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Except Yuanqi , all things had form, boundary, sideand beginning and end.

他认为天地万物都是有形有象的,而作为宇宙本原的元气,则是无形无象的;宇宙间的具体事物都是有固定的属性,也要受到其他物的限制,而元气则是"混全之称";一切具体事物都是有生有灭的,而元气则是无始无终、无生无灭的;元气的运动变化,聚散化生并不影响元气的总量,正如能量守恒定律一样;性也为元气所固有。

The entire palace room executes octagonal stone column 16, in the palace 4 golden column relief grasps the oak to hold the whip the bearing broad warrior, lively You Long, the natural dance phoenix, floating wants the fresh flying apsaras, the huge perfectly round p'anlung sc gd and so on, these relief hard and soft fusion attracts attention .12 eave columns besides 4 for the solid colored, other 8 also decorated with reliefs, the picture has the lotus, the chrysanthemum, the volume grass, the flying apsaras, to sit Buddha, the lotus flower metaplasia, the phoenix play peony, the peacock to put on the flower as well as the group crane noisy lotus and so on.

整个殿房施八角石柱16根,殿内的4根金柱浮雕握柞执鞭气度恢宏的武士,活泼的游龙,潇洒的舞凤,飘然欲生的飞天,庞大浑圆的盘龙等,这些浮雕刚柔融合惹人注目。12根檐柱除4根为素面外,其余8根也饰有浮雕,画面有莲、菊、卷草、飞天、坐佛、莲花化生、凤戏牡丹、孔雀穿花以及群鹤闹莲等。

The experimental results show that the content of SiC in RBSC increases with carbon content while α-SiC is chosen as a filler. However, the residual carbon would appear in specimens when the carbon content exceeds 30% by weight. Using carbon felt, the reaction-formed SiC particles are small and uniform in size and distribution. However, when carbon felt is impregnated with phenol resin, the reaction-formed SiC is nonuniform in size and distribution. X-ray diffraction shows that the fabricated RBSC is composed of α-SiC,β-SiC, and free Si. The polytype of SiC is related to the reaction-heat during sintering.

结果表明:选用α-SiC+C粉的混合物作为生坯,SiC相的体积分数随生坯中wC的增加而增加,但过大的wC将使硅化后的试样出现残碳;选用碳毡作为生坯,反应烧结碳化硅的显微组织特点是C/Si反应生成的碳化硅颗粒均匀细小,并呈线状分布在游离硅中;浸渍过树脂的碳毡硅化处理后的显微组织特点是反应生成的碳化硅颗粒粗大且呈不均匀分布。X射线衍射结果也表明,反应烧结碳化硅陶瓷由游离Si、α-SiC、β-SiC组成,试样中不同晶型碳化硅的出现与C/Si反应的放热过程有关。

A portion of ductal cells and individual serous acinic cells of the minor salivary gland also expressed Fas not only in membranous but also in cytoplasmic pattern.

结果发现,在正常鼻咽粘膜表面及隐窝的假复层纤毛柱状上皮细胞胞膜、部分小涎腺的导管上皮和个别浆液性腺泡上皮细胞的胞膜和胞浆Fas阳性表达;鳞状化生上皮的表层细胞胞膜有Fas表达,但基底细胞未见Fas表达;浸润的淋巴细胞也不表达Fas.45.9%(17/37)的鼻咽非角化性癌Fas阳性,但只有不足10%的癌细胞胞膜微弱表达Fas。

Based upon the ecoanatomical method, leaf anatomical characters of eleven populations of six evergreen species (Cyclobalanopsis glauca, C. myrsinaefolia, C. gracilis, Castanopsis sclerophylla, C. eyrei and Lithocarpus glaber) from the eastern subtropical area of China were analyzed and compared with SPSS, DCA and TWINSPAN. The results are: 1. Although the leaf structures of the eleven populations still belong to the mesophyll type, they all express the trend of xerophilization. 2. There are some differences in leaf anatomical characters among populations, species and genera, which occur as the results of their adaptation to different habitats. 3. Different leaf anatomical characters have different variations among populations, species and genera, of which leaf thickness and palisade tissue thickness (considered as ecological adaptation characters) have greater variation than sponge tissue thickness, lower cuticle thickness and lower epidermis thickness (as systematical evolution characters). 4. The leaves of C. sclerophylla and C. glauca with thicker lamina, palisade tissue and cuticle (a multilayered upper epidermis in C. sclerophylla) are thought to better adapt to their dry habitat. The leaves of C. eyrei with thicker sponge tissue, although characterized by a multlayered upper epidermis, adapt to their humid and warm habitat. The leaves of C. myrsinaefolia and C. gracilis characterized by a thinner lamina, a less palisade tissue and a moderate cuticle thickness adapt to the humid and cool habitat in a middle mountain.

