卡罗尔

The "Chalcedonian giant," Thrasymachus, of whom we have already heard in the Phaedrus, is the personification of the Sophists, according to Plato's conception of them, in some of their worst characteristics.

那个&来自卡尔西顿的巨人&斯拉斯马科斯，我们在《斐德罗》已经听到过他的辩论，按照柏拉图对智者学派的构想，他简直就是智者们丑恶嘴脸的活化身。

Among the settlements were the major urban centers of Harappa and Mohenjo-daro, as well as Lothal, Dholavira, Ganweriwala, Kalibanga, and Rakhigarhi.

这些殖民地主要是哈拉帕和摩亨佐—达罗的主要市区中心，同时还有洛塔尔、朵拉维那、甘韦里瓦拉、卡力巴加和拉希迦希。

Because many other artists (Philip-Lorca diCorcia, Gabriel Orozco, Kim Jones) deserve a place here, think of the show as a lively, ambitious starting point for a more extensive investigation.

因为其他许多艺术家（菲利浦·洛卡·迪柯西亚，加布里埃尔·奥罗斯科，金·琼斯）值得在这里拥有一席之地，所以他们认为这里的展出是一个为更为广阔的探索而存在的生动和雄心勃勃的起点。

Many critics consider it sacrilege to mention him in the same breath with Manolete, Belmonte,…or Pace Camino.

许多批评家认为他同迈罗利蒂，巴尔蒙蒂或帕珂·卡米诺归于同一类是渎圣。

The ways of construction of emotional self mainly include Montaigne pattern, Pascal pattern, La rochefoucauld pattern, Rousseau pattern.

构建情感性自我的最重要的方式有蒙田模式、帕斯卡尔模式、拉罗什福科模式、卢梭模式。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。