加布里埃拉

Districts: Beja, Braga, Aveiro, Braganca, Castelo Branco, Coimbra, Evora, Faro, Guarda, Leiria, Lisbon, Portalegre, Porto, Santarem, Setubal, Viana do Castello, Vila Real, Viseu.

区：贝雅、布拉加、阿威罗、布拉干萨、布朗库堡、科英布拉、埃武拉、法鲁、瓜达、莱里亚、里斯本、波塔莱格雷、波尔图、圣塔伦、塞图巴尔、维亚纳堡、雷阿尔城、维塞乌。

Cagliari : Carini; Lopez (Pisano 66), Canini, Bega, Agostini; Conticchio (Langella 31), Abeijon (Cossu 31), Budel, Gobbi; Esposito, Suazo

卡利亚里出场阵容：卡里尼；洛佩斯（皮萨诺 66）、卡尼尼、贝加、阿戈斯蒂尼；孔蒂奇奥（兰杰拉 31）、阿贝洪（科苏 31）、布德尔、戈比；埃斯波西托、苏亚佐。

We'll split into pairs and search, and don't forget, be gentle with Potter until we've got the prophecy, you can kill the others if necessary -- Bellatrix, Rodolphus, you take the left, Crabbe, Rabastan, go right -- Jugson, Dolohov, the door straight ahead -- Macnair and Avery, through here -- Rookwood, over there -- Mulciber, come with me!

大家两人一组分头搜寻，记住，在得到预言球前不要对波特动粗，如果需要，其他人都可以杀掉——贝拉特里克斯，罗道夫斯，你们去左边，克拉布，拉巴斯坦，去右边——加格森，多洛霍夫，去正前面的门——麦克尼尔，还有埃弗里，在这里找——卢克伍德，去那边——穆尔塞伯，跟我走！

After Oscar Hijuelos won the Pulitzer Prize for his sizzling novel of Cuba, The Mambo Kings Play Songs of Love, publishers competed to bring out books by Latinos from a variety of backgrounds: Julia Alvarez's vividly told How the Garcia Girls Lost Their Accents, about four Dominican sisters in the Bronx; Cristina Garcia's sprightly Dreaming in Cuban, about her immigrant family in Miami; Francisco Goldman's The Long Night of White Chickens, set during Guatemala's military rule; When I Was Puerto Rican, Esmeralda Santiago's dreamy paean to her childhood; Drown, Junot Díaz's prickly stories about Dominican street punks.

在奥斯卡·希胡罗斯以古巴主题的激情小说《曼波王演奏爱之歌》荣获普利策奖之后，出版商争先恐后推出各种背景的拉美裔作家的作品。于是便有了朱莉娅·阿尔瓦雷斯叙述布朗克斯区4个多米尼加姐妹成长故事的生动小说《卡西亚姑娘们不再带口音》；克里斯蒂娜·加西亚描绘她在迈阿密的移民家庭的清新明快的《梦回古巴》；弗朗西斯科·戈德曼以危地马拉军统时期为背景的《白鸡的漫长夜》；埃斯梅拉达·圣地亚哥追忆梦幻童年的《我是波多黎各人的岁月》；以及朱诺特·迪亚斯描写多米尼加裔街头无业青年严酷生活的短篇小说集《沉沦》。

Also present were John Elkann, Michel Platini, Giampiero Boniperti, Franzo Grande Stevens, Jean-Claude Blanc and the board of directors, Roberto Bettega, sport and political institutions, representatives from that year's team namely Bonini, Brio, Briaschi, Tacconi and Vignola as well as Alessandro Del Piero, Mariella Scirea, Giovanni Cobolli Gigli, Francesco Morini and Giuseppe Furino.

同样出席的还有约翰。埃尔坎、米歇尔。普拉蒂尼、博尼佩尔蒂、斯蒂文斯、布兰科以及各位董事会成员、贝特加、体育和政治组织、那一年球队中的代表Bonini、Brio、Briaschi、Tacconi和Vignola，还有亚历山德罗。德尔。皮耶罗、玛丽亚拉。西雷阿、吉利、莫里尼和朱塞佩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。