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与 单色的 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the early days of Windows, a significant number of users didn't care for using the mouse, and indeed, Windows itself did not require a mouse. Although mouseless PCs have now generally gone the way of monochrome displays and dot-matrix printers, it is still recommended that you write programs that duplicate mouse operations with the keyboard. This is particularly true for something as fundamental as scroll bars, because our keyboards have a whole array of cursor movement keys that should offer alternatives to the mouse.

在早期的 Windows 中,大量的重要用户不愿意使用鼠标,而且的确,Windows 自己(以及许多 Windows)不需要鼠标尽管没有鼠标的 PC 现在通常已走上了单色显示器以及点阵式打印机的道路,但是我仍然提议你编写用键盘复制鼠标操作的步伐这对于一些以及滚动条同样基础的东西是特别正确的,因为咱们的键盘有所有光标移动键的排列,它应该提供相对于鼠标的可选择的东西

WE move into tall apartment buildings and don't bother to find out who our neighbors are for the last ten years. Thanks to telephones and internet, we've withdrawn form our desires to visit friends and we can no longer received hand-written letters ---maybe leaving a more hurmane China for the hightly modemized West has exposed Liu Ming more to the inner lonesomeness and remoteness among human beings. But we need not necessarily regard the deadpan buildings. Vacant basketball hoops and deserted basketball courts as an image of the mournful, lonesome and remoteness among human beings. But we need not necessarily regard th edeadpan buildings.

所以,在他的作品中,楼房、篮球场和其他物体一律处理成没有任何生气的在灰色,而且排斥任何的笔触、绘画性和形式感,以避免给画面带来丝毫的热情,而且,其中最重要的语言因素是,在他完成画面的绘制过程后,他使用丝网滚子在整个画面上罩上一层薄薄的单色,使这个静物般的城市,在人们的眼中象"雾里看花",象隔着一层类似塑料薄膜一般的屏障,失去了一种亲切感,这就是我说的"距离感"——人的生存环境同时成为与人有距离感的环境。

"Despondent Night"-the title for this exhibition chosen by Liu Xintao himself, leads us to the reality of a bustling city late at night –quiet streets ,endless gloominess ,blurred lights, lonely and despaired street walkers and left with commercial display windows and bill boards trying to maintain the glory of the city in the day time.Using Szechuan traditional painting technique, Xintao paints monochromic scenery adeptly by expressing boring life, deserted love, unforgotten sorrow and home sickness.

刘兴涛以《溃夜》命名的这组作品,将我们的视界引向白天喧闹繁华尽落的暗夜,县城空旷的街头、无边的灰暗、模糊不明的灯光、失落孤寂的行人,只有商业厨窗和广告灯箱闪着覆盖一切的欲望之光……用四川艺术家熟谙的传统表现性的笔法涂抹的这些单色风景,表达出一种空虚焦燥的生存感受,真实裸露的感情和挥之不去的伤怀与乡愁。

The results indicate the effect of light level, visual angle and eccentricity on detection rate and reaction time at mesopic region; shows series of spectral luminous efficacy drawn out from the experimental results since monochromatic stimulus was used; proves that the results from performance-based method are in essence compatible with those from bright-matching method, since both of them are in accordance

本论文实验和计算结果确定了背景亮度、视场角和偏心度对人眼探测率和反应时间的影响程度;根据视觉功能的基础和实验中选用单色光谱作为视觉目标所得到的数据推导出人眼在中间视觉状态下的系列的光谱光视效率函数;本文研究结果证实了基于视觉功能法和视亮度匹配法所获得的光谱光视效率函数在本质上的一致性,它们都能反映出随着亮度降低而产生的浦尔金耶偏移效应(Purkinje-shift),但本论文所采用的基于视觉功能法还能反映出人眼视觉信息处理中的颜色通道效应。

The creative point of this dissertation consists firstly in that monochromatic stimuli instead of combined spectral power distribution were used as visual object, and spectral luminous efficacy curves were drawn from the performance-based method; Comparison between performance-based method and brightness-matching method was then done and therefore connection between these two methods was developed; One more creative point is that the analysis based on the theory of neurophysiology and psychophysics leads to the conclusion that contribution of the colour channel during visual information processing is reflected from performance-based method, which should be considered when CIE develops the new mesopic photometry system.

