卡他的

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

These arrange of the decorations is nearly the same like that of the tombs of the Eighteenth Dynasty but without the daily life scenes (harvesting, fishing and fowling). Therefore, it connects the tombs of the Eighteenth Dynasty with more social life scenes and those of the Nineteenth Dynasty with few social life scenes.

宽厅的内容也分为两部分，左边是帕塞尔经历过的生活，有他接受国王的奖励，有他监管卡尔那克神庙的建造；右边是他将要经历的另一个世界的生活，他和他的家庭成员跟随神祗，乘坐太阳船游历冥界。

There is no direct evidence that he was proconsul in Achaia, but his brother Seneca writes that Gallio caught a fever there, and went on a voyage for his health.

有没有直接的证据，证明他是proconsul在achaia ，但他的兄弟塞涅卡写道： gallio捉住了，有发烧，到上一航程为他的健康。

These he moved swiftly on to public buildings, where his language became richer and more grandiloquent, culminating in his reconstruction of the north side of Piccadilly Circus and the first section of Regent Street just after the First World War.

基于这些，对公共建筑他迅速采取行动，在那里他的风格变得更丰富，更张扬。在他的重建北边的皮卡迪利广场和第一部分摄政街后，第一次世界大战开始了

Taylor, who had averaged just 38 punches per round in his bouts against Kassim Ouma and Cory Spinks (nearly 19 below the middleweight average of 56.5), was forced to dramatically increase his output or else be punched into oblivion.

在泰勒与卡西姆·奥玛和考利·斯平克斯的比赛中，他平均每个回合只有38拳（几乎低于中量级56.5的平均值），并且被迫戏剧性地增加他的出拳量，否者他要被人遗忘。

His thinking is a curious melange of leftism, dirigisme and liberalism whose Cartesian logic sometimes seemed crystalline only to himself.

他的思想很古怪，融合左翼，政府对国民经济的干预主义及自由主义，他的笛卡尔逻辑有时似乎只对他自己透明。

Al Leiter: Yeah, you know, I think it really makes him special and you see Mariano Rivera with his cut-fastball, he really predominates his pitching and dominants with great sinking fastball.

我想这点使他非常的特殊且你看到Mariano Rivera 以他的快速切球著名，他在控球上占有优势且以极佳的伸卡球主宰全场。

N Al Leiter: Yeah, you know, I think it really makes him special and you see Mariano Rivera with his cut-fastball, he really predominates his pitching and dominants with great sinking fastball.

我想这点使他非常的特殊且你看到Mariano Rivera 以他的快速切球著名，他在控球上占有优势且以极佳的伸卡球主宰全场。

As a result of large-scale exhibitions of his work held at museums such as the ZKM in Karlsruhe, the Musée d'Art Moderne de la Ville de Paris and the Tate Modern in London, as well as his participation in the 50th Biennale di Venezia 2003, he has become highly esteemed in the international art world.

由于大型展览他的工作举行博物馆等zkm在卡尔斯鲁厄，博物馆存在的现代艺术德洛杉矶ville的巴黎和泰特现代在伦敦，以及他在参加50双年展邸威尼斯2003年，他已经成为高度推崇，在国际艺术世界。

Roland Mouret, however, who enjoyed a brief spasm of fame thanks to his Cameron Diaz/Rachel Weisz-worn Galaxy dress before falling out with his backers, did something different: he took to the stage.

然而，罗兰·毛利特是个例外：他在与东家分手之后，把目光转向了舞蹈演出的舞台。此前，他曾因所设计的银河系列服装而闻名，卡梅隆·迪亚兹和瑞切尔·薇兹等好莱坞明星都穿着他的作品。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