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Will should the affairs float surface of is south city report, from should report disclose, continuously built-up thorough, include this female powder silk of the father be clay-cold and see Andy Liou and knock wrong in Hong Kong other the door etc. of the star report, have scheme theory think all of the whole affairses is south city report of a news affairs, ignore is to fry to make all right, circumstances nature development all right, we concern of still is "agenda constitution function" at should the body in the affairs now.

将该事件浮出水面的是南方都市报,从该报披露以来,就不断层层深入,包括这名女粉丝的父亲死后,去香港见到刘德华又敲错其它明星的房门等等报导,有阴谋论者认为整个事件都是南方都市报的一次新闻事件,不管是炒作也好,事态自然发展也好,我们关注的依旧是"议程设置功能"在该事件中的体现。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发,对作者的创作发生及其创作的心理轨迹进行跟踪,认为,福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向,正是这种自主情结引导作者超越个人的局限,遨游于个人利害的范围之外,反映了超个人的、更为深邃的集体无意识,从而创作出了具有永恒艺术生命的作品和崇高的美学景象;福克纳的小说创作及其相关主题的发生,在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分,是自卑情结积聚成优越情结,进而过分补偿的结果;同时,由于美国南方(来源:A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因,福克纳在几十年的创作生涯中,情系荒原,创造了约克纳帕塔法县这个精神王国,使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所,其创作动因在于既关注对南方人们精神荒原的描绘,也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发,对作者的创作发生及其创作的心理轨迹进行跟踪,认为,福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向,正是这种自主情结引导作者超越个人的局限,遨游于个人利害的范围之外,反映了超个人的、更为深邃的集体无意识,从而创作出了具有永恒艺术生命的作品和崇高的美学景象;福克纳的小说创作及其相关主题的发生,在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分,是自卑情结积聚成优越情结,进而过分补偿的结果;同时,由于美国南方特殊的历史、政治及福克纳的生活遭际等原因,福克纳在几十年的创作生涯中,情系荒原,创造了约克纳帕塔法县这个精神王国,使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所,其创作动因在于既关注对南方人们精神荒原的描绘,也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

The paper introduces the development of the dairy farming of milch buffalo in China, and the physical, chemical, processing prop- erties and the current processing status of buffalo milk .

介绍了我国奶水牛产业的发展状况,水牛乳的理化、加工特性,水牛乳的加工状况,干酪在我国的发展状况,分析了我国南方发展水牛乳干酪的条件、优势和前景,提出了南方发展水牛乳干酪的设想。

Thee isoenergetic diets containing 0%, 15% and 30% gelatinized corn starch were formulated as control, middle level and high level carbohydrate diets, respectively. The juvenile southern catfish, Silurus meridionalis Chen (50.5±0.6g) were acclimated with control diet for l5d at 27.5±0.5t. Activities of glycolytic key enzymes (HK, GK and PFK-l) and the serum glucose concentrations in the southern catfish respectively fed with the three diets were examined, at 3, 6, 12, 24 and 48h after feeding.

配制含0%、15%和30%糊化玉米淀粉的等能饲料分别作为对照、中水平和高水平碳水化合物饲料,以体重为50.5±0.6g的南方姑幼鱼为实验对象,在水温27.5±0.5℃的条件下以对照饲料驯化15d后,分别测定了以三种饲料投喂的南方鲇在餐后3、6、12、24和48h的己糖激酶、葡萄糖激酶和磷酸果糖激酶(PFK-1)的活性和血糖水平。

Through comparative study, we can discove the relationship of the distinct blot of female reproduction worship and myth of NǚWa, it provides a lot precious materials for studying myth of Goddess. Based on this, investigate them in the pluralistic and organic-whole pattern of Chinese nation. It can not only understand the basic content of myth of Goddess,but also detect the culture fictor of the deep and the core. The author starts with the transmissiong of myth of NǚWa in the south minority nationality area.

然后在此基础上,笔者从汉族女娲神话在南方少数民族地区中的传播入手,分析前者对后者的影响,同时南方少数民族女神神话对汉族女娲神话的接受、认同与改造,具有直接移植、改造、发展汉族女娲神话的特征,纵横比较了两者之间互相影响共同发展的关系,而汉族女娲神话向少数民族传播与浸润的过程,同时也是多元一体之中华民族形成与发展过程。

In his play The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, Cat on a Hot Tin Roof, owing to Tennessee Williams's own life experience in the South, he portrayed a group of young women of the South, who are lonely, chill, coward and abnormal state of mind, and he demonstrated that these women, called the last aristocrats, could not adapt to the changes of the regime, and he also showed us the conflict between the old South culture and the modern culture as reflected in the women characters.

在他的作品《玻璃动物园》《欲望号街车》《夏天和烟》《热铁皮屋顶上的猫》等著作中,他以本人南方为背景,以细腻、委婉而有饱含同情的笔触刻画了1群孤独、失意、怯懦而心灵扭曲的女性形象,揭示了这批旧南方遗留下来的&最后贵族&在社会制度更迭时无所适从的心理。

In his play The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, Cat on a Hot Tin Roof, owing to Tennessee Williams's own life experience in the South, he portrayed a group of young women of the South, who are lonely, chill, coward and abnormal state of mind, and he demonstrated that these women, called the last aristocrats, could not adapt to the changes of the regime, and he also showed us the conflict between the old South culture and the modern culture as reflected in the women characters.

在他的作品《玻璃动物园》《欲望号街车》《夏天和烟》《热铁皮屋顶上的猫》等著作中,他以本人南方为背景,以细腻、委婉而有饱含同情的笔触刻画了一群孤独、失意、怯懦而心灵扭曲的女性形象,揭示了这批旧南方遗留下来的&最后贵族&在社会制度更迭时无所适从的心理。

Robert E. Lee's Confederate army was much smaller than Joe Hooker's Union army. But for five days, Lee kept part of his army moving between Chancellorsville and Fredericksburg. Wherever the Union army attacked, Lee quickly added more men to his lines. The Union army could not break through.

罗伯特。李率领的南方军与胡克所率领的军队相比显得很弱,但五天来,李将军始终让他的部队处于切斯劳维尔和弗雷德里克斯堡之间,每当北方军向他发起进攻时,李将军都能够迅速调整部队巩固防线,北方军始终没有击溃南方军的防线。

There was still hope, they said, if the Fuehrer retired to the south, where Field Marshal Ferdinand Schoerner's army group in czechoslovakia and considerable forces of Kesselring were still intact

他们说,如果元首退到南方去,还是有希望的,因为在南方,斐迪南·舒埃纳尔元帅在捷克斯洛伐克的集团军群和凯塞林所率领的相当大量的军队仍然完整无损。

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In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

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