论文的新颖之处在于实验中使用了单色光谱代替复合谱或物体色作为视觉目标,在分析中间视觉状态下视觉功能的光谱响应特性的基础上反推了人眼的光谱光视效率函数;论文更进一步验证了基于视觉功能法和传统的视亮度匹配法之间的联系,在两种方法之间构造了一座桥梁,为基于视觉功能法的使用初步建立了理论依据;同时论文创新地采用心理物理学的方法进行实验和结合物理学和视神经生理学的知识对实验结果进行分析,从而从视觉信息处理的神经机制层面证明了基于视觉功能法获得的结果包含了视觉颜色通道效应,并对CIE在建立新的中间视觉光度学系统时要充分考虑这一视觉颜色通道的影响提出了建议。

The research results indicate that LED integrated photopanel as interior illuminant, which emit monochromic light such as red light(660~680nm)and blue light(430~450nm), not only cover with spectrums absorbed by the plant or algae for photosynthesis, enhance the light energy absorbed by chlorophyll a and the growth of Spirulina platensis, increase greatly microalgal biomass and the its content of photosynthetic pigments; but also decrease enormously the absorption spectrums not need for photosynthesis, save energy at more than 38.75%.

从LED集成光电板的光电特性、光热效应、光衰减性、光辐射特征与植物和藻类光吸收特征的相匹配性及LED辐射单色光对螺旋藻的光合色素含量的影响等几方面,分析研究了LED集成光电板作为光生物反应器内部光源的特性及可行性,研究结果表明,LED集成光电板作为光生物反应器的内部光源,它所发射的单色光谱红光660~680nm、蓝光(430~450nm,不仅能覆盖植物和藻类光合作用所需要吸收的光谱能带,促进叶绿素a对光能的吸收和螺旋藻的生长,增强光合作用,使细胞生物量与光合色素含量显著提高;而且不被吸收的光谱减少,节能达38.75%,无疑它将是光生物反应器潜在最有效的光源。

Chinese prints, after a thousand years of development, from woodcuts to the copper engraving, lithographs, from monochrome printing to color overprint by a single print religious literature to develop prints, prints Hua Pu, in areas such as print New Year by the text attached to the Illustrations to be relatively independent of the arts, has made brilliant achievements of ancient Chinese art has become an important part, but also any country in the world and prints pair with more than.

和造纸、印刷术一样,版画艺术的故乡也在中国。版画是在绘画艺术和雕版印刷术的基础上发展起来的,它始于隋,行于唐,扩于宋,精于明,衰于清。经过一千多年的发展,中国版画由木刻版画到铜版画、石版画,由单色印刷到彩色套印,由单一的宗教版画拓展到文学版画、画谱版画、年节版画等领域,由依附于文字的插图到成为相对独立的艺术,取得了辉煌的成就,成为中国古代美术的重要组成部分,而且可以和世界任何一个国家的版画相媲比。

It cannot be supplanted in special fields such as a monochromator crystal for a synchrotron X-ray radiation beam, anvils of DAC, and the optical parts of some quipments.

a型金刚石在一些特殊的领域的应用是不可替代的,如X射线同步辐射的单色仪,DAC高压设备中的金刚石对顶砧,以及一些仪器的透光部件。

We own the largest set of cutting ╟edge main printing equipment worldwide---germany heidelberg cp2000 folio printing machine ranging five ╟color , four ╟color, bi-color and unicolour, and perfect post-printing equipments in connection with uv, locking wire, edition binding, paperbound, coding, saddle stitching and cementing.

公司具有丰富的印刷经验,聚集了许多高等院校的尖端高级印刷专业人才,拥有国际顶尖的、全球最大的成套印刷设备—-德国海德堡cp2000对开四色、五色、双色、单色机等的主体印刷设备,及完善的印后装备uv、锁线、精装、平装、打码、骑订龙、胶装龙等。

Luo Yinglong uses in his series Overflowing Desire different layers of monochromatic colours: red or yellow. In his paintings, he puts women's breasts next to each other symbolizing sexual desire, he directly and uninhibitedly paints the desirable reproductive organs of a woman or he depicts the negative innermost feelings of two persons entwined in an ambiguous kiss, exchanging obscenities or having a sexual relationship.

罗应龙的《连续的红》系列,采用不同层次的单色——红色或黄色,将象征欲望的女性乳房重复并置于画面,或者直接描绘女性充满欲望淋漓的生殖器,或者让两个人在暧昧的互相亲吻、调戏、交欢中呈现滥欲给现代人带来的否定性情愫。

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And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47:5 法老对约瑟说,你父亲和你弟兄们到你这里来了。

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