加尔文

Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

主要艺术活动： 2007 参与不一定乐队乐巡演上海、芜湖、杭州、义乌、珠海、深圳、广州"不一定·愚公移山"北京"不一定·798"北京"武王文窦·澳门国际马拉松国际摇滚音乐节"澳门"白糖罐·声场"北京"德国之夜"北京"迂回中国"柏林"前海观音"北京"水陆观音"北京"马恩列斯毛"系列演出北京"第八届迷笛音乐节"北京"不一样·后上海"上海 2006 "不一样·上步南山"深圳"第12届加尔格达电影节"加尔格达"边界线国际影像艺术展"北京"第三届中国独立影像年展"北京"莫斯科双年展"莫斯科"彼岸之声"北京"第七届迷笛音乐节"北京"第三届大山子国际艺术节" 798艺术工厂北京"艺术北京2006"北京"水陆观音"北京"前海观音"北京 2005 策划/组织电影短片集《色！》"荷兰中国文化节，实验中国"阿姆斯特丹"最电子"厦门"水陆观音"北京"第六届迷笛音乐节"北京"第二届大山子国际艺术节" 798艺术工厂北京"don't break my core"上海"湿森林实验电子现场"长沙"workshop"大理 2003-2004 "Nuit Blanche"艺术节（与fm3、颜峻）巴黎"1000 revolutions per second"布鲁塞尔"第五届上海双年展"上海 2004 "第二层皮音乐节"杭州"第一届大山子国际艺术节"798艺术工厂北京《十夜谈》（与颜峻、fm3、王凡）北京"OUT THE WINDOW"（中、日、韩多媒体艺术联展）东京、汉城、北京 2003 《三国·四记》上海《水煮黄昏》（与fm3、颜峻）北京《不可能》（与颜峻、fm3）北京 2002 "丽江雪山音乐节"（与窦唯、fm3）丽江"点亮长城音乐节"北京发表作品：《打着伞在浮沉中站立》 CD 2006 观音唱片《微波》DVD 2006 观音唱片《铁观音二重奏-杀不死的牛》CD 2006 观音唱片《铁观音二重奏-立方艺术中心现场》CD 2006 观音唱片《观》DVD 2005 观音唱片

Note: Arminians (cf. Why I am Not a Calvinist, IVP) have adopted an un-biblical view and definition of freedom, called "libertarianism." Cf. John M.

注﹕阿米念主义者（参看﹕《我为什麼不是加尔文主义者》一书）采用一个不合乎《圣经》的自由观，一个不合乎《圣经》的自由的定义﹕「随意自由观」。

In the name of the first principle, on which Zwingli had insisted more than Luther and Calvin, the Pietists thought to free themselves from the letter of the Bible which fettered the action of the Spirit.

的名义，第一项原则，其中茨温利坚持超过路德和加尔文的虔诚主义思想摆脱的信圣经的束缚行动的精神。

Some Genevans then, and many critics later, considered Calvin's morality absurdly severe, with its banning of plays and its attempt to introduce religious pamphlets and psalm singing into Geneva's taverns.

一些Genevans然后，许多人批评后，认为加尔文的道德荒谬严重，其禁止的发挥和尝试引入宗教小册子和诗篇歌唱到日内瓦的酒馆。

But within the last thirty years there has been a tendency to mitigate the harsher features of Calvinistic theology, and nearly all the important Presbyterian churches have officially disavowed the doctrines of total depravity and limited redemption.

但在过去30年出现了趋势，以减轻严厉的特点加尔文神学，几乎所有的重要长老教会已正式否认理论的总堕落和有限的赎回。

The humanism of the former could not abide the God-centered character of the latter. In Congregational churches, the movement gained influence, as church leaders began to emphasize a God of love and de-emphasize God's sovereignty, holiness and justice; the death of Christ; man's sinfulness; and the need for regeneration.

先验哲学论的人文主义无法容忍加尔文教派以神为中心的特性，在公理会的教会中，先验哲学论获致影响力，例如教会领袖们开始强调一个慈爱的神而淡化神的主权、神圣、和公义；耶稣基督之死；人的罪性；以及重生的必要性。

Ahlstrom demonstrates a less noted fact: moderate Calvinists of Andover, liberals of Yale, and Unitarians of Harvard were also deeply indebted to the same commonsense realism.

Ahlstrom表明，没有注意到的事实：温和的加尔文教派的安多弗，自由派的耶鲁大学，和哈佛Unitarians也深深感激相同的常识现实。

Augustine, Calvin as well as Arminius, Wesley all agree on this.

奥古斯丁，加尔文，和卫斯理都同意这一点。

One of the best examples and most influential developments was that which began with Dutch theologian James Arminius, who rejected Calvin's doctrines of grace.

一个最好的例子和最有影响力的事态发展是，开始与荷兰神学家詹姆斯亚米纽斯，谁反对加尔文的学说的宽限期。

Douglas Vermeeren, Bob Doyle, Dr. John DeMartini, Morris Goodman, Marci Shimoff, Jill Lublin, Dan Lier, Jack Canfield, Dr. Joe Vitale, Mark Victor Hansen, Jennifer Alexander, LuAnn Mitchell, James Malinchak, Trent Carlini, Bill Bartmann, Keith Kochner, Allan Marston, Eli Davidson, Dr Sue Morter, Willie Jolley, Ed Tate, Garth Roberts, David Saxby, Bryan Shultz, Debbie Allen, Jim Ziegler, Dianne Legro, Tami Walsh, Mark LeBlanc, Frank Maguire, Dr. Joe Rubino, Janet Attwood, Betty Cooper, Elisabeth, Fayt, Peggy O'Niell.

道格拉斯费尔梅伦，鲍勃多伊尔，博士约翰迪马逖尼，莫里斯古德曼， marci shimoff ，吉尔卢布林，丹lier ，杰克坎菲尔博士，乔卫，马克维克多汉森，珍妮亚历山大， luann米切尔，詹姆斯malinchak ，特伦特carlini ，条例草案bartmann ，祁俊文kochner ，署长马斯顿，礼戴维森博士，控告morter ，威利jolley ，教育署大老，加尔斯罗伯茨，大卫saxby ，布莱恩舒尔茨，黛比艾伦，吉姆齐格勒，戴安legro ，塔米沃尔什，马克勒布朗，坦率，马圭尔，博士。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。