化装的

Focusing on Melville's Typee (1846), Moby-Dick (1851), and The Confidence-Man (1857) and Morrison's Sula (1973), Beloved (1987), Jazz (1992), and Paradise (1998), the class will address their common concerns with issues of gender, race, language, and nationhood. Be prepared to read deeply i.e.

除了上课重点放在梅尔维尔的《泰皮》(1846)、《白鲸记》(1851)《大骗子》（朱注：国内藏书，另有一译名为《骗子的化装表演》）(1857)，以及摩里森的《苏拉》(1973)、《宠儿》（1987）、《爵士乐》（1992）、《乐园》（1997）这几本著作上之外，这门课也将着重这几书共同关心的主题：性别、种族、语言、民族主义。

The Platonic distinction between the idea and the eidolon is deemed rooted in the Greek temperament If we wished to use Plato's terminology we might speak of the tragic characters of the Greek stage somewhat as follows: the one true Dionysus appears in a multiplicity of characters, in the mask of warrior hero, and enmeshed in the web of individual will.

借用柏拉图的术语来说，我们不妨这样论述希腊的舞台形象，真实的酒神以各种姿态出现，化装为一个仿佛陷于个人意志之网罗中的战斗英雄。

I mean Italy's masquerade is very famous around world.

我想说的是，意大利的化装舞会在全世界很有名的。

She kept saying, addressing her governess and gazing into the face of her own daughter disguised as a Tatar of Kazan.

她仔细望着化装成喀山鞑靼人的她的女儿的面孔，一面把脸转向家庭女教师，说道。

One of the most interesting parades is Mummers' Parade in Philadelphia, Pennsylvania.

最有趣的游行之一是在宾夕法尼亚州的费城举行的化装表演。

In our daily experiences, men do not need or scarcely use make-up, and little boys are even far from rouges.

在我们的日常经验中，男人是不需要或极少使用化装术的，小男孩更是远离脂粉的。

The fact that a god hides behind all these masks accounts for the much-admired "ideal" character of those celebrated figures.

这些化装后面藏着一位神，这就是为甚么那些有名人物往往具有惊人的、典型的&理想性&的主要原因。

One of the most interesting parade s is Mummers' parade in Philadelphia, Pennsylvania.

最有趣的游行之一是在宾夕法尼亚州的费城举行的化装表演。

Bibot would look at his prey as a cat looks upon the mouse, play with him, sometimes for quite a quarter of an hour, pretend to be hoodwinked by the disguise, by the wigs and other bits of theatrical make-up which hid the identity of a ci-devant noble marquise or count.

比伯特盯着他的猎物如同猫盯着老鼠，玩弄它，有时甚至逗玩一刻之久，而后假装被贵族的伪装糊弄，被假发糊弄，被其他隐藏前贵族们侯爵伯爵真实身份的戏剧演出化装糊弄。

A bizarre fable masquerading as a pseudo-documentary,FATA MORGANA was another "stubborn child" for its ambitious creator.

一个离奇的寓言化装成假记录片，电影《海市蜃楼》又是雄心勃勃的导演一个&倔强的孩子&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。