印度教的

In the first chapter, the author studied the traditional decorative patterns of plants and analyzed unique aesthetic tendency of the Indian nation in the field of decoration as well as its different embodiment in Buddhism and Hinduism through the typical relics of decorative patterns of plants in Buddhism left in all different parts of Gandhara, Mathura, Amaravati of different period in ancient India, such as the Phoenician Dynasty, Kushan Dynasty, Sunda kingdom Galerkin, Gupta period and so on, which is the exotic origin of decorative patterns of plants in Buddhism in Tang Dynasty.

本文第一章借助遗留在犍陀罗、马土腊、阿马拉瓦蒂各个不同地区的孔雀王朝、贵霜王朝、巽伽王朝、笈多王朝等各个时期佛教植物装饰纹样的典型遗物，探讨了古代印度传统的佛教植物装饰纹样，并分析了印度民族在装饰领域的独特审美倾向及其在佛教和印度教中的不同体现。

In Hindu Tantra, practice is graded into three types, corresponding to three classes of devotees: the animal, i.e., those in whom the guna, or quality, of tamas predominates; the heroic, those in whom the guna of rajas predominates; and the divine, those in whom sattva predominates.

在印度教坦陀罗，练习被分成三种类型，与三种级别的皈依者相对应：动物，那些在黑暗之中，或者等同于黑暗支配的人；英雄，那些掌握主动支配的人；和神性，那些有良好支配的人。

The gods can be divided into four kinds,the first kind includes Buddha and Bodhisattva,who are recorded by sutra and have the western image;the second kind is the lokapala who transformed by Indian gods;the third kind includes the gods recor- ded by sutra and created by Chinese,but their images do not exit in India;the fourth kind is the gods mixed.

印度诸神像来到中国，大致可分为四类：第一类是既有佛经的记述，又有西方的形象依据，如诸佛、诸菩萨等；第二类是由印度教诸神转化成的佛教护法神；第三类是佛经虽有记述而印度未有造像者，则由中国人大胆创作；第四类是中国人调和不同宗教的造像，把不同宗教的像造在一起。

The monistic theory of the universe the theory that One is All, and that All is One; That one Substance manifests itself as the seeming many elements of the material world is of Hindu origin, and has been gradually winning its way into the thought of the western world for two hundred years.

宇宙一元论的理论，&一即一切&，而且&一切即一&；一个本体以物质世界的表面多种元素的形式表现，起源于印度教，二百多年来，逐渐赢得西方思想界的认可。

An especially important ritual is known as sraddha, in which Hindu males symbolically support their father, grandfathers, and great - grandfathers in other worlds by offering water and balls of rice; this ritual dates from Vedic times.

一个特别重要的仪式被称为sraddha ，其中男性象徵性的印度教支持他们的父亲，祖父，和伟大-祖父在其他世界提供水和球的水稻；这个仪式的日期从吠陀时代。

Surya, the Sun, is a manifestation of Vishnu, a central aspect of the Supreme, and is also the Atman within man.

太阳，萨瓦，是毗瑟始的显示，一个重要的至高者外貌，也在人类的阿特曼（Atman，自我，灵魂，印度哲学和印度教生命的本源）里面。

The Upanishadic concept of the underlying unity of Brahman is revered by many to be the pinnacle of Hindu thought, and the concept of the avatars has purveyed this concept to the ordinary Hindu as an expression of the manifestation of the Hindu's highest single divinity as an aid to humanity in difficult times.

奥义书〉有关梵的根本一致性是被很多印度顶尖思想家崇敬的，阿瓦塔的概念提供这个概念给平凡的印度人，作为印度教显示最高独一神性的解释，在困难时期去帮助人类。

The Upanishadic concept of the underlying unity of Brahman is revered by many to be the pinnacle of Hindu thought, and the concept of the avatars has purveyed this concept to the ordinary Hindu as an expression of the manifestation of the Hindu's highest single divinity as an aid to humanity in difficult times.

奥义书〉有关婆罗门的根本一致性是被很多印度顶尖思想家崇敬的，阿瓦塔的概念提供这个概念给平凡的印度人，作为印度教显示最高独一神性的解释，在困难时期去帮助人类。

Vedism stressed hope for a future existence in heaven and lacked the concepts of karma and rebirth; Hinduism characteristically includes karma and rebirth, and the greatest hope is for eventual release from their sway.

Vedism强调，希望未来在天堂的存在和缺乏概念的气质和再生；印度教典型的包括业和再生，最大的希望是最终释放他们的影响力。

The construction of this enormous complex, which venerates the place where the ashes of Buddha were buried, is attributed to the great Indian guru Padmasambawa.

这个敬拜佛陀骨灰之地的错综复杂的巨型建筑，要归功于伟大的印度莲花古鲁(古鲁：印度教等宗教的宗师或领袖) Padmasambawa。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。