卡萨

My name is Sophia Akasab and I am seventeen years .I'm the only child and I live with my parents in Rabat,the capital of Morocco.

我叫索菲亚阿卡萨布，今年17岁。我是独生子女，和父母住在摩洛哥的首都拉巴特。

Giacomo Casanova was another famous seducer during the 18th century .

贾科莫卡萨诺瓦是另一个著名的笑话，在18世纪。

Signora Bruni, your daughter has been duped by none other than Casanova.

布鲁尼夫人，骗你女儿的不是别人，正是卡萨诺瓦

The fresh Italian champion than appealed to all the football fans and said:'Considering the importance of the game and of the cause, I call for the most crowd possible because the spectacle at the San Siro will be assured thanks to presence of great stars like Signori, Cassano, Stam, Dida, Serginho, Redondo, Denilson, Adriano, Junior, Taddei, Cesar, Claudio Lopez and Javier Zanetti.

这位新科联赛冠军接着对所有足球球迷发出了号召："考虑到这场比赛的重要性及其动机，我希望能有尽可能多的人来观看比赛，出现在圣西罗的球迷们绝不会失望，因为许多球星都将参加这次比赛，比如希格诺里、卡萨诺、斯塔姆、迪达、塞尔吉尼奥、雷东多、德尼尔森、阿德里亚诺、 Junior 、 Taddei 、 Cesar 、洛佩斯和扎内蒂。"

Signor Casanova and Signorina Donato.

卡萨诺瓦先生和德那多小姐

You'll learn how Mary Cassatt painted the lives of wealthy expatriates, while Henri de Toulouse-Lautrec scoured the dives of Montmartre to draw Paris by night.

您将学习如何玛丽卡萨特画的外籍人士的生活富裕，而亨利图卢兹洛特雷克冲刷的蒙马特潜水提请领略。

When my ship comings in, I'll get a trop to Casablanca.

误译：当我的船进港时，我就要到卡萨布兰卡去。

When my ship comes in, I'll take a trop to Casablanca.

应译为：当我发了财时，我就要到卡萨

When my ship comes in, Ill take a trop to Casablanca.

误译：当我的船进港时，我就要到卡萨布兰卡去。

The Cello Suites, his first book, vividly chronicles his international search for the original, and unfound, Bach score.

他的第一本书——《无伴奏大提琴组曲》——就生动地记录了他在世界范围内寻找巴赫乐谱原本的过程，还不时地偏离一下叙述主线，穿插一些巴赫和卡萨尔斯的生平轶事。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。