动作

The finding indicates that subjects create different appearances to feature boys and girls. Clothes are the most popular approach used, followed by hair-style, action and ornaments."Girls wear skirts" is a stereotype used most often by female subjects. Most subjects describe girls' action more positively than boys'.More male subjects used negative descriptors than female subjects. Most of the subjects are aware of and concern with the social sanction of behaviors. Socially disapproved behaviors by girls are more likely to be criticized by all subjects. The concept of "girls do house work" decreases with subjects' grade level.

研究结果发现，在图像的部份，学生主要依序以「衣服」、「发型」、「动作/或活动」、和「配件」来区分男与女的差异，其中以「动作/或活动」来作区别的随著年级的增长而递增，「女孩穿著裙子」的概念固著於学生的图像表现，女学生尤然；在文字部份所表现的，「男孩图像」所得的负面描述多於「女孩图像」，男学生使用的负面描述用语多於女学生；无论男或女学生普遍都倾向於以社会价值标准来衡量不可以作的事情，其中较多的男学生更倾向於社会价值标准来界定女孩不可以作的事情。

The rotation of the motor makes drives the crank-link mechanism to make the massaging head press mammas while completing circular motion, simulating manual massaging action.

模仿手工按摩的&揉&动作。同时按摩头抬起落下，铰接在按摩头上的按摩杆似伞架做打开收起动作。模仿手工按摩的&抓&&放&动作。

In this case, we're submitting the data to the log action of the current controller, which is ThoughtsController.

在这个例子中我们提交数据给当前控制器 ThoughtsController 的 log 动作。

Here I suggest that the question of how to unsettle spectators to the extent that they, true to Ibsen's initial radicalism, are forced to participate in the final closure can be usefully answered by turning to the theatre methods of Antonin Artaud and Bertolt Brecht.

本文主要探究易卜生於《玩偶之家》中所埋设的「意象」动作，并试图以亚陶「残酷剧场」〈弃用名剧〉('No More Masterpieces')的剧场理念，诠释《玩偶之家》；再者，此剧所激起的社会批判效应，亦可透过布雷希特辩证剧场的导演理论加以阐释。

F Capitude is reported to be a "chesty" move, possibly a counter throw F-cu

新技F Capitude据说是一个"胸部"动作，可能是返技投

F Capitude is reported to be a "chesty" move, possibly a counter throw (F-cup-itude?).

新技F Capitude据说是一个"胸部"动作，可能是返技投

Since the message is long distance, non-interactive and of short exposure, eyeballs need to be captured rapidly to achieve recognition, relevance and impression. As a result, creative expression focuses on the intrusiveness of colors, sound, motion and structure. It is hoped that messages can stand out of dozens, hundreds, and thousands of outdoor media messages that consumers are exposed to on a daily basis.

由于是远距离的，非互动的，曝光时间短暂的；必需很快抓住消费者的眼球，达成认知、相关、印象的效果；因此，在创意表现上，着重于色彩、声音、动作、结构的侵略性；力求在消费者一天经过的数十、数百、上千个户外媒体中，得到消费者鹤立鸡群般的注意力。

Since the message is long distance, non-interactive and of short exposure, eyeballs need to be captured rapidly to achieve recognition, relevance and impression. As a result, creative expression_r focuses on the intrusiveness of colors, sound, motion and structure. It is hoped that messages can stand out of dozens, hundreds, and thousands of outdoor media messages that consumers are exposed to on a daily basis.

由于是远距离的，非互动的，曝光时间短暂的；必需很快抓住消费者的眼球，达成认知、相关、印象的效果；因此，在创意表现上，着重于色彩、声音、动作、结构的侵略性；力求在消费者一天经过的数十、数百、上千个户外媒体中，得到消费者鹤立鸡群般的注意力。

MOVEMENT:"I'll do what I must."

动作： "我会做什么，我必须。"

Movement ; exercise ; skill of perceptual movement ; intellectual skill ; neoteny

动作；运动；知觉动作技能；智力技能；幼态持续

As of Tuesday, Google's results were still censored in China.

截至周二，谷歌的搜索结果仍受中国审查。

In order to make the positive action increase and negative one decrease, the sub-forces of the social factors must be adjusted to form a centripetal force.

在这一过程中，人的主体性发挥是社会有机体健康发展的灵魂。