加德

Almost everyone notes that there is no "time" in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold's Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed "bulletins" carrying news from the world outside); neither is there any logical sense of where one is.

几乎人人都注意到，在拉斯维加斯是没有&时间&的，无所谓昼、夜，无所谓过去、未来（不过，拉斯维加斯的赌场中没有一个像里诺的哈罗德夜总会那样无视正常的时间观念的，在那里曾经发行一种油印的&快报&——发报的时间也是在白天或夜间的非正常时段，上面刊载一些来自外部世界的消息）；也没有任何理性的方位概念。

Almost everyone notes that there is no "time" in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold's Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed "bulletins" carrying news from the world outside); neither is there any logical sense of where one is.

几乎每一个来拉斯维加斯的人都注意到这里没有&时间&的概念，没有黑夜也没有白昼，没有过去也没有未来（然而拉斯维加斯的赌场里这种对于寻常时间观念的丢失没有影响到里诺的哈罗德俱乐部，那里每天早晨有那么一会儿，会发行油印的，承载着世界各地新闻的&公告&）；人们对于自己身处何方也没有任何逻辑上的认识。

Almost everyone notes that there is no "time" in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold's Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed "bulletins" carrying news from the world outside); neither is there any logical sense of where one is.

几乎每个人都注意到在拉斯维加斯没有&时间&概念，没有黑夜、没有白天，没有过去、没有将来。（但是，拉斯维加斯没有一家赌场能像里诺6的哈罗德俱乐部那样抹灭基本的时间概念。那里会偶尔在白天和晚上零星的空闲时间里发行油印的&简报&，带来外面世界的消息。）那里也没有关于人身处何地的逻辑概念。

Almost everyone notes that there is no "time" in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold's Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed "bulletins" carrying news from the world outside); neither is there any logical sense of where one is.

几乎每个人都说拉斯维加斯没有&时间&，没有白天和黑夜，没有过去和未来（然而没有哪家拉斯维加斯的赌场像位于雷诺的哈乐德俱乐部那样失去了普通的时间观念，它全天不定时地，每隔一会儿时间就发放刊有外界消息的油印简报。）；在这里你也弄个不清你的方向。

Almost everyone notes that there is no "time" in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold's Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed "bulletins" carrying news from the world outside); neither is there any logical sense of where one is.

几乎每个人都注意到，拉斯维加斯没有&时间&概念，没有夜晚也没有白天，没有过去也没有未来（然而，在消除普通时间概念方面，做得最绝的是比里诺的哈罗德俱乐部，拉斯维加斯的任何赌场都比不上。有段时间，该俱乐部日夜不定期地发行油印&公告&，报道外面世界的最新状况）；它还让人丧失逻辑感，不知身处何方。

Twitch the hook of a fishing line through or along the surface of water.

沿水面急拉鱼钩钓鱼。加尔西拉索·德·拉·维加，i。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Troops of Decken's sifakas, found only in western Madagascar, cruise the tops of the tsingy searching for food and evading predators.

一群仅发现于马达加斯加西部的德肯的狐猴，巡游在黥基的顶部寻找食物和躲避掠食者。

Cases in the control group were treated with salbutamol based on the routine treatment.

将95例毛细支气管炎患儿随机分为两组，对照组95例在常规治疗基础上加用沙丁胺醇，治疗组95例在常规治疗基础上加用沙丁胺醇、异丙托溴铵、布地奈德，均2次/d空气压缩雾化泵吸入，观察两组临床症状、体征改善情况。

Josie指着这几张钱背面解释说:on the back side of 5 pound note depicts elizabeth fry'sface,she was a philanthropist in 19th century britain,the left side picture showing a scene with her reading in a charity campaign;the 10 pound note depicts mr.charles darwin who was an aturalist in 19 th century britain;the 50 pound note depicts sir.john houblon who was the first governor of the bank of england;the back side of his face is his house;as for the back side of 20 pounds,it depicting sir.edward elgar's face with aview of worcester cathedral,elgar was a famous composer in the world.

5镑背面描绘的是英国19世纪慈善家伊丽莎白弗雷的肖像，左侧是她参加慈善活动的图案；10镑钱描绘的是英国19世纪博物学家查尔斯达尔文；50镑钱描绘的是英格兰银行第一任董事约翰霍布伦，他肖像的后面是他的家；至于20镑钱，描绘的是爱德华埃尔加的脸和伍斯特大教堂埃尔加是著名的作曲家）

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新