卫

In their outward order from Jupiter, these moons are Io, Europa, Ganymede and Callisto.

在木星的外围轨道上，这些卫星是木卫一、木卫二、木卫三和木卫四。

If you live in North America, you can see all 4 Galilean moons this evening. Ganymede, Europa and Io are on one side of Jupiter, while Callisto is on the other side.

如果你是在北美洲，那么今晚你就能看到这全部的四颗卫星，木卫三、木卫二和木卫一在木星的一边，二木卫四则在木星的另一边。

Io and Europa are about the same size as our moon, whereas Ganymede and Callisto have diameters of about 1.5 times that of our moon.

木卫一和木卫二的直径接近月球的直径，而木卫三和木卫四的直接大概是月球直径的1.5倍。

They are from nearest to farthest; Io, Europa, Ganymede and Callisto.

他们来自最接近最远，木卫一，木卫二，木卫三和木卫四。

In their outward order from Jupiter, Jupiter's 4 major moons are Io, Europa, Ganymede and Callisto.

根据离木星的距离排列，木星的4颗卫星依次为：木卫一、木卫二、木卫三、木卫四。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

It is now generally held that, in this Hebrew, the preposition le has the force of a genitive, and that the Septuagint tou David "of David", is a better translation than the Vulgate ipsi David,"unto David himself".

现在人们普遍认为，在这个希伯来语，介词乐有力量的所有格，而七十头大卫"大卫"，是一个更好的翻译比武加大ipsi大卫，大卫你们自己。

The observational equations have been derived using the three methods above which are based on high-low SST and low-low SST observational data respectively, at the same time, the shortages and merits of these three methods are analyzed. 3The problem of gravity field recovery can be attributed to the solution of over determined system of equations.

本文分别以高低卫卫跟踪和低低卫卫跟踪观测数据为基础，导出了基于上述三种方法的观测方程，并分析了它们的优缺点。3重力场恢复最终归结为超定线性方程组的求解问题。

From their very low densities and relatively high albedos, it seems likely that Prometheus, Pandora, Janus and Epimetheus are very porous icy bodies.

从它们很低的密度和相对较高的反照率来看，土卫十六，土卫十七，土卫十和土卫十一可能是多孔的冰质天体。

To start immediately to implement this plan, made large quantities of high performances the absolutely counter-attack robot, by "tited for fat" the way eliminates these the fellows who mutinied on the Moon, stemming from this time Earth humanity regarding kind of person robot specialSensitive, this has no recourse the plan is in the situation which keeps secret extremely is formulating the implementation, besides David and the entire unification, the third person had not known.

就在病床上，大卫博士忍着余下的伤痛忧思难眠，辗转往复思来想去，最后终于想出了一个以机器人对付机器人的绝妙方案，当灵感突然显现之后，大卫博士就立刻写成了一份详细的计划报告，然后火速转交给联盟主席全统一，全统一长官看完后，不禁拍案叫绝，并马上授权大卫博士开始实施这项计划，制造大批高性能的绝对反击机器人，以&以牙还牙&的方式清除那些在月球上哗变的家伙们，出于此时地球人类对于类人机器人的特殊敏感，这个迫不得已的方案是在极为保密的情况下制定实施的，除了大卫和全统一之外，没有第三个人知道。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。