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印象派

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Starting from Manet, the impressionism master in modern city life and people of the end of 19th century, the exhibition displays artworks of impressionism painters who rose from 1874 to 1886, such as Boudin, Degas, Monet, Renoir, Pissarro, Cassatt and others.

展览自开启十九世纪末现代城市生活与人物之印象派画家马内开始,包括1874年至1886年间崛起的印象派画家作品,如布丹、窦加、莫内、雷诺瓦、毕沙罗、卡莎特等人。

Ann Sumner由奥利弗费尔克拉夫,安女士萨姆纳 Hudson Hills Press, 02/2009, 176 pages, English哈得孙山出版社,02/2009,176页,英语 Show synopsis 展览简介 In the early part of the twentieth century, two extraordinarily forward-thinking Welsh women, Gwendoline and Margaret Davies, amassed a collection of work by the most important names in the Realist, Naturalist, Impressionist, Post-Impressionist, and Fauvist movements at a time when modern art, especially French art, was largely ignored in Britain.

在20世纪初,两个非常有远见的威尔士妇女,格温多兰和玛格丽特戴维斯,积累了在现实主义,自然主义,印象派,后印象派,野兽派画家和运动的最重要的名字在时间的作品集当现代艺术,尤其是法国的艺术,在很大程度上忽略了英国。

Priest Moves Lantern in Front of Sun During Morning Puja on Ganga Ma, Varanasi, India

印象派在尊重印象派光色成就的同时,不是片面追求外光,而是侧重于表现物质的具体性、稳定性和内在结构。

Impressionism Impressionism is a relatively new and revolutionary movement in painting which developed in Paris during the 1870s.

印象派 印象派是指19世纪70年代在巴黎形成的、一种绘画上的新革命运动。

Christ Pantocrator and the Madonna Enthroned with Angels and Apostles, from the central apse

印象派在尊重印象派光色成就的同时,不是片面追求外光,而是侧重于表现物质的具体性、稳定性和内在结构。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外,她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展,对马奈作品很有兴趣。1872年春,卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受,其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出,受到德加的高度评价。1879年,应德加的邀请,卡萨特参加了印象派画展,直到l船6年这段时间,她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

One of the most famous late nineteenth/early twentieth century Georgian artists is the primitivist painter Niko Pirosmani . Pirosmani's works can also been seen as early impressionistic, due to the fact that his work inspired Lado Gudiashvili and Elene Akhvlediani , who represent the more mainstream impressionism of the twentieth century.

格鲁吉亚的最著名的一位艺术家当数19世纪末20世纪初的简洁派画家 Niko Pirosmani ,他的作品也被视为早期的印象派作品,因为他的作品明显影响了20世纪印象派主流画家 Lado Gudiashvili 和 Elene Akhvlediani 的作品创作。

The essay tries to probe into internal source of the appearance and development of the movement of Impressionism by analyse the artistical features of traditional painting and analysing the artistical features of Impressionism, Neo-impressionism and Post-impressionism ,to show how the impressionism has developed step by step from the traditional descriptive art whose feature is to emphasizing the natural characteristic of art and the feeling of artist, and to realize that the stage which comes from tradition to morden in history of art never be overlooked.

本文试图通过分析传统绘画的艺术特色,探寻印象主义运动产生及其发展的内在根源;通过分析印象派、新印象派和后印象派的艺术特色来展示印象主义如何从以再现客观世界为特点的传统写实绘画逐步发展到具有现代特征的注重绘画本体特性和艺术家个体主观感受的这一转变过程,从而重新认识印象主义这样一个由传统走向现代的艺术史上不可或缺的一段历史。

In the history of Western art, the 20th-century Expressionist painting started from some young German artists' rebellion against the naturalism of the impressionists and postimpressionists. In 1911, those artists were awakened by Fauve and other artists of the ParisSchool, who had an exhibition in Germany.

二十世纪早期的欧洲表现主义绘画,起自艺术家们对法国印象派和后印象派之自然主义方法的反叛。1911年,巴黎画派的早期现代主义者们在德国举办画展,唤起了德国一批年轻画家的觉悟和焦虑。

Also, after following the emergence of new impressionist Impressionist (on behalf of painter Seurat and Signac) and Post-Impressionism on behalf of painter Paul Cezanne, who.

印象派之后还出现了新印象派(代表画家是修拉和西涅克)和后印象派

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