半音的

This paper argues that Bartók s use of harmony and his musical style are close to modal harmony featuring Chinese traditional music and that his music deserves serious study in an effort to promote the nationalization of Chinese music.

在和声运用方面，为了突出匈牙利民族音乐特征，巴托克力图摆脱严谨的传统和声条框的束缚，探索新的和声表现手法，他将匈牙利民族调式和大小调体系有机的结合起来，在和弦构成的三度叠置原则、和弦外音的观念、调关系的理解、转调及扩展半音的方法等方面进行了突破与创新。

A piece of plectrum is used to play the instrument. This instrument is often used for accompanying folk songs and local opera. The sanxian is most popular in the north.

音量较大。在转调和演奏有半音的乐曲时更为灵活，最宜于演奏抒情的旋律和激昂的曲调，具有丰富的表现力。

Chinese composers and theorists have conducted great deal of exploration and systematic research on the "evolution of chromaticalization", which has been frequently used in the composition, but are considered by the theorists as chromatic chords, polytonality and pentatonic twelve-tone sequence, etc.. Seldom were the usages accounted for "chromaticalization" to which, consequently, little attention has been paid.

中国作曲家及理论家在对于西方音乐"半音化演进"方面做过大量的探索和系统的研究，"五声性半音化"在中国作曲家的作品中被频繁地使用，但大量的创作实践大都被理论家们总结为变音和弦、多调重叠以及五声性十二音序列等的使用方法，并没有从"半音化"的角度说明它们的规律，致使一直以来未引起人们的重视。

Admittedly, Ma Xiaohui began her own composition "The Spirit of My Erhu" with abstract tone landscapes, whose tentative sounds again and again break out of the usual European semitone scale.

接着马晓辉开始演奏她自己创作的作品"琴韵"，富有尝试性的声音，一次又一次的打破了欧洲音乐半音的常规。

It has been four hundred years since the note relation in semitone music been appeared, and it become a chords sequence favored by modern composers from subordination status in classical harmony.

内容提要：半音中音关系和弦连接从出现至今已有四百多年，从传统和声中的次要地位，到近现代成为一种作曲家喜爱的和弦序进，半音中音关系和弦连接是随着和声半音化的进程逐渐得到重视和运用的。

The Sinfonia, an organ Toccata and Fugue, begins in g minor depicting a chaotic and somewhat bitter feeling. The fugue features two main themes in chromatic progression. Both signify and incessant supplication of God. The Sinfonia was dedicated to the Canadian organist, Thomas Fiches, a closed friend of the composer.

整部大合唱的序曲由管风琴的托卡塔在低沉的g小调上开启，演绎出纷乱而痛苦的感觉；一首强力的二重赋格随之而至，以半音的旋法层层展开，表达了向上帝不住的哀求。

The Sinfonia, an organ Toccata and Fugue, begins in g minordepicting a chaotic and somewhat bitter feeling. The fugue featurestwo main themes in chromatic progression. Both signify andincessant supplication of God. The Sinfonia was dedicated to theCanadian organist, Thomas Fiches, a closed friend of thecomposer.

整部大合唱的序曲由管风琴的托卡塔在低沉的g小调上开启，演绎出纷乱而痛苦的感觉；一首强力的二重赋格随之而至，以半音的旋法层层展开，表达了向上帝不住的哀求。

Richard Taruskin has identified two contrasting idioms in the opera, one based largely in Russian folksong and used to portray the Russian characters, the other an exotic 'oriental' idiom, featuring melismatic vocal lines, melodic augmented 2nds, chromatic passing notes, and double-reed wind timbre, used to portray the Polovtsians.

在这部歌剧中理查德塔鲁斯金找到了两个对比的风格特色，一个主要根据俄罗斯民歌，用来塑造俄罗斯的人物形象，另外一个是具有异国特色的&装饰性&特色，以花唱的声乐表现，增二度的旋律，半音的经过音，双簧片的风声音色为特征，用来描绘波罗维茨人。

The Sinfonia, an organ Toccata and Fugue, begins in g minor depicting a chaotic and somewhat bitter feeling. The fugue features two main themes in chromatic progression. Both signify and incessant supplication of God. The Sinfonia was dedicated to the Canadian organist, Thomas Fiches, a closed friend of the composer.

序曲由管风琴的托卡塔在低沉的g小调上开启了全曲，演绎出纷乱而痛苦的感觉；一首强力的二重赋格随之而至，以半音的旋法层层展开，表达了诗人不住的哀求，在高潮的迸发之处，大合唱的声浪亦汹涌掩至。

I can tell the difference between a flat and a double flat notation.

我可以分别降半音符号与双倍降半音符号之间的区别。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。