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And they are guarding the Grecian and Mediterranean Sea's true storehouse—the golden mask of Agamemnon.

千百年来,重逾二十吨的三角形门楣上刻着的一对雄师护柱的浮雕和巨石垒成的高大城墙庄严守卫着宫殿,同时也守护着希腊的,也是地中海的真正的宝藏——阿伽门农黄金面具。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕,华伦街上的那些典雅富丽的府第相隔才两步路,残废军人院的圆顶近在咫尺,众议院也不远,勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华,驶来驶去,黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰,卜吕梅街却但是冷清清的;旧时财主们的死亡,一次已成过去的革命,古代豪门望族的崩溃、迁徒、遗忘,四十年的抛弃和寡居,已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草,还有那种叶子宽大、颜色灰绿、斑驳的高大植物,蜥蜴、蜣螂、种种仓皇急窜的昆虫,使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来,再次展现在那四道围墙里,使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界,在巴黎的一个陋劣的小小园子里,如同在新大陆的处女林中那样,既犷悍又庄严地炫耀着自己。

It is based on female's experiences and their responses to life, affirming self value, rebuilding self consciousness of females, getting back their social status and praising their contributions to society and culture. This thesis is going to analyze 3 major novels of Margaret Drabble which are created at different times during the second feminist movement: A Summer Bird-Cage, The Radiant Way and The Middle Ground.

本文主要围绕英国当代小说家玛格丽特·德拉布尔的三部核心作品——《夏日鸟笼》、《人生中旅》、《光辉灿烂的道路》,以伍尔夫、波伏瓦的女权主义思想和女性主义批评的理论与方法为工具,以女权主义运动第二次高潮为社会背景,分析其中的女性主人公的生命历程,从婚姻、事业等方面入手,著重探讨知识女性在20世纪六、七十年代的生存环境、生活境遇,总结概括玛格丽特·德拉布尔的写作风格和特点。

As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面,铃木春信的创作旺盛期是在晚年,《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名;喜多川歌磨有着独到的审美意识,展示女性的妩媚动人和优雅神态;役者绘大师东洲斋写乐的作品不多,仅仅出现在一个极短的期间,犹如历史夜空中一闪而过的彗星;葛饰北斋的"富岳三十六景"是浮世绘风景画流行的开端,作品吸取西洋的绘画元素,大多雄伟壮丽;歌川广重的"名所绘"出类拔萃,画中流露一种"日本情结"。

Consequently, the corset were fantastic instruments of torture for the girls—forty-pound panoplies of steel and leather and wood that squeezed them from armpits to hips, to such a degree that a full breath was impossible and any physical exertion confined to only a few moments.

结果是束衣成了一种奇异的、折磨女孩的刑具,由钢铁、皮革和木头组成全套四十磅重的装备,女孩子从腋窝直到臀部都被紧紧的挤压,紧到不可能充分的呼吸,任何身体运动都只能持续片刻。

In the twentieth century, warfare still smoldered and human suffering continued unabated. People began to realize that the peaceful coexistence of nations required mutual support and benefit, mutual respect and assistance. Only through negotiation and communication would "win-win" situations be possible.

民族社会力量之强大,引起了世人之注意,尤其,二十世纪期间,各地战争频仍,人类苦难连连,大家日渐体会到:民族间的和平相处,必须拥有互存共荣的理念、互助互重的雅量,唯有采取协谈会议、沟通交流的方式,才能为自他营造「双赢」的局面。

Employees, of whom there were 56 scientific and technological personnel, and covers an area of 20,006 over 1000 square meters, has cupola furnace: 8 tons, 5 tons, 3 tons of 3 to undertake one-piece casting weight 30 tons capacity, have 6-8 m of the gantry planer 7 Units, some other mechanical processing equipment 317 sets, the production of finished products per day more than 400 tons, thirty years to build high-quality materials, foundry production line platform for a variety of specifications, inspection platform, the electrical test platform, the assembly platform boring machine, washing bed matching table, Dafang me and other parallel flat feet, flat foot bridge, square box, V-body, such as measuring a set of machine maintenance, the products sell well both at home and abroad, over the years for mechanical, chemical, mining, electricity, railways, urban construction, coal, petroleum, non-ferrous metals such as 75,85,95 country plans to create a large number of key projects in qualified high-quality products, by all users.

现有职工340人,其中科技人员有56人,占地2万6千多平方米,有化铁炉:8吨、5吨、3吨三座能承接单件30吨重的铸造能力,有6米至8米的龙门刨7台,其他一些机械加工设备317台套,每天生产成品400余吨,建厂三十多年来以优质的材料,铸造生产各种规格的划线平台、检验平台、电机试验平台、装配平台镗床、洗床配套的工作台,大方箱及其它平行平尺,桥梁平尺、方箱、V型体等一整套的机床检修量具,产品畅销国内外,多年来为机械、化工、矿山、电力、铁道、城建、煤炭、石油、有色等国家75、85、95计划中大批重点工程项目制造优质合格的产品,受到各用户的好评。

The legiSIatiOn has milling,horizontal milling, drilling 1egiSlation, 1athe 38 pieces, I domestiC heavy truck productiOn companieS, tractor and heavy Shuangqiaoshan and car brake assembly,chassiS manufacturers of professionaI,With 20 years Of research and productiOn and SaleS of integrated professional business With a strong techniCal force,a domestiC casting Process FJOW,SCientifiC management, SaleS serviCe modeI, product line userS by the trust.

拥有各立铣、卧铣、立钻、车床38台件,我公司生产国产重卡、半挂、重型双桥及轿车制动总成,底盘件的专业生产厂家,具有二十多年的科研生产销售一体的专业化企业,拥有雄厚的技术力量,国内一流的铸造工艺,科学管理,销售服务的模式,产品一致受到用户的信赖。

SPACE FLIGHT EXPERIENCE: STS-32 (January 9-20, 1990) launched from the Kennedy Space Center, Florida, on an eleven-day flight, during which crew members on board the Orbiter Columbia successfully deployed a Syncom satellite, and retrieved the 21,400-pound Long Duration Exposure Facility.

太空飞行经验: STS-32 (1990年 1月9-20日)从佛罗里达州甘乃迪太空中心发射,进行十一天的飞行,在期间内哥伦比亚号太空梭上的组员们成功地部署了一具辛柯姆通讯卫星(Syncom,指美国发射的位於同步赤道轨道上的一系列通讯卫星),并且收回了21,400 磅重的长期持续曝光设施。

As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面,铃木春信的创作旺盛期是在晚年,《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名;喜多川歌磨有着独到的审美意识,展示女性的妩媚动人和优雅神态;役者绘大师东洲斋写乐的作品不多,仅仅出现在一个极短的期间,犹如历史夜空中一闪而过的彗星;葛饰北斋的&富岳三十六景&是浮世绘风景画流行的开端,作品吸取西洋的绘画元素,大多雄伟壮丽;歌川广重的&名所绘&出类拔萃,画中流露一种&日本情结&。

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