卡萨特

The Impressionists were the first formal group of professional artists to include women: Berthe Morisot and the American, Mary Cassatt.

印象派是第一个正式的职业艺术家群体，包括妇女：贝尔特莫里索和美国，玛丽卡萨特。

Naturalism and sensuality of a pure, elemental, and nonsexual sort are the hallmarks of Cassatt's portrayals of childhood during the 1880s and 1890s.

自然和感性的一个纯粹的元素，并nonsexual排序的特点卡萨特的形象的童年在19世纪80年代和19世纪90年代。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

It was first scripted as "Titi Jukassa," and then renamed "Tado Jukassa" and then just "Tado" before finally becoming "Zett Jukassa."

起先的剧本里称作"提提·祖卡萨"，随后更名为"塔度·祖卡萨"，接着又改称单名"塔度"，最后才正式定名为"泽特·祖卡萨"。

You'll learn how Mary Cassatt painted the lives of wealthy expatriates, while Henri de Toulouse-Lautrec scoured the dives of Montmartre to draw Paris by night.

您将学习如何玛丽卡萨特画的外籍人士的生活富裕，而亨利图卢兹洛特雷克冲刷的蒙马特潜水提请领略。

King Tut's Golden Horus name was Wetjes-khau Sehetep-netjeru, which means "Who Displays the regalia, Who Propitiates the Gods."

图特的黄金荷露斯名为瓦特杰斯卡萨特普奈特杰瑞，意为&王权的象征，劝解众神的人&。

Mary Cassatt especially liked children, doting on her nieces and nephews and the offspring of friends.

。。。玛丽卡萨特特别喜欢孩子，溺爱她的侄子和侄女和后代的朋友。

Coleman III, a Silicon Valley veteran who founded the software maker BEA Systems and is now chief executive at a start-up called Cassatt.

威廉T科尔曼三说道，他是硅谷老将，创立了软件制造商BEA系统公司和现在是卡萨特的首席执行官。

Such a letter was necessitated by the fact that the ancient sites of Thotlakonda and Bavikonda are routinely subjected to vandalism and if measures are not taken urgently, they would be obliterated completely before long, resulting in irrevocable loss of heritage to not only the city of Visakhapatnam but also the State of Andhra Pradesh and the whole country, according to the convener of the local chapter Rani Sarma.

据维萨卡帕特南分会召集人Rani Sarma表示，印度托特拉康达和巴比昆达两处佛教文化遗址经常被人毁坏，并且人们对遗址的毁坏已经习以为常，如不立刻采取措施的话，不久，它们将永远的消失，给维萨卡帕特南市、安得拉邦乃至全国造成无法挽回的损失。而给总理的信件也是基于这个事实的需要而写的。

Was the great apostle of New Granada, and St.

圣路易斯贝特朗（四1581 ）是一场伟大的使徒保罗的新格拉纳达，和圣玫瑰利马（四第1617 ）第一个花卉的神圣性，在新的世界（雷梅萨尔&沿革香格里拉省德第新华社德恰帕y危地马拉&，马德里， 1619年； dávila帕迪拉&沿革香格里拉基金会y discorso德香格里拉省德圣地亚哥德墨&，马德里， 1592年；布鲁塞尔第1625 ；佛朗哥，& segunda方参与德香格里拉沿革省德圣地亚哥德墨&， 16时45分，墨西哥重新版墨西哥， 1900年； melendez ，& tesores verdadero德香格里拉印恩香格里拉沿革香格里拉大省德s胡安包蒂斯塔恢复秘鲁&，罗马， 1681年；阿隆索d '萨莫拉，&沿革香格里拉provineia德圣安东尼奥马刺删除新reyno德格拉纳达&，巴塞罗那， 1701年；帮助，&生命拉斯卡萨斯，使徒的印度&伦敦， 1883年；古铁雷斯，&弗赖巴托洛梅卡萨斯避震tiempos y苏apostolado &，马德里， 1878年；法比耶，&生活y escritos德弗赖巴托洛梅卡萨斯&，马德里， 1879年；威尔伯福斯，&生命的路易斯贝特朗&，神父的TR 。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。