化装的

Everyone knows that Dior's Boston bag, Chanel's NO.5, Gucci's bamboo handle, Louis Vuitton's suitcase, Hermes's Kelly bag, Prada's nylon bag, Cartie r's trinity ring, and Tiffany's baby blue case. In spite of that, I always insist that I buy accessories, I like sun glasses, necklaces, earrings, make-up bags,ect. After all, I am only seventeen-something, and I can't waste money as much as I'd like to.

大家都知道迪奥的波士顿，香奈儿的5号香水，古驰的竹手把，LV的旅行箱，爱马仕的凯莉包，普拉达的尼龙包包，卡地亚的三环戒，以及蒂芬妮的粉蓝色盒子，不过，我还是坚持只买配件，像是一些太阳镜，项链，耳环，化装包等小东西，毕竟我才17岁嘛，怎么能够随便浪费钱呢！

In an amusing chapter entitled "L' poque des Duchesses", he recounts with relish the fancy-dress balls given by Count tienne de Beaumont, who "encouraged exhibitionism and transvestism" and "always managed to upstage his guests by appearing in one spectacularly androgynous costume after another, designed by himself."

在一个名为"公爵的时代（L' poque des Duchesses）"的有趣章节中，他津津乐道地叙述了艾蒂安纳·德·博蒙特伯爵举行的一场化装舞会，也就是这位伯爵鼓励了毕加索作品中的"裸露癖与异性装扮癖"，他也总是穿着一件又一件由自己设计的引人入胜的两性服装，以设法无礼地对待他的客人。

But to the chamber which lies most westwardly of the seven there are now none of the maskers who venture, for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appalls; and to him whose foot falls on the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.

但是，西厢那一间，那些参加化装舞会的还是没人敢去。夜色渐阑，从血红的窗玻璃中泻进一派红光；阴森森的帷幔那片乌黑，令人魂飞魄散；凡是站在阴森森的地毯上的人，一听到近头乌檀木时钟发出一阵闷郁的钟声，无不感到比在远头其他屋里纵情声色的人所听到的更肃穆、有力。

All the different styles, cultures, choreographs, subjects, clothes, make-up and decorations of the video's he's created with a super quality in the last two decades are totally amazing.

VIDEO中不同的风格，文化，设计的舞蹈动作，音乐录影带的主题，服饰，化装和装饰，在过去的20年里，他以高质量的创造让人惊异不已！

Embosomed for a season in nature, whose floods of life stream around and through us, and invite us by the powers they supply, to action proportioned to nature, why should we grope among the dry bones of the past , or put the living generation into masquerade out of its faded wardrobe?

自然的生命河流穿过我们的身体，流淌在我们的周遭，我们暂时地包容其中，她用一种力量让我们维持着与自然界的平衡，为什么我们要在那些森森白骨中摸索，为什么我们活着的人非要穿上前辈们那些已经褪色的衣物，来参加一场化装舞会？

He dressed Jim up in King Lear's outfit -- it was a long curtain-calico gown, and a white horse-hair wig and whiskers; and then he took his theater paint and painted Jim's face and hands and ears and neck all over a dead, dull, solid blue, like a man that's been drownded nine days.

他把李尔王的服饰给杰姆打扮了起来――那是一件印花布长袍，一套白马尾做的假发和大胡子。他又取出了戏院里化装用的颜料，在杰姆的脸上、手上、耳朵上、颈子上，全都涂上了一层死气沉沉的蓝色，看上去仿佛一个人已经淹死了九天之久。

In an amusing chapter entitled "L' poque des Duchesses", he recounts with relish the fancy-dress balls given by Count tienne de Beaumont, who "encouraged exhibitionism and transvestism" and "always managed to upstage his guests by appearing in one spectacularly androgynous costume after another, designed by himself."

在一个名为&公爵的时代（L' poque des Duchesses）&的有趣章节中，他津津乐道地叙述了艾蒂安纳·德·博蒙特伯爵举行的一场化装舞会，也就是这位伯爵鼓励了毕加索作品中的&裸露癖与异性装扮癖&，他也总是穿着一件又一件由自己设计的引人入胜的两性服装，以设法无礼地对待他的客人。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。