剧本

Back in 1998, Gilliam had to battle with the Writers' Guild of America to have a writing credit on Fear and Loathing in Las Vegas, despite the fact that he and co-writer Tony Grisoni had written most of the script.

1998年，Gilliam和编剧协会抗议，希望自己能够出现在《恐惧和绝望的拉斯维加斯》的编剧字幕里，尽管他和他的助理编剧Tony Grisoni负责撰写了大部分的剧本。

Dispute still rages over ownership of the original idea for the script, with many claiming that it was the brainchild of co-writer Herman J.

剧本是谁写的问题继续争论不休，许多人都说这是赫曼·雅各布·曼凯维支的劳动成果。

The first chapter outlines the main musical play productions in different periods and simply looks bake the history of the England and American musical plays; makes the comparisons about "the definitions of musical play","the original relationship between the England and America musical plays and their characteristics","musical play and opera", and "Musical play and comic opera", and gives the author's own points of view.

第二章──第五章，对音乐剧的四大创作元素──剧本、音乐、舞蹈和舞台美术进行了逐一研究，通过解剖、分析大量的音乐剧创作实例，寻找、捕捉了每一元素的创作特征，归纳、概括出了这四大创作元素在音乐剧创作中的功能和有机融合的创作规律、方法和技巧。

In his birthday that day, has many countries to perform his script every year to commemorate him.

在他生日的那天，每年都有许多国家在上演他的剧本纪念他。

In his birthday the day, every year many of his plays staged in commemoration of him.

在他生日的那天，每年都有许多国家在上演他的剧本纪念他。

I've been commissioned to write a new play.

我被委派写一部新剧本。

This will depend on your level of English, and on the complexity of the drama.

这取决于你的英语水平和剧本的复杂性。

In allusion to the particular characteristics of animation story's narrative, this part will expatiate the general rules of animation story's conceivability and organization from the major topic, structure, role, narrative clue, scene etc, with the comparison with the general film and television scripts, as well as the different types of animation productions, combining with the analysis of the specific cases.

针对动画故事独特的叙事特点，该部分主要从选题、结构、角色、叙事线索、场面、剧本的文字语言等方面，通过与一般影视剧作的比较，以及不同种类的动画作品的比较，结合具体的案例，阐述动画编写的一般规律。

In his novels, motives and variations are like the contraposition above.

剧本《雅克和他的主人》是其自己唯一承认具有"变奏"性质的文本。

In addition to fragmented structure, she also employs contraposition, juxtaposition, collage, flashback, and variation structure. She creates theatrical multi-dimension and complexity through open finish, fluxtion of time and space, multiple spectacles, polyphony, and deepens the connotation and influence of her plays.

在结构上除了片断式以外，还采用了对位式、拼贴式、回溯式、变奏式的结构，以悬置的结局、时空的自由转换、多重的视角、复调的呈现来实现戏剧的多维性与复杂性，大大加深了剧本的内涵和艺术的感染力。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。