半音的

The technique elements of the modern music existed in the piano accompany part of Chinese art songs in the first half of 20th century, such as modes-semitone system of Neo-Nationalism in Music, bicinium technique of Neo-Classicism, and free atonality of Expressionism.

内容提要：20世纪上半叶中国艺术歌曲的钢琴伴奏中存在现代音乐的技法因素——新民族乐派"调式半音体系"、新古典主义音乐"二部写作技法"、表现主义音乐"自由无调性"的某些技法特征。

A percussion instrument with wooden bars tuned to produce a chromatic scale and with resonators; played with small mallets.

带有已调整的产生半音音阶的木棒和共鸣器的打击乐器；用小槌棒演奏。

By the 1810s, the use of chromaticism and the minor key, and the desire to move into remote key to give music a deeper range, were combined with a greater operatic reach.

在1810年代时，半音体系和小调的运用，以及为赋予音乐更深层变化而进行的远关系转调的需求，与更伟大的具有歌剧性的范畴结合。

By the second decades of the 19th century, the shift towards new sources of musical inspiration, along with an increasing chromaticism in melody and more expressive harmony, became a palpable stylistic shift.

1820年代，向着新的音乐灵感的转变，和音乐中使用得越来越多的半音，以及更多令人印象深刻的和声一起，成为一种明显的风格上的转变。

In the late 16th century, as the Renaissance era closed, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism(as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo).

16世纪晚期，当文艺复兴时期结束后，一种极度精细的风格发展起来，在世俗音乐，尤其是牧歌的发展上，这种风格趋于复杂化甚至极度使用半音体系（比如在Luzzaschi， Marenzio，和 Gesualdo的牧歌创作中）。

Yet the music sounds refreshingly modern thanks to the ingenious use of chromatics which was prevalent in the 19th and early 20th century music.

不过，经过巧妙的运用二十世纪初盛行的半音技法，作品仍处处透出清新的现代气息。

It explains separately the skills of the deviating from the key and modulation,the overlapping and interlacement of tune in deviating from the key and modulation to Chopin's《Polonaises》.Chapter three dissertates skills of a chord interlacement,and expending and appreciation about function of the chord subordinate in the《Polonaises》.

在肖邦《波兰舞曲》离调与转调技法中，对离调技法与转调技法，调性的重叠、交错分别进行阐述；第三章对肖邦在《波兰舞曲》中的和弦交织、下属功能的扩展与升值技法展开论述；第四章则是肖邦《波兰舞曲》的和弦外音、半音和声技法。。。

Independently Selectable Voicings for each harmony, with a wide variety of options, including two intelligent shifting modes, unison/detune, octave up/down, straight chromatic shifts from -12 to +12 semitones, as well as 2 octaves down.

独立可选择voicings为每和Xie，与各种各样的选择，其中包括两个智能转移模式，异口同声地/的失谐，八度向上/向下，直色的转变，从-12到12半音，以及二八度音。

Independently Selectable Voicings for each harmony, with a wide variety of options, including two intelligent shifting modes, unison/detune, octave up/down, straight chromatic shifts from -12 to +12 semitones, as well as 2 octaves down.

72EC'7ACB 可选择voicings为每和Xie，与各种各样的选择，其中包括两个智能转移模式，异口同声地/的失谐，八度向上/向下，直色的转变，从-12到12半音，以及二八度音。

The relationship of adjacent notes in all the previous scales is a whole-step or half-step.As part of our vocabulary,we need a method to identify the relationship between any two notes.

从前面的音阶看，相邻音之间的关系是一个全音或者半音，而作为我们现在的词汇，我们需要找到一种方法去确认每两个音之间的关系。

The objective is to subjugate and discourage the people, because that allows the elite to continue to rule unopposed.

其目的是压制和打击人民的积极性，因为这可以让实权派继续统治不会沦为反对派。

GOD,this is the second time you vanquished me!

天啊，这是第二次你打败了我！