剧场的

The structure of the Greek theater reminds us of a lonely mountain valley: the architecture of the stage resembles a luminous cloud configuration which the Bacchae behold as they swarm down from the mountaintops; a marvelous frame in the center of which Dionysus manifests himself to them.

希腊剧场的形式令人想到一个寂寞的山谷，舞台的建筑有如灿烂的云彩，酒神的顶礼者挤拥在山上，从高处俯视这景象，——一个壮丽的圆场，酒神的形象就在它中间出现。

It introduces the singsong house culture with Changsha regional culture characteristics to theater, trying to create a 365-day theatre,(theater which conducts performances daily). It also determined the objective of "appealing to both cultured and tastes, guiding the popular culture, transiting gradually to cultured taste", creating a new theater culture.

将具有长沙地域文化特色的歌厅文化引入剧院，形成365剧场(即365天天天演出的剧场)，并确定了"雅俗共赏，引导俗文化，逐渐过渡到以雅为主"的剧场经营宗旨，创造了一种新剧院文化。

This paper deals with the acoustics of ancient Greek and Roman theatres as it merges from an extensive investigation carried out within the ERATO project ( Identification Evaluation and Revival of the Acoustical Heritage of Ancient Theatres and Odea) financed by the European Commission.

论述了古希腊与古罗马的剧场音质。该研究是由欧共体资助的ERATO项目"古代剧场和表演场所声学遗产的鉴定、评价与振兴"的一部分。该项目对古希腊与古罗马剧场进行了较详尽的调研。

Teleview drama is video website user most the behavior habit of the mainstream, actor cruel arrives by 2008 oneself at the beginning of 2009, its significant progress strategy " combine a plan " on the plan and construction that working centre of gravity puts teleplay theater pattern, at this late hour already open such as heat sows theater, Han drama theater, TVB theater, a tough guy the many themes theater such as the theater, cater to close differently inspect be fond of, the lock decides different user crowd.

收看电视剧是视频网站用户最主流的行为习惯，优酷自2008年底到2009年初，将其重要发展战略"合计划"的工作重心放到电视剧剧场模式的规划建设上，时至今日已经开启了诸如热播剧场、韩剧剧场、TVB剧场、硬汉剧场等多个主题剧场，迎合不同的收视喜好，锁定不同的用户人群。

Teleview drama is video website most the user behavior habit of the mainstream, actor cruel from 2008 bottom up to now, its " of significant progress strategy adds up to the working focus that plans " to be put to the plan and construction of teleplay theater mode, such as heat sows theater, Han drama theater, TVB theater, a tough guy the many themes theater such as the theater, cater to close differently inspect be fond of, the lock decides different user crowd. March, actor cruel with the war epic gigantic make " my colonel my group " head hair roll out heat to sow a theater, from the warm-up to this drama conduct propaganda arrives broadcast the strong complement that all becomes TV, earn the eyeball of countless netizens, be less than the time of half month, had achieved day of UV200 10 thousand, thin volume is average VV is close the discharge dimensions of 1 million.

收看电视剧是视频网站最主流的用户行为习惯，优酷自2008年底至今，将其重要发展战略"合计划"的工作重心放到电视剧剧场模式的规划建设上，诸如热播剧场、韩剧剧场、TVB剧场、硬汉剧场等多个主题剧场，迎合不同的收视喜好，锁定不同的用户人群。3月份，优酷以战争史诗巨制《我的团长我的团》首发推出热播剧场，从对该剧的预热宣传到播出均成为电视的有力补充，赚得了无数网民的眼球，不到半个月的时间，已经达到日UV200万、单集平均VV近百万的流量规模。

Winner of several Column Awards for her theater set designs, Clare was honored with the Dallas Theater League's Leon Rabin Award for Watertower Theatre's acclaimed Sweeney Todd.

克莱尔的剧场舞美设计曾经多次获得 Column Award ，她曾凭借在水塔剧场演出的倍受好评的《理发师陶德》被达拉斯剧场联盟授予 Leon Rabin 大奖。

This paper deals with the acoustics of ancient Greek and Roman theatres as it merges from an extensive investigation carried out within the ERATO project ( Identification Evaluation and Revival of the Acoustical Heritage of Ancient Theatres and Odea) financed by the European Commission.

论述了古希腊与古罗马的剧场音质。该研究是由欧共体资助的ERATO项目&古代剧场和表演场所声学遗产的鉴定、评价与振兴&的一部分。该项目对古希腊与古罗马剧场进行了较详尽的调研。

Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero's inability to have agency over his own life, without even the free will to make mistakes.

当代的后现代剧场的举动地面为执行的悲剧，从hamartia的个人悲剧英雄以悲剧英雄的无力有机构超过自己的生命，甚至没有自由意志作出的错误。

Just have games can be queue of people buying tickets more than 20, and only waiter in front of and vote-buying to communicate, using three passes for a 2 7 3 gun votes in the theater , we hastily ran into, okay, see the title sequence's name.

到影院18：13，刚好18：15有场，可排队买票的人有20多个，只得到前面和买票的服务员沟通，用3张通票换了2张7号剧场的三枪的票，就急急的跑了进去，还好，看到了片头的名字。

G. Johnston on the events of the past, or fixtures for the actual, years, entitled If Brian Boru could but come back and see old Dublin now , commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48, 49 South King street, and to be introduced into the sixth scene, the valley of diamonds, of the second edition (30 January 1893) of the grand annual Christmas pantomime Sinbad the Sailor produced by R Shelton 26 December 1892, written by Greenleaf Whittier, scenery by George A.

勃鲁如今回来看到了老都柏林》的主题歌（并由R.G。约翰逊配乐）的呢？那本是坐落于南国王街门牌四十六、四十七、四十八、四十九号的欢乐剧场的承租人迈克尔。冈恩约他编写的。该歌原来预定插在照例于圣诞节期间公演的大型哑剧《水手辛伯达》第六场《钻石谷》（一八九三年第二版，作者：格林利夫。惠蒂尔，舞台装置：乔治。A。杰克逊和塞西尔。希克斯；服装：惠兰太太与惠兰小姐；导演：R。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。