博物馆

Eventually, taking Chinese modern museum interior design as the main research object, the article is based on the architectonics, the theory of the space environment art, the theory of light environment, color theories and the theory of ecological architecture, carries on researches to the space design, the light environment design and the color environment design of the Chinese modern museum interior design.

本论文首先简单回顾了中国博物馆的发展演义，以及世界博物馆室内环境设计的发展历程，重点分析了中国博物馆室内环境设计的产生与发展，进而以中国现代博物馆室内环境设计为其中的主要研究对象，从建筑学、博物馆学、空间环境艺术理论、光环境理论、色彩理论、生态建筑理论等方面对中国现代博物馆室内环境设计的空间设计、光环境设计与色彩环境设计等方面进行研究。

Pieces of works, the Asia-Pacific Museum of California. 1989 should be invited by the University, Ohio fen to conduct academic exchanges and organized individual exhibitions. In July 1990 in Nepal's capital Kathmandu, large-scale exhibition held at the Museum. October 1990 New Delhi, India Baha'i Museum exhibition,"Chenming," a collection. On three occasions since 1991 in Florida, where Bo and other three cities held personal exhibitions. 1992 work,"Spring Bamboo" is Queen of the Netherlands Beja Therese collection. In Sydney, Australia in 1993, organized by city, the first Asia-Pacific Chinese ink painting contest winners, work "snowy's Island," a collection. In October 1994 the National Museum of the Netherlands invited to organize large-scale solo exhibition in December 1994 in Rotterdam invited Chinese literary weeks personal exhibition was held. 1995 Chinese Culture Week was mayor of Amsterdam, the Netherlands named after a famous Chinese artist. 1996 has been Noto City, He Luolin root City,拉登维斯林City, is an ink-Wei City, Amstelveen invited to organize large-scale exhibition city.

1986年起多幅作品被美国加州亚太博物馆收藏。1989年应美国俄亥俄州芬来大学邀请进行学术交流并举办个人画展。1990年7月在尼泊尔首都加德满都博物馆举行大型个展。1990年10月在印度新德里巴哈伊博物馆举行个展，《晨鸣》被收藏。1991年起先后三次在佛罗里达州、里勃等三城市举办个人画展。1992年作品《春竹》被荷兰女王贝雅特丽丝收藏。1993年在澳洲雪梨市举办的，首届亚太地区中国水墨画大赛获奖，作品《雪原之洲》被收藏。1994年10月被邀于荷兰国家博物馆举办大型个人画展，1994年12月在鹿特丹中国文体周特邀举行个人画展。1995年阿姆斯特丹中国文化周被市长命名为荷兰著名中国艺术家。1996年先后曾被乃登市、荷罗林根市、拉登维斯林市、乃墨卫市、阿姆斯特芬市邀请举办大型个展。

For museums, universality relates more to the general application of this precept: the museum entity, museological requirements for maintaining a museum, the common educational goals and encyclopaedic approach used throughout history in museums.

世界范围包罗万象的遗产涉及博物馆工作的很多方面，包括博物馆体制和组织机构，博物馆的运行和管理，博物馆的公共教育目标，向观众提供人类百科全书般的历史知识。

On International Museum Day 2007, ICOM encourages museums to announce "Universal Heritage Museum Partnerships" for long-term cooperation, especially between museums with extensive, encyclopaedic collections and those museums and communities from which these collections have been derived.

值此2007年国际博物馆日，国际博物馆协会鼓励"世界范围遗产与博物馆合作"，鼓励博物馆和那些具有广泛的、包罗万象的遗产地社区长期紧密合作。

His works are also widely collected by many museums worldwide, such as "the George R. Gardiner Museum of Ceramic Art" in Canada,"American Museum of Ceramic Art" in USA,"Faenza International Ceramics Museum" in Italy,"Zhenjiang Museum" and "Wuxi Museum" in China,"Boleslawiec Ceramics Museum" in Poland,"Tallinn Applied Art Museum" in Estonia, and "Nottingham Castle Museum" in England.

他的作品也被许多国内外的博物馆收藏，比如加拿大的「加得尼尔陶瓷博物馆」，美国的「波姆那陶瓷博物馆」，义大利的「法恩札陶瓷博物馆」，中国的「无锡博物馆」和「镇江博物馆」，波兰的「布拉什瓦给特陶瓷博物馆」，爱沙尼亚的「塔林应用艺术博物馆」和英国的「诺丁汉城堡博物馆」等等。

I would have more time to finish the Akhenaten Museum, the Civilization Museum, the Sohag Museum, the Greco-Roman Museum in Alexandria, and many other museums I want the world to see.

我将有更多时间来完成阿肯那顿博物馆，文明博物馆，索哈杰省博物馆，亚历山大的希腊罗马博物馆，和许多我希望世界看到的其他博物馆。

This essay compares the advantages of traditional museum education with internet museum education. No matter which one is better, the modern museum education should catch up with the world and combine all resources to reach the goals of culture and thought transference and education share. Nowadays, it has become a world trend to put an emphasis on resource integration.

