勃拉姆斯风格的

This is an exaggerated expression of a true enough state of affairs: Johannes Brahms, as pianist, began with chamber music and remained devoted to the genre all through his life.

从贝多芬到马勒的交响乐，这是一种被十足夸张了的表述形态。身为钢琴家，勃拉姆斯从室内乐开始，并终身醉心与保持了这种风格。

But it isn't simple to "Return to the acients". According to his technique of traditional music, he was actually Brahms-Lohannes's follower. Melting the semitone and harmonic in his work each quoin, he inherited Wagner's harmonic style.

对传统音乐手法的使用，使得雷格尔不折不扣地成为勃拉姆斯的追随者；将半音化的和声语言融化在其作品的每一个角落，又使其不遗余力的成为瓦格纳和声风格的继承者。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。