卡萨

And I think if Floyd gets a little too froggy, he could get clipped like Joel Casamayor did.

而且我认为，如果梅威瑟太畏首畏尾的话，他会象卡萨马约尔那样被咔嚓的。

The society, which operated between 1901 and 1939, was a quintet of performers who used obsolete instruments such as the viola da gamba , or Casadesus's own instrument, the viola d'amore .

在社会，1901年至1939年经营，是谁使用的表演，如大提琴，或卡萨德苏斯自己的工具，中提琴科特迪瓦爱茉莉过时的文书五重奏。

She appeared in many famous films including Casablanca,Intermezzo and Gaslight etc.

她一生出演过很多部著名电影，包括《卡萨布兰卡》，《插曲》，《煤气灯下》等。

Mr. Kasab told police of a hardscrabble life that led him to Lashkar, they say.

警方表示，卡萨布告诉他们，是贫困的生活将他推向了虔诚军。

When the door was closed it would be difficult to hear the shouts of the children, the jangle of Catharina's keys, the sweeping of our brooms.

关上门后，很难听见小孩的叫喊、卡萨琳娜钥匙的叮当声，或是我们的扫帚扫过地板的声音。

The German state of Lower Saxony is expected to retain a significant holding and will continue to hold a veto over key decisions taken by the board, while new investment to reinforce the group's finances is expected to come from the Middle Eastern Emerald of Kasa.

德国的下萨克森州预期将会持有重要股权，对董事会的关键决策继续拥有否决权，来自中东翡翠集团卡萨的新投资将会增强该集团的资金实力。

Lawrence Kasdan, who directed Ryan in French Kiss, has said,"Men want to be married to her, and women want to be her friends."

在《情定巴黎》一片中指导瑞恩的导演劳伦斯·卡萨丹曾说：「男人想娶她，女人想当她的朋友。

Improving with age: Turned in his greatest performances – KOs of Casamayor and Diaz – at 35 years old.

随着年岁的增长而进步：35岁时，他才迎来自己最伟大的拳台表演，即KO卡萨马约尔和迪亚兹。

Laszlo: You must know that its very important I get out of Casablanca.

拉兹洛：你应该知道我离开卡萨布兰卡是相当重要的。

No. Casanova the libertine who devotes his life to seducing women.

不，浪子卡萨诺瓦一生都在引诱女人的家伙

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。