化装的

To our suprise ,the fancy ball that she arranged turned out to be such a failure.

出乎意料的是她安排的化装舞会这样失败。字串8

Many of the dancers at the fancy dress ball wore colorful masks.

化装舞会上的许多跳舞者戴着五颜六色的面具。

Many of the dancers at the fancy dress ball wore colourful masks.

化装舞会上的许多跳舞者戴着五颜六色的面具。

He was driven on, and other carriages came whirling by in quick succession; the Minister, the State-Projector, the Farmer-General, the Doctor, the Lawyer, the Ecclesiastic, the Grand Opera, the Comedy, the whole Fancy Ball in a bright continuous flow, came whirling by.

马车载着他走了。别的车一辆接着一辆飞驰过来：总管、谋士、赋税承包商、医生、律师、教士、大歌剧演员、喜剧演员，还有整个化装舞会的参加者，一道琳琅满目的人流飞卷而去。

The Minister, the State-Projector, the Farmer-General, the Doctor, the Lawyer, the Ecclesiastic , the Grand Opera, the Comedy, the whole Fancy Ball in a bright continuous flow, came whirling by.

别的车一辆接着一辆飞驰过来：总管、谋士、赋税承包商、医生、律师、教士、大歌剧演员、喜剧演员，还有整个化装舞会的参加者，一道琳琅满目的人流飞卷而去。

Apply to show , different lady clothing headwear the spring , summer , autumn and winter give a customer different face.

1女装有头化装适用于女士春夏秋冬服装展示，不同的头饰给予顾客不同的面孔。

Kelleher is one of a kind. His antics have included dressing up a Elvis Presley and the ''.

他的不寻常而有趣的行为包括化装成普雷斯利和''。

Society is a masked ball, where every one hides his real character, and reveals it in hiding.

社会是一场化装舞会。在这个舞会中，每个人都隐藏起了他的真实品质，又在藏匿中显露了他的真实品质。

Society is a masked ball, where everyone hides his real character, then reveals it by hiding.

社会是一个化装舞会，在那里每个人都隐藏自己真正的性格，然后发现它的藏身之处。

However, today's Halloween does not have any religious superstitious color. It has become children's programs and the young people's masked ball programs.

不过，万圣节流传到今天已经完全没有了宗教迷信色彩，它成了一个孩子们的节目，也是年轻人化装舞会的节目。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。