十二音的

The pitch organization logic of pentatonic twelve-tone is the most important structure logic in Luo Zhongrong's twelve-tone music works, mainly composed of two structure types: pentatonic tonality serial and pentatonic atonality serial.

五声性十二音的音高组织逻辑是罗忠镕十二音作品中最重要的结构逻辑，主要有五声性调性序列和五声性非调性序列两种结构类型。

Based on the method of the Third structure, the writer analyzed Bartok way to build up the work kernel motive from the simple relation of the third, then to establish three pitch combinations to control the whole piece: heptachord collection, octachord collection and the twelve-tone collection.

文章将立足于三度结构手法，分析巴托克如何从简单的三度关系建立起乐曲的核心动机，然后借助动机建立控制全曲的三种音高组合――七音音阶组合、八音音阶组合及十二音组合（twelve-tone collection），再依靠不同音阶组合建立了段落结构，由小至大、由表及里，创作了这首弦乐四重奏的核心乐章。

In Luo Zhong-rong"s modern compositions, the pitch organization and the form of it"s structure hold the prominent position and issue significant function in music context, and the researches of these aspects in this dissertation occupied referentially also a more wide space. The first three chapters introduced three kinds of pitch organization used in these compositions: serial set, twelve-tone tonality and pentatonic aggregate.

音高的组织与结构方式在罗忠铬的现代音乐创作中有着十分突出的作用，论文在这方面的研究也相应占据了较大的篇幅，前三章分别介绍了作曲家在这些创作中使用的三种音高组织："序列"、"十二音调式体系"以及"五声性十二音集合"。

Pincer, pair of pincers, tweezer, pair of tweezers

a。 第十二的，十二分之一的n。第十二，十二日，第十二音

Pincer, pair of pincers, tweezer, pair of tweezers twelfth

a。 第十二的，十二分之一的n。第十二，十二日，第十二音

Chapter I of the Sixth String Quartet generally creative background, the Sixth String Quartet strict twelve-tone sequence of a single application of the principle, in the analysis focus on a single sequence change in the initial pitch, that is, with the potential tonality, the theme of sound patterns.

第一章大致阐述第六弦乐四重奏的创作背景，研究第六弦乐四重奏严格的十二音单一序列原则的运用，在分析中重点关注单一序列初始音高的变化，即潜在调性与十二音主题形态。

Chapter II of the Seventh String Quartet in general on the background, with pitch-class set theory analysis of three replacement sound relationship between the unified group of pitch throughout the whole idea of music, as well as the theme of fragment replacement pitch twelve-tone theme with a free form.

第二章大致阐述第七弦乐四重奏创作背景，用音级集合理论分析出三音组音高置换关系统一贯穿全曲的思路，以及主题片段音高置换与自由十二音主题形态。

His three systems of pitch-class set combinatoriality, localized chords of twelve-tone, and man-made scale of non-octave cycles are innova.

他的三个创作技术体系——"音级集合配套"、"十二音定位和弦"、"非八度循环周期人工音阶"具有创新性，并且有大量的作品进行着实践的检验。

This topic analyzes the theory and technique of Gao\'s creation on his work especially his pitch-class set combinatoriality, localized chords of twelve-tone, and man-made scale of non-octave cycles.This paper explains on four chapters.

本课题通过对高为杰的创作技法及其理论研究成果，尤其是他的"音级集合配套"、"十二音定位和弦"、"非八度循环周期人工音阶"技法和相关作品的研究，来剖析这位当代中国作曲家的创作技法和理念。

His three systems of pitch-class set combinatoriality, localized chords of twelve-tone, and man-made scale of non-octave cycles are innovational. These systems are bared on a lot practices.

他的三个创作技术体系——"音级集合配套"、"十二音定位和弦"、"非八度循环周期人工音阶"具有创新性，并且有大量的作品进行着实践的检验。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。