协奏曲

But even there she retained a touch from a former age: instead of playing Beethoven's own cadenzas in the Fourth Concerto, she played those of the composer Carl Reinecke, because those were the only ones available to her as a student in the 1930s.

即使在合作过程中，她依旧保持先前的那份情怀，她并没有在贝多芬第四协奏曲中演奏贝多芬的乐章，取而代之，她用了作曲家卡尔雷内克的作品，因为这是30年代她在学生时代时她仅有的音乐作品。

His playing and interpretations varied f rom season to season, recording to recording: he wrote and re-wrote hi s own cadenzas for the Brahms and Beethoven concertos.

他的演绎在不同季节或不同录音版本中显得多姿多彩，他为勃拉姆斯和贝多芬的协奏曲一次又一次地创作华彩段。

When she played her final Carnegie Hall performance — the chamber version of Mozart's Concerto No. 12 in A (K. 414), with the Tokyo String Quartet, in November 2002 — The New York Times reported that,"The small details — the trills and turns that adorn the score — as well as the more expansive pianism in the cadenzas and the glowing Andante, had considerable energy behind them."

当她在卡耐基音乐厅做最后的演出时——在2002年和东京弦乐四重一起演绎的莫扎特第12协奏曲（A调K414总谱）室内音乐厅版——纽约时报如是报道，&颤音和转音——这些装点乐曲的细节，以及在句尾更具扩张性的钢琴演奏技巧和洋溢着的舒缓节拍，这些背后有着强大的能量。&

When she played her final Carnegie Hall performance — the chamber version of Mozart's Concerto No. 12 in A (K. 414), with the Tokyo String Quartet, in November 2002 — The New York Times reported that,"The small details — the trills and turns that adorn the score — as well as the more expansive pianism in the cadenzas and the glowing Andante, had considerable energy behind them."

当她在卡耐基音乐厅做最后的演出时——在2002年和东京弦乐四重一起演绎的莫扎特第12协奏曲（A调K414总谱）室内音乐厅版——纽约时报如是报道，&颤音和转音这些装点乐曲的细节，在句尾更赋张力的钢琴演奏技巧和洋溢着的舒缓节拍，所有这些背后都蕴藏着强大的能量。&

He also wrote a number of cadenzas for other composers' violin concertos including those by Beethoven, Wolfgang A eus Mozart and Brahms see Violin Concerto (Beethoven and Violin Concerto.

他也为贝多芬和勃拉姆斯的小提琴协奏曲写作了一些装饰乐段。

Among the greatest composers in history, he wrote more than 200 cantatas, the Saint Matthew Passion (1729), the Mass in B minor (1733-1738), orchestral works such as the the six Brandenburg Concertos, and numerous works for organ, harpsichord, other solo instruments, and chamber ensembles.

是历史上最伟大的作曲家之一。他写了200多首大清唱剧马太受难曲（1729年），B小调弥撒曲（1733-1738年），管弦乐作品如六首勃兰登堡协奏曲和大量管风琴、拨弦古钢琴以及其它独奏乐器作品。

The first part elucidates the origin of the term sonata and the relationship between the early sonata and other contemporary instrumental music genres, pointing out the fact that the intertwining and mixing among sonata, canzona, sinfonia and concerto was caused by the obscure defining and distinguishing of different music genres. Since they overlapped in many aspects such as composition and performance, they were often confused with each other in actual practices.

第一部分阐述了奏鸣曲这一术语的起源以及早期奏鸣曲与同时代其它器乐体裁之间的关系，指出奏鸣曲与坎佐纳、交响曲、协奏曲之间的交错与混合在于体裁本身及体裁之间尚未形成明确的界定，它们在创作手法、演奏形式等方面存在着重合，因而在实际运用中经常被混同。

Concerto for Two Clarinets in E flat major, Op.

降E大调双单簧管协奏曲，作品35

It was during these years that Vivaldi wrote much of his music, including many operas and concerti.

在这些年中，维瓦第写了许多音乐作品，包含歌剧和协奏曲，1705年，第一本作品集「Raccolta」出版了。

He is best remembered for his 12 Concerti Grossi after Scarlatti and his Essay on Musical Expression , the first music criticism published in English.

他是最好记住他的12格罗西协奏曲后，斯卡拉蒂和他的音乐表达的论文，第一次音乐评论英文出版。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。