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卡夫卡

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In fact, as some observers have noted, there are four films here:(1) Intervista itself, 20 a documentary being shot by Japanese filmmakers,(3 filmed reminiscences of Fellini's youth, and (4) the fictitious movie they are supposedly making (an adaptation of Kafka's Amerika ).

事实上,正如一些观察家指出,有四部电影在这里:(1)Intervista 本身,(20纪录片拍摄日本电影制片人,(3)拍摄回忆费里尼的青年,和(4)据说他们是虚构的电影制作(一改编卡夫卡的和美)。

Due to his close reading of Samuel Becket and Kafka, Pinter's works have some characteristics of the Theatre of the Absurd.

他的人物和语言与贝克和卡夫卡的人物和语言有相似之处。

In the cultural context of China, not only Benjamin's works , but also his background, just as his Jewish birth, the friendship with Gershom Scholem, Theodor Wiesengrund Adorno and Bertolt Brecht, the same status with Charles Baudelaire, the same personal passion of collection with Eduard Fuchs, the same dumpish contemplation with Kafka, and his suicide are all texts which can be interpreted endlessly.

在中国学者的视野中,不仅本雅明的著述,一切有关本雅明的背景:他的犹太家庭出身、他与朔勒姆、阿多诺、布莱希特等人的友谊、他与波德莱尔相同的"文人"处境、与爱德华·福克斯相同的"收藏家"嗜好、与卡夫卡相通的痛苦思索,以及他在纳粹迫害下于通往自由之路上的自杀行为等都是可被无限阐释的文本。

Kafkanistan was conceived in Pakistan in 2005 when Austrian multi media artist Lukas Birk and Irish anthropologist Sean Foley teamed up for an unusual journey.

卡夫卡国的创作想法产生于2005年,巴基斯坦。在奥地利多媒体艺术家Lukas Birk和爱尔兰人类学家Sean Foley一起开始这个不寻常旅程的时候。

Kafkanistan is a world created by Austrian multi-media artist Lukas Birk and Irish ethnographer Sean Foley.

卡夫卡国是奥地利多媒体艺术家 Lukas Birk和爱尔兰人种志学者Sean Foley所创造的世界。

An Austrian critic criticized Brod's viewpoint of connectin g the castle's ruling directly with mercy which is a religious concept in the postscript of the first edition of The Castle. In doing so, Brod gave a precedent to those critics who want to find religious symbols and other symbols in the novel and comprehend Kafka's illusion by theological explaining. In translating art images directly into the languages of theology, philosophy and psychology, it was certain that Brod would lower the value of Kafka's art.

奥地利批评家海因茨·波里策批评布罗德在《城堡》第一版后记中"把城堡的统治直接同慈悲这个宗教概念联系起来的"论点,为那些"想在这部作品中寻找宗教的和其他的象征,并给予神学的解释来理解卡夫卡的幻想"的批评家开了一个先例;布罗德"将艺术的图像直接翻译成神学的、哲学的和心理学的语言"的做法,必然会使其"艺术价值变得平淡"。

In "The Metamorphosis", Kafka by its unique incredible expression means, has promulgated in the modern society the person "the disassimilation", denied between the person and the person also has the possibility besides money and the formidable relations which in any sentiment links up, fully has unfolded person's and despairs in modern society isolation.

在《变形记》里,卡夫卡以其独特的荒诞表现手法,揭示了现代社会中人的"异化",否定了人与人之间除了金钱和利害关系外还有任何感情上沟通的可能性,充分展现了人在现代社会中的孤立与绝望。

In "The Metamorphosis", Kafka by its unique incredible expression_r means, has promulgated in the modern society the person "the disassimilation", denied between the person and the person also has the possibility besides money and the formidable relations which in any sentiment links up, fully has unfolded person's and despairs in modern society isolation.

在《变形记》里,卡夫卡以其独特的荒诞表现手法,揭示了现代社会中人的"异化",否定了人与人之间除了金钱和利害关系外还有任何感情上沟通的可能性,充分展现了人在现代社会中的孤立与绝望。

Betrayal is the special spiritual character to the world for him and his dramatis personae.

首先,在认知观念上,犹太教神秘主义的非理性特征和对传统的悖逆性影响了卡夫卡

During the Year 2005 and Year 2008, there were four times Solo Exhibition in Hong Zhai Gallery and WOW Gallery in Korea. There were criticism articles from Zhao Shanjun who is art historian , Kavka Lu who is Film critic, Yi Ying who is Critic and so on. In year 2001, Dyak, an artist from German, said Mr. Cheng Wei is a young artist with the international level.

美术史学家赵善君、影视评论家卡夫卡·陆、评论家易英曾写评论。01年德国艺术家狄亚克称之为具有国际水平的青年艺术家。09年《解放》系列入选第七届佛罗伦萨国际当代艺术双年展。

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