午后的

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

Now transmuted, we swiftly escape, as Nature escapes; We are Nature—long have we been absent, but now we return; We become plants, leaves, foliage, roots, bark; We are bedded in the ground—we are rocks; We are oaks—we grow in the openings side by side; We browse—we are two among the wild herds, spontaneous as any; We are two fishes swimming in the sea together; We are what the locust blossoms are—we drop scent around the lanes, mornings and evenings; We are also the coarse smut of beasts, vegetables, minerals; We are two predatory hawks—we soar above, and look down; We are two resplendent suns—we it is who balance ourselves, orbic and stellar—we are as two comets; We prowl fang'd and four-footed in the woods—we spring on prey; We are two clouds, forenoons and afternoons, driving overhead; We are seas mingling—we are two of those cheerful waves, rolling over each other, and interwetting each other; We are what the atmosphere is, transparent, receptive, pervious, impervious: We are snow, rain, cold, darkness—we are each product and influence of the globe; We have circled and circled till we have arrived home again—we two have; We have voided all but freedom, and all but our own joy.

我俩，我们被愚弄了这么久我俩，我们被愚弄了这么久，可现在变了，我们迅速逃走，像大自然一样逃走，我们就是大自然，我们离开这里已经很久，但是如今回来了，我们变成植物、树干、树叶、树根和树皮，我们被安置在地里、我们是岩石，我们是橡树，我们并排地生长在林中的空地，我们吃草，我们是野牛群中的两只，如大家一样自然，我们是在海中一起游泳的两条鱼，我们是刺槐的花朵，我们早晚在小巷周围散发香气，我们也是兽类、植物、矿物的粗劣斑点，我们是两只肉食的苍鹰，我们翱翔在高空，俯视下面，我们是两个灿烂的太阳，我们在像星球般平衡着自己，我们是两颗彗星，我们张牙舞爪地在树林巾梭巡，我们向猎物跃进，我们是午前午后在上空奔驰的两朵云，我们是交混的海洋，我们是两个欢乐的浪头，在互相浇泼和连环翻滚，我们是大气、明澈而善于接受，有时能穿透，有时不能，我们是冰雪，雨水，寒冷，黑暗，我们是地球上的每种势力和产品，我们绕了一圈又一圈，最后我们又回到家里，我俩，我们避免了—切，除了自由和我们自己的欢欣。

More importantly, women born after 80 Namedianer a little selfish, they will not to the beloved men, spend an afternoon time to burn what nutrition Liang Tang, not to the beloved men, sitting The warm afternoon sunshine, a caring hand-knit sweater, this thing, in their view it is a very boring, they think it is time for the murder, because in the store to buy sweaters and hand-knit sweaters Is the same, the final purpose is the same, or even buy the store, hand-knit than some of the more attractive, so they will not blindly basic waste of time.

更重要的，是80后出生的女子有那么点儿小小的自私，她们不会为了心爱的男人，花上一个下午的时间去煲什么营养靓汤，更不会为了心爱的男人，坐在午后暖暖的阳光里，手工编织一件爱心毛衣，这样的事儿，在她们看来那是无聊之极，她们认为那是在谋杀时间，因为在商店里买到的毛衣和手工编织的毛衣是一样的，最后的用途都是相等的，甚至商店里买到的，会比手工编织的更精美一些，所以她们基本不会盲目地浪费时间。

The meals at store include sandwiches, spaghettis, continental breakfast and lunch. Because it is next to the bookstore, you may order a cup of drink and a set meal over here, and enjoy the quiet time with your new books. The weather becomes cool and the sun is warm in fall, making you comfortable so that you seem to get away from this hustle and bustle Taipei City.

店中提供现点现做的餐点包含三明治、义大利面、欧陆早午餐等，空间有内外之分，就座落在书店旁的地利之便，使得您可以买完书后，带著书走到这里点杯饮品和餐点，一个人坐下来好好的享受与书对话的宁静时光，入秋之际，天气渐凉，午后坐在外头，和煦的阳光取代了夏天炙热阳光的骚扰，彷佛暂时离开了台北这座喧嚣的都市。

I do remember some of my sick time,when i rested at home,got up in the afternoon,move to the gallery,watched sunny sun with my eyes narrowing,i must thought "what a boring afternoon" that time.maybe that's why i dislike a sunny day.and today,it's a sunny afternoon again,i sicked again,what's different is i can't enjoy such a comfortable afternoon just like when i was a children.i've got some duty,i had to work hard.

不小心离题千里了，呵呵。多数生病的午后，倒是阳光明媚的，自己一个人在家休息，闲来溜达到阳台，抬头就是刺眼的日头，让人平添些许烦恼。嗯，今天又是这样了，唯一不同的是，我没有休息的资格，而只能工作了，心情的阴暗也挡不住阳光的射入，烦啊。。。。。。。

At the door the wood-hooped pails, sodden and bleached by infinite scrubbings, hung like hats on a stand upon the forked and peeled limb of an oak fixed there for that purpose; all of them ready and dry for the evening milking.

