鲜花，&奥林比亚&之美正是等待客人消费的商品。

Gold and Silver Inlaid Throne from the Tomb of Tutankhamun, Valley of the Kings, Egypt

后印象派的绘画对现代诸流派的发展有着重大的影响，直接导致了结构主义的诞生。

This thesis attempts to explore the influence of Impressionism and Post-Impressionism on Woolf's manipulation of memory in Mrs. Dalloway and To the Lighthouse, and her ambition to resolve the dilemma by combining the similarities and differences between these two aesthetic movements.

本论文尝试探究印象派与后印象派对於伍尔芙在这两本小说中的回忆模式，以及她如何藉著结合这两个美学运动的相似与相异来解决遇到的难题。

The audience of the Beijing Music Festival has the opportunity to experience works, starting from Jan Scbastian Bach's cello suites performed by Mischa Maisky, through the Viennese Classicists Haydn, Mozart and Beethoven and Romanticists—Schumann, Tchaikovsky and Brahms — to the Impressionists Claude Debussy and Maurice Ravel and 20th-century Neoclassicists — Sergei Prokofiev and Igor Stravinsky.

北京国际音乐节的听众们有机会欣赏这些作品，从梅斯基演绎的巴赫大提琴组曲，通过维也纳古典主义学者海顿、莫扎特和贝多芬以及浪漫主义派人物舒曼、柴可夫斯基和勃拉姆斯，到印象派德彪西、拉威尔和20世纪古典派代表人物普；罗科菲耶夫和斯特拉汶斯基。

He had an enormous influence on 20th century art , especially on the Fauves and German Expressionists .

在20世纪的艺术之廊里他有着重大的影响，尤其是对德国的印象派。

Two ideas of Impressionists are expressed here.

这里阐述了印象派的两种理念。

This is because the Impressionists,many fo these painting styles might not exist.

这是因为印象派，这些绘画风格很多可能不存在。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。