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半瓷器

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Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie Antoinette, amid devices of rose-buds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hot-house flowers; fantastical caskets of Indian filigree work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Vallière, and Jeannne Marie du Barry; cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the moaning of the shrill March wind and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.

黄金和象牙的酒杯,都是本文纳托·切利尼③雕刻的;镶嵌金、银、鳖甲的布尔柜子和瓷器,在玫瑰花苞、真情同心结、飞鸟与蝴蝶、爱神与收女、女神与廷臣、村民与挤奶女等所构成的装饰性图案之中,还有着奥斯特里安·玛莉·昂朵涅特④的花押;用帕洛岛的大理石制作的小雕像和本色瓷器;盛放着暖房花卉的镀金花篮;妙想天开的用金银丝编织的印度首饰匣;薄而脆的青瓷茶杯,杯子上还雕着微型雕像,伟大的路易⑤啦,受人爱戴的路易啦,瓦里埃的路易啦,让娜·玛莉·迪·巴列⑥啦;六时大小的图画和镶着镀金框子的镜子,微微闪光的锦缎和半透明的花边;一切金钱买得到、艺术设计得出的东西,都收集拢来美化这安静的房间;爵士夫人便坐在这房间里,谛听着料峭的三月风的呜咽以及长春藤叶子在窗扉上飘飘拂拂的声音,凝望着熊熊燃烧的煤块之间殷红的空隙。

Once synonymous with porcelain, China is made when kaolin is mixed with petuntse, two forms of decomposed granite which fuse together in a very hot kiln to produce translucent clayware.

一度等于瓷器,中国是何时高岭土是混合petuntse,两种形式的风化花岗岩,融合在一个非常炎热窑生产半透明clayware。

She roused herself from that semi-lethargy, and walked rapidly to her dressing-table, and seating herself before it, pushed away the litter of golden-stoppered bottles, and delicate china-essence-boxes, and looked at her reflection in the large oval glass.

她从这种半昏迷状态中醒了过来,迅速地走到她的梳妆台那儿,在梳妆台前坐下,她推开杂乱地放着的金塞香水瓶子和精致瓷器香粉匣,在巨大的椭圆型镜子里瞧瞧她自己的容貌。

The "devices" are hemispherical objects of glass or porcelain, ending in a cone with a drop of mercury inside.

该"装置"是玻璃或瓷器的半球形物体,尾端有内盛汞滴的容器。

The inside of the bowl is completely undecorated, so the pure, translucent porcelain characteristic of the Yongle period is shown to great effect.

碗里面的是完全未修饰,所以纯洁的,永乐年间半透明的瓷器特点是证明有很大的影响。

"Earthenware is the oldest and simplest form; stoneware is fired at a high temperature to cause it to vitrify and harden; and porcelain is a fine, generally translucent form of pottery ."

陶器是最古老和简单的陶瓷形式,而石陶器则是在高温下形成的玻璃状硬器皿,瓷器则是一种精致半透明的陶瓷。

A bead;s personality is defined bu it's shape,material ..translucency ,and surface decoration,and for every kind of bead ,whether faceted crytal,polymer clay,lustrous ceramic,or dainty seed,there is a beader somewhere who covets it.vintage beads are prized by certain crafters:chunky ,oversized beads made from resin or plastic re particularly of the moment.in a word,beads are fascinating.

珠子的个性化被定义为他的形式,物质,半透明性,和表面的装饰。并且对于每一种主子来说,不管是切割的水晶,聚合黏土,瓷器,或者是优美的种子,这些对于珠子商人来说都是非常有吸引力的。古老的珠子被一定的工艺人看的很珍贵,由树脂和塑料做成的大珠子则是目前很独特的,一句话,珠子是很有吸引力的。

Being as temperate as jade is an aesthetic principle of celadon culture. When manufacturing celadon, craftsmen focused on the shape and glaze color, advocating natural beauty. Some scholars hold that natural jade stone represents the first level of art, the semi-natural porcelain is the second level of art, calligraphy, painting, and bronze constitute the third level of art, and celadon with green glaze baked in fire is the highest state of Chinese ceramics.

青瓷追求造型和釉色的文人情趣,崇尚&天然去雕琢&的自然美,有学者认为,天然玉石器为艺术的第一境界,半人半天然的瓷器为艺术的第二境界,人为的书画、青铜器为艺术的第三境界,人与火共同创造的青瓷釉水艺术是中国陶瓷的最高境界。

The "devices" are hemispherical objects of glass or porcelain, ending in a cone with a drop of mercury inside.

该&装置&是玻璃或瓷器的半球形物体,尾端有内盛汞滴的容器。

The "devices" are hemispherical objects of glass or porcelain, ending in a cone with a drop of mercury inside.

设备是玻璃或瓷器造的半球状物体,末端是一个圆锥体,里面有一滴水银。

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