选取亚热带东部替代分布明显的壳斗科6种常绿树种(青冈、小叶青冈、细叶青冈、苦槠、甜槠和石栎)的11个种群叶片进行生态解剖,并用SPSS, DCA和TWINSPAN比较分析,结果表明:①尽管6种11个种群叶的结构仍属中生叶型,但有着不同程度的趋旱适应;②叶的解剖性状在属间、种间和种群间均存在着不同程度的差异,这是它们适应各自生境的结果,青冈和石栎的种内差异较大,反映出它们对环境变化有较强响应能力;③叶片的不同解剖性状在属、种类和种群间的变化并不同步,其中叶片和栅栏组织厚度等性状差异突出,反映它们更易受环境的饰变,是生态适应性状,而海绵组织、下角质膜,特别是下表皮厚度等性状差异较小,显示出这些性状的稳定性,可以认为是系统演化性状;④苦槠、青冈具有较厚的叶片、栅栏组织、角质膜和发达输导和机械组织,苦槠还具有复表皮,表现出对旱化生境的适应;甜槠尽管具有复表皮和较厚的叶片,但这是海绵组织增厚的结果,是对中生生境的适应;小叶青冈和细叶青冈具有较薄的叶片和栅栏组织、角质膜厚度居中等特点,可能是对中山凉湿生境的适应。

The frequency value in S phase is 4. 83 times of M phase, 2. 9 times of G1 phase, and 3. 41 times of unsynchronized cells. These results suggested that gene correction events were highly related to S phase. Then we compared the targeting efficacy for two groups of cells in S phase. One group was contact with thymidine and the other one went smoothly through S phase without replication blockage.

基于这种原因,我们对基因定点修复事件做了细胞周期定位分析,发现同步于S期的细胞群发生定点修复的效率明显高于其它各期以及非同步化的细胞,流式细胞仪检测S期定点修复效率为M期细胞的4.83倍,为G1期细胞的2.9倍,是未同步化细胞的3.41倍。

The histopathologic changes included lymphocyte and monocyte infiltration,hyperplasia of synovial cells and small vessels,interstitial fibrosis,hyaline degeneration and cartilaginous metaplasia.The immunohistochemical observations showed that the high expressions of IL-1 and IL-6 were significantly different between the pathologic plicae and the control groups(P<0.01).The positive expressions of IL-1 and IL-6 were the synovial cells and monocyt-lymph cells in the pathologic synovial plicae.The positive expressions of MMP-1 and TIMP-1 have significant difference between the experiment and control group(P<0.01,P<0.05).The expression of MMP-1 was positive in synovial lining cell,monocyte,fibroblast,endothelial cell in small vessel and chondrocyte.The TIMP-1 expression was detected in the synovial lining cells and a small quantity fibroblast.

结果 正常滑膜皱襞和病理性滑膜皱襞在滑膜细胞增生及小血管增生、间质纤维化及玻璃样变、软骨化生组织学改变方面,差异均有显著性(P<0.01);IL-1、IL-6在病理性滑膜皱襞内的增生滑膜细胞、单核及淋巴细胞和在正常滑膜皱襞内的表达差异均有显著性(P<0.01); MMP-1、TIMP-1在病理性滑膜皱襞和正常皱襞内的阳性表达,差异具有显著性(P<0.01,P<0.05),MMP-1在增生滑膜衬里层细胞、单核和纤维母细胞、血管内皮细胞和软骨化生的软骨细胞呈阳性表达;TIMP-1只在滑膜衬里层细胞和少量纤维母细胞有表达。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分:一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因;简要介绍了中国传统民居室内陈设艺术的发展过程;着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析,总结出其设计理念集中体现在五个方面,即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚;另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨,并提出了自己的见解,即每个时代对传统文化的继承都应该呈现出自己的特色,当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓,又要充分考虑当代审美观念、原则和方法的融入。21世纪,室内设计大力提倡人文关怀,具体到室内陈设艺术设计上,应该向生态化、个性化、舒适化和文化层面发展;吸收传统文化元素装饰当代居室空间,要有效地把握空间意境,使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&,进而追求&形神兼备&的艺术效果。

Gastric cancer usually arises in chronic stomach inflammation and where atrophy and intestinal metaplasia have supervened.

胃癌发生的过程通常是长期的慢性发炎,慢慢导致细胞的萎缩和化生,然后走向癌化。

Yes we are all spiritual firemen and what a great blessing to our Church and to our world if we would be able to mobilize and deploy a large number of our American born, or "Americanized" youth, young adults, and even older ones to do the work of soul-saving, the work of missions-both local and global.

是的,我们都是属灵的消防员,如果我们可以动员美国土生的青年,或者是已经「美国化」的青年人,甚至是较年长美国化的华人,组成一大队拯救队,投入救人灵魂任务,在本地或全球宣教,这实在是华人教会的福气。

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What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢?

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我,一个心中布满虚荣的女孩子真实的想法。

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