印象派

When it comes to colour, here Matisse moves away from the Impressionist and Fauve styles which he had previously practised, rediscovering the flat colours of his master Puvis de Chavannes **.

当涉及到颜色，这里马蒂斯移动远离印象派和福夫，他以前实行的风格，重新发现了他的主人单位颜色 Puvis德虫**。

In the light of the impressionist idea of the landscape painting, even though it represents the beauty in nature, the interaction between the spectators and objects, that means the various changes of the painter's inspective upon everything in the world and all kinds of skeptical possibilities in what he sees, must be made know.

在印象派的风景画理念中，即便是自然美的再现，也必须表明观看与客体之间的互动效果，亦即一个画家所见之中，视点的各种变异以及怀疑的各种可能性。

Provided that one broadens the idea of "stain-art" to encompass French impressionism, a current in painting which he particularly cherishes and which literally reduced its perception of the world to the level of stains yet another interpretational layer discloses.

是的，如果将上文提到的&污渍艺术&扩展到为邱世华敬重的法国印象派那里，看看他们如何用污渍表现对世界的理解，我们会发现另一种层面上的相似。

In another piece entitled Dancing, Vivaldi, Concerto in F Major, RV 584, he conveys the tender feelings evoked by music in a dreamy, Impre ionist fashion.

而在另一幅题为&维瓦尔第作品584号F大调的翩翩起舞&中，他试图表达出一种如梦一般的印象派时尚风格。

Like a pastoral singer, Xu Xiaoyan has employed the near-impre ionist techniques in depicting the fascinating views of the open country in North China Plai under the autumn sun, the yellowing crop stalks are shining agai t the dark, rich soil, which stretches as fat as the eye can see.

徐晓燕原先是一个田园歌手，她用近似印象派的笔法画出华北原野迷人的景色，秋日的阳光下，一望无边的田野，裼色的土地和金色的秸秆交相辉映。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

First Prize winner of 1971 Margaret-Long Competition, Pascal Rog é is famed for his transparent tone quality, demonstrated especially well in French music such as Saint-Sans and Satie.

帕斯卡·罗热是1971年马格丽特·隆国际钢琴比赛获一等奖。罗热的演奏触键精致细腻，声音清澈透亮，在表现法国印象派作品时，其轻灵雅致、朦胧与虚幻的意境极为迷人，其诠释的圣桑、萨蒂等人的作品都极有意境。

Yles of Lyric Pieces have traits of multiplicity, which use "natural beauty" as major ride through out. The second chapter will give a cultural interpretation from the aspects of social and history background (including his own background, life environment and social situation) and social ideology including Romantism concept going deep into, Norway folk music edifying, opening and enlightening of impressionist precursor and the influence by other artistic thought.

第二章从社会历史背景(个人背景、生活环境、社会形势)和社会意识形态(浪漫主义观念的深入、挪威民间音乐的熏陶、印象派先驱的启迪、其它艺术思想的渗透)方面论述了钢琴抒情小品的文化成因，阐明了复杂的文化环境对格里格创作的影响以及抒情小品包涵的深厚的文化底蕴。

The cultural relevance of any elements in the multiplicity of our world becomes a function of the impressionistic dialectic that results from the spectacle's transfiguration of that multiplicity: the rich features of the world acquire value only to the extent that they can serve the sensualistic determinations of our spectacular way of life.

文化相关的任何因素的多重我们的世界成为一个功能印象派辩证的结果眼镜的变形的多样性：丰富的特点，世界上只有获得价值的程度，他们可以测定的sensualistic我们壮观的生活方式。

The advent of the post-impressionism activized the strong reaction in that time, the basis of classical art shaked, art form had a important transition.

十九世纪末以来，西方艺术发生了巨大变化，特别是后印象派绘画的出现，更是激起了当时社会的&强烈反响&，古典绘画的基础发生了动摇，艺术形式发生了重要转折。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。