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半音音阶

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There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性,有时再加入一个新主题,最后在呈示部结束之前到达属调; 5、较多地运用整小节的休止,使其不仅具有深刻的表情意义,而且在结构乐曲中起到了不可或缺的作用; 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落,使同一个旋律在不同的和声色彩里闪现,既避免了单调的重复,又保持了旋律的抒情性和完整性; 7、展开的段落中习惯运用半音化的发展手法,半音阶式的深层线条成为某些展开段落的显著特点; 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机,三首奏鸣曲中运用了大量叹息的音调,并倾向于~#c小调的运用; 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

This abalone Xun Xun has managed to maintain the tradition of the original shape and tone, and increases the volume, the expansion of the range, and the chromatic scale to blow, it could be the transfer of musical instruments, ancient and mellow tone, low tragic, very Rich features.

这种九孔埙既保持了传统埙原有的外形和音色,又增大了音量,扩展了音域,能吹出音阶和半音,使它成为可以转调的乐器,而且音色古朴醇厚、低沉悲壮,极富特色。

"For variety, composers occasionally use notes and chord s from keys or scales other than the predominant one; this is called chromaticism."

为使作品变化丰富,作曲家有时将同一调子或音阶中次要的音符及和弦用在作品中,这便是半音体系。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上,通过作品曲式结构与古典协奏曲典型曲式结构的对比,总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新,展现了肖邦在协奏曲创作的继承和创新精神;旋律上,主要围绕作品旋律的歌唱性和色彩性进行论述,充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征;节奏上,通过对第三乐章的节奏分析,展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏,阐述作品的民族特色,并追溯特征节奏的原形,进一步揭示肖邦创作的民族本质和素材来源;和声上,从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手,分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

A chromatic semitone is the interval of a semitone or half step between notes of the same letter name, e.g.

变化音阶为两个相同音名间的半音音程,例如F到升F,A到降A。

Used of a scale, an interval, a semitone, or intonation.

用于音阶、音程、半音或转调

About one third of jazz is in blues form with twelve measures in a song and uses ---blue notes, the flatted third, fifth, and seventh notes of the musical scale.

大约有三分之一的爵士乐采用蓝调形式,一首歌有12小节,使用&蓝音&,即把第三,五,七个音阶降半音。

As it has all 12 notes of the Western scale in each octave, it is possible to play a tune in any key using a single chromatic harmonica.

半音阶口琴拥有全部12个半音,一支口琴就可以演奏任何调的曲目。

Music based on the standard major or minor scales consisting of 5 tones and 2 semitones without modulation by accidentals.

基于有5个全音和2个半音组成的标准大音阶或者标准小音阶。

The major scale is a diatonic scale that, in ascending order, consists of a pattern of steps and half steps, or whole tones and semitones.

大音阶是一种自然音阶,以上升顺序,包括一组全音和半音。

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Do you know, i need you to come back

你知道吗,我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书,王祥生,李德昌。安徽省首次发现嗜群血蜱。

Chapter Three: Type classification of DE structure in Sino-Tibetan languages.

第三章汉藏语&的&字结构的类型划分。