奶牛场里的居民，都在像平常一样享受午后一个小时左右的小睡，夏天起床非常早，中午小睡一会儿是不可缺少的；门前有一棵用来挂牛奶桶的剥了树皮的橡树桩固定在地上，树权上挂着带箍的木桶，木桶经过不断的擦洗，已经让水泡透了，洗白了，挂在那儿就像一顶顶帽子；所有的木桶都洗静了，晒干了，准备晚上挤牛奶使用。

Sinking into a not-interested attitude to all people or thingsunder the sunshine every noon, I emtionally turned a brand new beginning into anepilogue. People surrounding me read and wrote report while crying for their painstaking work, I felt adeparture mood living in such a life, nobodybothered to snap a willow branch in winter, but how many people still stay in this cold campus next spring?

在每一个午后静寂的阳光中沉沦，丧失了对人和事的兴趣，本来是一个崭新的开始，由于太情绪化，又很快的濒临尾声，身边的人一边喊着辛苦，一边不厌其烦的看书写报告，这种日子让我想到离别，冬天应该没有人会去折柳，到了下一个春天，还会有几个人留在这个冷漠的校园？

End of Mallarme in their appreciation of poetry according to his symphonic poem "Afternoon Faun," after the performance said: It played a song the feelings of my poetry, it records the scenery can do more than color was also a vivid and more.

马拉美在欣赏完根据他的诗歌创作的交响诗《牧神午后》的演出后认为：&这首乐曲发挥了我的诗的感情，它记录的景色比色彩所能做到的还要生动得多。&

The result showed that the strong storm followed by mesoscale squall line was primary cause of strong sandstorm producing, steps and ladders short wave trough of 500 hPa was great criterion triggering system for the mesoscale squall line producing, the essential dynamic condition was provided by distortion field and the mesoscale low pressure of 700 hPa for the strong sandstorm forming and maintaining in mid-west of Hexi Corridor, the deep vertical circulation development condition was basic power that urged squall line to occur and sand dust to curl up, which was provided for the deep convection development by superimposition of lifting movement before ground cold front and ascendant current of secondary circulation in upper air jet entrance region, temperature and the barometric gradient around the cold front was enlarged by enhancement of ground thermal low and temperature diurnalvariation of afternoon, by which essential thermal energy unstable condition was provided for the gale and strong sandstorm eruption, the strong sandstorm appeared in downstream of -200 m^2s^(-2) center of vertical helicity, the vertical helicity had good instruction significance for development of squall line and landing region of sandstorm, the mesoscale squall line occurred in unstable stratification, basic condition of potential energy transforming as kinetic energy was provided by strong unstable stratification for the strong sandstorm forming and developing.

结果表明：中尺度飑线所伴随的强风暴是产生强沙尘暴的主要原因；500 hPa阶梯短波槽是中尺度飑线产生的大尺度触发系统，河西走廊中西部700 hp变形场、中尺度低压为强沙尘暴形成和维持提供了必要的动力条件；地面冷锋前上升运动与高空急流入口区次级环流的上升气流的叠加，为深对流发展提供了深厚的垂直环流发展条件，是促使飑线发生和沙尘卷起的基本动力；地面热低压的加强和午后气温的日变化加大了冷锋前后的温度和气压梯度，为大风、强沙尘暴爆发提供了必要的热力不稳定条件；强沙尘暴出现在垂直螺旋度为－200平方公尺/s^2中心的下游，垂直螺旋度对飑线的发展和沙尘暴的落区具有较好的指示意义；中尺度飑线发生在不稳定层结内，较强的不稳定层结为强沙尘暴形成、发展提供了位能转化为动能的基本条件。

I was shaded in the old style house, looking at Biluochun thin leaves flowing in the green water and dreaming in the light tea fragrance. Here it is actually SYR. Afternoon, traveling in lonesome and quiet alleyway, I was moved by the empty and magnificence. Here it is actually SYR. At the end of stone bridge, I met the leaf rain-cloak and we have god-given luck to walk under the same umbrella. It is actually SYR. The boat girl-singing coming to my ears, the boat going away in the setting sun, she is melting in the picture. It is SYR.

我在老式板屋巨大的荫庇中，看碧螺春细叶在微绿里沉浮，在淡淡的茶香昏昏沉沉地做了好梦，这便是江南；穿行在午后寂寞的小巷，静谧无声，粉墙黛瓦的空寂与鸿蒙让人心悸，这便是江南；石桥尽头，斜风细雨，布衣青蓑的孤独邂逅，百年修来的同伞缘分，这便是江南；船娘的歌声悠远传来，看小舟轻曳远去，残阳如血，人画相融，这便是江南。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。