动画片

This technique of storyboarding is borrowed from filmmaking and cartooning, where a similar process

故事板这种方法来自于拍摄电影和动画片制作，通过这种类似的过程来计划和评估现在的概念和计划，而无须花费大量的金钱和劳动力拍摄真正的电影。

This technique of storyboarding is borrowed from film making and cartooning, where a similar process is used to plan and evaluate ideas without having to deal with the cost and labor of shooting actual film .

故事板这种方法来自于拍摄电影和动画片制作，通过这种类似的过程来计划和评估现在的概念和计划，而无须花费大量的金钱和劳动力拍摄真正的电影。

This technique of storyboarding is borrowed from filmmaking and cartooning, where a similar process is used to plan and evaluate ideas without having to deal with the cost and labor of shooting actual film.

故事板这种方法来自于拍摄电影和动画片制作，通过这种类似的过程来计划和评估现在的概念和计划，而无须花费大量的金钱和劳动力拍摄真正的电影。

This classic cartoon still enthralls kids today.

这部经典的卡通动画片至今仍然让孩子著迷。

This is a cartoon movie featuring in adventure and action.

这是一部以冒险和动作为主题的动画片。

In the animated cartoon the ancient civilization fictionalizes cannot leave The use of traditional architecture .

动画片中古文明的虚构离不开传统建筑的运用。

The more Lin waxed about the spiritual properties of lipstick and women in chiffon, or suggested that world war could be avoided by screening Mickey Mouse pictures to international leaders, the more opportune his words seemed.

林语堂研究得较多是口红作为精神工具的作用和女性衣服的花边问题，或者认为让世界的领袖看米老鼠动画片可以消除世界大战，这些好像更适合他的工作。

Now the animation, drawing more and more outrageous characters, in particular, like monsters, the children read the mind is a certain fear or favor.

现在的动画片，画的人物越来越离谱，特别是怪兽之类的，孩子看了是造成一定的心里怕惧。

Actually it's a real classic outstands in our nation's history of cartoon, so is it today.

我还认为它是我国动画片历史上的经典之作，到今天也如此。

The Princess and the Frog isn't just Disney's best traditionally animated feature since Beauty and the Beast and The Lion King in the early '90s; it recaptures the fairy-tale magic of a more innocent era while also updating it for a 33world-wise, 21st-century audience.

公主与青蛙》不只是迪斯尼自上世纪90年代初期制作的《美女与野兽》和《狮子王》之后最好的传统动画片，它重拾了一个更为纯真的年代里那些童话故事里的&魔法&，还增添了新元素，来适应我们这些21世纪精于世故的观众们。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。