南方的

A Voice from the South, By a Black Woman of the South - A Voice from the South, By a Black Woman of the South (Xenia, Ohio: The Aldine Printing House, 1892), by Anna J.

来自南方的声音，到了南方黑人妇女-声音来自南方由黑人妇女的南(花粉直感俄亥俄州：aldine印刷厂，1892)由安娜j。

Finally, in Chapter Five, by taking the history and culture of the South into account, the thesis points out the relationship between the women in the literary world of Faulkner and the myth of the South and the myth of Southern ladyhood. It makes it clear how Faulkner acquired the power to represent women in the bond of social and cultural forces and how he exerts his own power as a writer to write the historical progress of the South.

第五章结语部分在南方特定的历史与文化的背景下揭示了了福克纳文本中南方女性形象与南方神话、南方淑女神话的关系，总结了福克纳作为小说家如何从历史话语与文学话语中汲取力量，积极参与南方的历史进程，参与对二十世纪初叶南方现实的构塑。

From the point of view of the history and culture, with the Foucault's analysis of power relations and Lacan's psychoanalysis as the theory basis, this study begins with Faulkner's representation of female characters in the novel The Sound and the Fury (in this masterpiece, Faulkner concentrates on the expression of the repression on the female from the myth of the ladyhood and the serious result of it.) under scrutiny to decipher how the Southern women have been subjected to contending historical, social, and cultural forces to maintain the man-dominated society as the tool to serve the South and meet its political needs.

本文拟从历史与文化批评的角度出发，运用福柯的权利与话语理论、拉康的后结构主义精神分析等批评方法，通过重点分析福克纳的代表作《喧哗与骚动》(在这部杰作中，福克纳比较集中地描写了南方淑女神话对女性的压抑及由此造成的严重后果)中的南方女性形象，旨在揭示所谓南方淑女神话，只不过是服务于南方的活道具，是南方同北方进行政治斗争的产物，而南方的男权社会则借此"良机"，运用传统、宗教、道德、舆论等手段，压抑南方女性的声音，抹杀女性的主体身份，从而达到巩固男性主导社会性别秩序的目的。

The manorialism, Puritan culture, bloody slavery and the Civil War, which was looked upon as a catastrophe, were rich soil for development of South Gothic novel.

南方的庄园制度、清教文化特别是血腥的奴隶制以及在南方人看来是一场大灾难的南北战争是南方哥特小说发展的肥沃土壤。

In order to arouse southerners'collective unconsciousness and deconstruct northern cultural hegemony, William Faulkner portrays a Yoknapatawpha mythical world, and uses"Southernness"extensively in his novels.

一方面，福克纳通过塑造约克纳帕塔法神话世界并且在作品中大量使用"南方性"来唤起南方人内心深处的集体无意识，以此来打破北方在南方的文化霸权。

Furthermore, this dissertation provided evidence for a general south/north admixture, and more interestingly, a stronger influence of northern immigrants on the male lineages and the southern natives contributes more extensively to the female lineages in the southern Tibeto-Burman and southern Han populations, which was initially lived in northern China and moved to the south in the past 2.5 thousands of years.

此外，本论文还观察到近2年多年来从北方迁入南方的藏缅语人群和汉族人群与典型南方人群发生了大范围的基因交流，并且在交融过程中存在明显的性别偏向性，北方人群的Y染色体和南方人群的mtDNA 分别构成了其父系和母系基因库的主体。

In order to arouse southerners'collective unconsciousness and deconstruct northern cultural hegemony, William Faulkner portrays a Yoknapatawpha mythical world, and uses"Southernness"extensively in his novels.

一方面，福克纳通过塑造约克纳帕塔法神话世界并且在作品中大量使用&南方性&来唤起南方人内心深处的集体无意识，以此来打破北方在南方的文化霸权。

Due to the south of the manor system, a Puritan culture, especially in southern slavery and the bloody seems to be a catastrophe of the civil war, the south has the gothic novel development of fertile soil

由于南方的庄园制度，清教文化，特别是血腥的奴隶制以及在南方人看来是一场大灾难的南北战争，南方具有哥特小说发展的肥沃土壤

Old South, New South: Revolutions in the Southern Economy Since the Civil War.

旧南方、新南方：南北内战后南方的经济革命》1986。

Beginning with the legacy of such female playwrights from the South as Carson McCullers and continuing through the works of Southern contemporary female playwrights Naomi Wallace, Marsha Norman, and Rebecca Gilman, incest as a Southern theme has become a dramatic convention.

从Carson McCullers开始，到当代南方女性剧作家，Naomi Wallace、Marsha Norman与Rebecca Gilman，此股来自南方的女性剧作家的遗产，乱伦作为一种南方主题已成为一个戏剧传统。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。