印象主义的

The exhibition also features works by some of the most popular French Impressionists, including Eug ne Boudin who is the subject of a VMFA exhibition to be on view from Nov.

卡勒波特大约在1885年创作的《盛开的苹果树》显示了在最革命时期的印象主义强烈的红与绿的交织和碰撞。

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而，代生红的图像语言没有隐喻的"设定"，其通过直叙，将触动自身生活的现实情景转化为朴拙的图式，表露于画布，而其画风更是与主题相得益彰，在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下，这些质朴的绘图语素，竟游离出了所谓学院的手法和派头，隐约浮现出早期后印象主义如梵高与高更的格调。

Neo-impressionists tried to make impressionism more precise in form; they favored the technique of pointillism or divisionism, the application of dots or tiny strokes of color elements to a surface so that, when seen from a distance, the dots or strokes blend luminously together.

新印象派尝试让印象主义更具象化精确化，他们热衷于点绘法和分组法的绘画技巧，应用色彩中的大量的点或者细密的线条以便表现平面的元素。当保持一段距离时，这些点或者线条混合在一起形象变得具体清晰。

Section Ⅱ,"Formalist Aesthetics, Woolf and Feminism," attempts to build up a theoretical framework through exploring Fry's postimpressionism, Merleau-Ponty and Lacan's discussion of Cezanne's painting and the dynamic meaning of the seeing.

第二单元「形式美学吴尔芙与女性主义」藉由探讨傅莱的后／印象主义、塞尚的再现观点与梅洛庞蒂和拉岗对视觉与意象的拆解，来勾勒本论文理论架构。此外，女性主义与形式主义的争论，则视为有助吾人深入理解吴尔芙的美学。

Straight into the soul in despair, gloomy world. to resist dissimilation of modern civilization to human beings. The redemption and rethinking characteristic of Expressionism music bring animadverted function to real—life.

同样值得关注的是，他的音乐突破浪漫主义多愁善感的抒情和印象主义风花雪月的外部描摹，直面处在压榨、逼拶、绝望和无情烈火燃烧中的灵魂，反抗现代文明对人的异化。

The characteristic was obviously different from the precising characteristic of the realistic literary criticism discourse, the fringe criticism's location far from the political center and the fringe criticism's neglect of the conversation toward the realistic literary criticism made the essential conditions for the fringe criticism escaping from the realistic literary criticism.

这种艰难首先来源于李健吾们对于时代重音、对于现实主义批评所关注的话题的认同，这也同时导致了李健吾式的边缘批评家的批评指向并非传统印象主义批评式的单向度的艺术性追求，它具备了为文学发展而呼唤、为社会责任而呐喊的更深刻的批评指向。

At the same time he was deeply interested in the works of Symbolists, who attracted him with their sincerely poetic vision of the world or, as he called it, their "dream of harmony".

同时他又对象征主义的画作有极大的兴趣，印象主义画作对世界的真诚的充满诗意的想象力吸引了他，他曾经称。

The piano music passepied,debussy's early work,is an innovative composition on the basis of inheriting classic and romantic traditions.and it does not truly belong to the impressionist style.the use of pedal is very dainty in this dance music.the author labels and annotates the pedal,trying to produce abundant sound effects and enhance expressive force of the music.

德彪西早期创作的《帕斯比叶舞曲》，是在继承古典主义和浪漫主义传统基础上的创新之作，不属于真正的印象主义风格。此舞曲踏板运用十分讲究，作者标注了踏板并加以诠释，以求制造出丰富的音响效果，增加音乐的表现力。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了