卢卡斯

However, in telling the backstory the way he felt was best, Lucas had to take what he regards as risks with the prequels.

但无论如何，用他自己觉得最好的方式来讲述这个背景故事，卢卡斯不得不面对前传所带来的他认为是风险的东西

However, in telling the backstory the way he felt was best, Lucas had to take what he regards as risks with the prequels.

但无论如何，用他自己觉得最好的方式来讲述这个背景故事，卢卡斯知道拍摄前传就必须承担风险。

He owns two Sony HDW-F900 cameras, the same model used by Lucas on the Star Wars prequels.

他拥有了两部索尼HDW-F900摄影机，与卢卡斯拍摄《星球大战》前传的机器是同一型号。

Lucas had to give Portman a summary of all three prequels before she signed on to play Padmé for Phantom Menace.

在波曼为《幽灵的威胁》签下帕德美这个角色之前，卢卡斯必须告诉她所有三部曲的故事梗概。

No wonder that 16 years later, Lucas again enlisted McDiarmid to play a young Senator Palpatine in Star Wars: Episode I The Phantom Menace, making him one of the few performers from the classic trilogy to reprise his character in the prequels.

16年后，卢卡斯再次招募迈克迪米德到《星战I：幽灵的威胁》中扮演年轻时代的参议员帕尔帕汀也就不足为奇了，这让他成为了在前传中再次扮演经典三部曲中的同一角色的少数几个演员之一。

Another major interest is the extension of self-representation through sculpture.

卢卡斯的另一个主要兴趣，是通过雕塑来拓展这种自我表现力。

Villa arrive at Anfield without a victory in their last seven outings and Lucas is confident Liverpool can extend the Villa Park club's winless streak.

维拉在过去的七场做客安菲尔德的比赛中没有一场胜利，卢卡斯相信利物浦可以延续维拉的不胜记录。

Shout! Factory, 1987 "After the Rain" is a funky fusion of American smooth jazz as Taylor's soprano saxophone dukes it out with South African soul and Lucas Senyatso's looping bass lines.

在雨&，&是美国为泰勒的高音萨克斯风爵士乐质朴的顺利融合公爵出来与南非的灵魂，卢卡斯Senyatso的循环低音线。

Because with Star Wars in 1977, Lucas spurred another revolution: the triumph of the special-effect, kid-friendly fantasy blockbuster.

因为在1977年的星际大战，卢卡斯鼓舞了另一项革命：特效的大胜利，适合小孩的科幻大片。

Early in the development of Episode III, George Lucas requested from the Art

在EP3的早期发展中，乔治·卢卡斯要求艺术部门为一组克隆战争的蒙太奇镜头准备一系列共

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。