本文试图透过比较的方式来阐述传统博物馆教育以及网路博物馆教育的优缺点；不过，不论何者较优，在二十一世纪的今天，强调资源整合已经是一种世界性的趋势，博物馆也不例外，只有把不同形式的博物馆教育资源结合起来，并强调与世界接轨，达到实现信息、传递文化与教育共享的目标，这样才能真正发挥出博物馆的教育功能。

Yigal Ozeri has exhibited extensively throughout Israel, Europe and the United States, and his work can be found in many prominent collections, including Albertina Museum, Vienna; Hudson Valley Center for Contemporary Art, Westchester; Kennedy Center for the Arts, Washington DC; McNay Art Museum, San Antonio; Nerman Museum, Kansas City; Scheringa Museum of Realist Art, Netherlands; Tel Aviv Museum of Art, Israel; and The Jewish Museum, New York.

伊加勒厄泽里显示出了整个以色列，欧洲和美国，广泛他的作品中可以找到许多知名的集合，包括阿尔贝蒂娜博物馆，维也纳，哈得孙河谷当代艺术中心，威，肯尼迪的艺术中心，华盛顿特区； McNay艺术博物馆，圣安东尼奥； Nerman博物馆，堪萨斯城，Scheringa博物馆现实主义艺术，荷兰；特拉维夫艺术博物馆，以色列和犹太博物馆，纽约。

Richard MacKinnon, Canada Research Chair in Intangible Culture and Director, Centre for Cape Breton Studies "Digitizing Canada's Gaelic Intangible Cultural Heritage", Kirstin Evenden, Vice President, Access, Collections, Exhibits, Glenbow Museum, and Terrance Houle, Artist "Digital Heritage and First Nations Cultures at Glenbow", Dr. Laurier Turgeon, Director, Institut du patrimoine culturel, Université Laval "Inventory of ethnological heritage resources", Brian Porter, Senior Director, New Media Resources, Royal Ontario Museum Royal Ontario Museum, with Yongjian Zhai, Director, Software Engineering, Arius 3D,"3D Digitization Solutions: Arius 3D and the Royal Ontario Museum". Dr. John McAvity, Executive Director, Canadian Museums Association, and Mr. Dale Jarvis, Intangible Cultural Heritage Development Officer Heritage Foundation of Newfoundland and Labrador also introduced their programs. Chinese scholars exchanged research findings with Canadian Professors in the field of intangible cultural heritage in China. The Chinese presentations including Dr.

在会上就加拿大范例发言的加拿大代表有：加拿大国家文明博物馆馆长Victor Rabinovithch：&加拿大博物馆与非物质文化保护&，不列颠哥伦比亚大学人类学博物馆馆长Antony Shelton博士：&互联网与非物质文化&，加拿大非物质文化保护国家专项主任Richard Mackinnon博士：&加拿大盖尔人非物质文化遗产的数码化保护&，卡尔加里市格伦鲍博物馆Kirstin Evenden女士和黑脚原住民部落Terence Houle先生：&格伦鲍博物馆原住民文化及数字化遗产项目&，拉瓦尔大学文化遗产学院院长Laurier Turgeon博士：&民俗文化遗产来源&，皇家安大略博物馆Brian John Porter和Arius 3D科技公司Yongjian Zhai：&政府项目与私企合作范例介绍&，加拿大博物馆协会执行主任John Gillis McCavity博士，纽芬兰和拉布拉多基金会发非物质文化发展官员Dale Gilbert Jarvis等。

Laurier Turgeon, Director, Institut du patrimoine culturel, Université Laval "Inventory of ethnological heritage resources", Brian Porter, Senior Director, New Media Resources, Royal Ontario Museum Royal Ontario Museum, with Yongjian Zhai, Director, Software Engineering, Arius 3D,"3D Digitization Solutions: Arius 3D and the Royal Ontario Museum". Dr. John McAvity, Executive Director, Canadian Museums Association, and Mr. Dale Jarvis, Intangible Cultural Heritage Development Officer Heritage Foundation of Newfoundland and Labrador also introduced their programs. Chinese scholars exchanged research findings with Canadian Professors in the field of intangible cultural heritage in China. The Chinese presentations including Dr. Fang Lili, Chinese National Academy of Arts "Documenting Intangible Culture in West China: A National Study Report", Dr.

国家文明博物馆馆长Victor Rabinovithch：&加拿大博物馆与非物质文化保护&，不列颠哥伦比亚大学人类学博物馆馆长Antony Shelton博士：&互联网与非物质文化&，加拿大非物质文化保护国家专项主任Richard Mackinnon博士：&加拿大盖尔人非物质文化遗产的数码化保护&，卡尔加里市格伦鲍博物馆Kirstin Evenden女士和黑脚原住民部落Terence Houle先生：&格伦鲍博物馆原住民文化及数字化遗产项目&，拉瓦尔大学文化遗产学院院长Laurier Turgeon博士：&民俗文化遗产来源&，皇家安大略博物馆Brian John Porter和Arius 3D科技公司Yongjian Zhai：&政府项目与私企合作范例介绍&，加拿大博物馆协会执行主任John Gillis McCavity博士，纽芬兰和拉布拉多基金会发非物质文化发展官员Dale Gilbert Jarvis等。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了