勃拉姆斯的

She has a successful chamber music concert inBerlin.

在吴淑婷钟爱的室内乐演奏事业中，她长期担任上海音乐学院室内乐团首席。2007年在"欧洲青年交响音乐节"上与德国青年演奏家合作勃拉姆斯六重奏并成功举办音乐会；2008年曾与北德广播交响乐团的首席们合作在柏林举办室内乐音乐会；还曾组织在德国汉堡的中国留学生组成单簧管与弦乐四重奏的室内乐形式在汉堡市政厅与汉堡"门德尔松"音乐厅成功举办室内乐音乐会。

His times was the middle and late period ofromanticism, and in that times, classicalism music spirit had faded out of people's lives,the extremeness individualism tendency has come forth in the tide of musicdevelopment.

勃拉姆斯是19世纪下半叶德国音乐文化的杰出代表，他所处的时代是浪漫主义中晚期，，在这个时期，古典主义的音乐精神从人们的视野中淡出，晋乐发展的潮流中出现极端个人主义倾向。

Of? of exuviate of low clear of Li of to bang of horsefly admire island is contained fall Ⅶ class, fall Ⅵ class, fall Ⅲ class, fall the processing technique of harmony of Ⅱ class sound.

概要： 本文分析探索德国作曲家勃拉姆斯所喜用的一种和声手法：小下属领域的降号音系统和声，亦即包含有降Ⅶ级、降Ⅵ级、降Ⅲ级、降Ⅱ级音和声的处理手法。

Spring Symphonies has the intensity of Barber's Adagio, the wit of Gershwin's Rhapsody , the harmony of Beethoven and Brahms the space and reflection of Faure and Debussy .

Spring Symphonies》有其Barber's Adagio的紧凑，Gershwin's Rhapsody 的睿智，贝多芬和勃拉姆斯在作曲时乐谱表上的线间空白与倒映同福莱与德彪西如此的步调协调。

Brahms , who was living in the late period of Romantic music , maintained the classical ideality well and followed the histrionic and oneness of sonata or symphony .

而生活在晚期浪漫主义时期的勃拉姆斯仍旧沿袭奏鸣曲和交响曲的戏剧性和统一性，维系着古典主义的理想，却在19世纪被定论为浪漫主义时期牛保守的，落后的"古典主义者"。

We have selected works by Mozart, Brahms, Schumann and Mendelssohn to form two concert programs for your enjoyment.

我们精选了莫扎特的交响乐作品以及德国浪漫主义作曲家勃拉姆斯、舒曼、门德尔松等人的作品，组成两场精彩的音乐会以飨听众。

The Presto agitato finale of the D minor Sonata shows that Brahms in middle age was still not through with fierce, thick and violently difficult piano writing.

最后的激情的急板的D小调奏鸣曲显示，勃拉姆斯中年仍然没有通过激烈，厚和暴力困难钢琴写作。

Gould was proder of this recording than almost any other: It's the sexiest interpretation of Brahms's Intermezzi you 've ever heard - and I really think it is perhaps the best piano playing I have done.

古尔德本人对这个录音比其他任何录音都拥有更多的自豪感：它是您所听过的最性感的勃拉姆斯作品的演绎——我真心的认为这是我最好的钢琴录音。

They are among Buxtehude's best-known works and have influenced numerous composers after him, most notably Bach (whose organ passacaglia is modeled after Buxtehude's) and Brahms.

它们属于特许的最知名的作品，并影响了他无数的作曲家，最显着的巴赫（其器官帕萨卡里亚是仿照特许的）和勃拉姆斯。

Mr. Long Yu's recordings include, on Deutsche Grammophon with the China Philharmonic, Brahms's Piano Quartet in G Minor (orch. Arnold Schoenberg) and Wagner's Tannhuser Overture, highlights of Chinese symphonic music and Yellow River Concerto with Lang Lang.

余隆指挥的录音包括德意志唱片公司录制发行、中国爱乐乐团演奏的勃拉姆斯G小调钢琴四重奏和瓦格纳的《唐豪瑟》序曲、中国管弦乐作品集以及由郎朗担任钢琴独奏的钢琴协奏曲《黄河》。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。