印度教

IVC seals depict animals, perhaps as the object of veneration, comparable to the zoomorphic aspects of some Hindu gods.

印度河流域文明的图案也描绘动物，也许是所崇拜的对象，相当于一些印度教神的动物形象。

The classical Western world directly affected Hindu religious art, and several features of Hinduism can be traced to Zoroastrianism.

古典的西方世界直接地影响了印度宗教艺术，印度教的几个特征可以回溯到琐罗亚斯德教。

While there, she studied the teachings of the Koran, the scriptures of Advaita Vedanta - a form of Hindu philosophy - and the poetry of 13th century philosopher Jelaluddin Rumi.

在那里，她研究了古兰经经文的不二韦丹塔-一个印度教哲学形式的教导-与13世纪哲学家Jelaluddin鲁米的诗。

Dominant philosophical school of advaita, literally nondualism.

不象犹太-基督哲学，印度教没有撒旦的形象。

To me, Amma was just Bhagavan's wife, in the same way as Bhagavan's father was only his father and not a god in the Hindu pantheon.

对我来说，阿玛只是巴关的妻子，就像巴关的父亲只是他的父亲而不是印度教众神中的一位一样。

Since ancient Hindu belief has taught us that there are three objectives in life, the first is the Drama, sagar obedience to the mandate and the third is Drama, obedience to the sacred command, the second is Artha, the acquisition of wealth and the third is Kama, the enjoyment of sensual pleasures.

自古印度教信仰告诉我们，有三个人生目标，首先是戏剧，湖服从任务，三是戏剧，服从神圣的命令，第二个是者Artha，在收购财富第三是卡马，感官快乐的享受。

Balarama - In Hinduism, Balarama (phonetically Balarma - his other names include Baladeva, Balabhadra and Halayudha) is the name of the elder brother of Sri Krishna.

巴拉胡米——在印度教，巴拉胡米（他的其他名字包括巴拉拉婆，巴拉哈达和哈拉瑜哈）是师利克里希纳的长兄。

The sacred Hindu scripture Bhagavata Purana explains how Krishna is the Supreme Personality of Godhead from whom everything emanates.

神圣的印度教经文《博伽梵宇宙古史》中解释了奎师那如何是由万物散发的至尊人格首神。

Many of the ancient sculptures in Hindu temples are based on Bharata Natyam dance postures karanas .

在古老的印度教寺庙雕塑很多都是基于婆罗多舞舞蹈姿势

These movements were derived from the Brahmanic tradition of Hinduism but were also reactions against it.

这些运动是源於Brahmanic印度教的传统，但也反应反对。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。