卢卡斯

But, here it is (without additional equalization)- paired with a wonderful set of dances from Act III of Glinka's "Ruslan and Ludmila" conducted by Yuri Simonov (from the equally wonderful recording of the complete opera).

但是，这里是与来自法格林卡的&鲁斯兰III和美妙的舞蹈一套配对卢德米拉&尤里西蒙诺夫进行（从完整的歌剧同样精彩的录音）中。

The ways of construction of emotional self mainly include Montaigne pattern, Pascal pattern, La rochefoucauld pattern, Rousseau pattern.

构建情感性自我的最重要的方式有蒙田模式、帕斯卡尔模式、拉罗什福科模式、卢梭模式。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。