勃拉姆斯

His times was the middle and late period ofromanticism, and in that times, classicalism music spirit had faded out of people's lives,the extremeness individualism tendency has come forth in the tide of musicdevelopment.

勃拉姆斯是19世纪下半叶德国音乐文化的杰出代表，他所处的时代是浪漫主义中晚期，，在这个时期，古典主义的音乐精神从人们的视野中淡出，晋乐发展的潮流中出现极端个人主义倾向。

Of? of exuviate of low clear of Li of to bang of horsefly admire island is contained fall Ⅶ class, fall Ⅵ class, fall Ⅲ class, fall the processing technique of harmony of Ⅱ class sound.

概要： 本文分析探索德国作曲家勃拉姆斯所喜用的一种和声手法：小下属领域的降号音系统和声，亦即包含有降Ⅶ级、降Ⅵ级、降Ⅲ级、降Ⅱ级音和声的处理手法。

Spring Symphonies has the intensity of Barber's Adagio, the wit of Gershwin's Rhapsody , the harmony of Beethoven and Brahms the space and reflection of Faure and Debussy .

Spring Symphonies》有其Barber's Adagio的紧凑，Gershwin's Rhapsody 的睿智，贝多芬和勃拉姆斯在作曲时乐谱表上的线间空白与倒映同福莱与德彪西如此的步调协调。

Brahms , who was living in the late period of Romantic music , maintained the classical ideality well and followed the histrionic and oneness of sonata or symphony .

而生活在晚期浪漫主义时期的勃拉姆斯仍旧沿袭奏鸣曲和交响曲的戏剧性和统一性，维系着古典主义的理想，却在19世纪被定论为浪漫主义时期牛保守的，落后的"古典主义者"。

Op.117 is the most famous one in all his Intermezzo. It is also a piece of music which is always played in piano solo concert.

但从时间上来讲，这几首作品的创作，贯穿了勃拉姆斯一生的创作生涯。

Brahms ; piano intermezzo ; classical sonata ; romanticism; creative characteristics

勃拉姆斯；钢琴间奏曲；古典主义；浪漫主义；创作特点

This is an exaggerated expression of a true enough state of affairs: Johannes Brahms, as pianist, began with chamber music and remained devoted to the genre all through his life.

从贝多芬到马勒的交响乐，这是一种被十足夸张了的表述形态。身为钢琴家，勃拉姆斯从室内乐开始，并终身醉心与保持了这种风格。

We have selected works by Mozart, Brahms, Schumann and Mendelssohn to form two concert programs for your enjoyment.

我们精选了莫扎特的交响乐作品以及德国浪漫主义作曲家勃拉姆斯、舒曼、门德尔松等人的作品，组成两场精彩的音乐会以飨听众。

But it isn't simple to "Return to the acients". According to his technique of traditional music, he was actually Brahms-Lohannes's follower. Melting the semitone and harmonic in his work each quoin, he inherited Wagner's harmonic style.

对传统音乐手法的使用，使得雷格尔不折不扣地成为勃拉姆斯的追随者；将半音化的和声语言融化在其作品的每一个角落，又使其不遗余力的成为瓦格纳和声风格的继承者。

The conclusion partially proposed the important role that the song cycle played in Brahms's lied composing.

结语部分提出了这一套曲在勃拉姆斯艺术歌曲中的重要地位。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。