剧场的

If i die tomorrow I'd be allright Dream Theater Because i believe That after we're gone The spirit carries on I used to be frightened of dying I used to think death was the end But that was before I'm not scared anymore I know that my soul will transcend I may never find all the answers I may never understand why I may never prove What i know to be true But i know that i still have to try If i die tomorrow I'd be allright Because i believe That after we're gone The spirit carries on Victoria:"move on, be brave Because i am no longer here But please never let Your memory of me disappear" Nicholas: Safe in the light that surrounds me Free of the fear and the pain My questioning mind Has helped me to find The meaning in my life again Victoria's real I finally feel At peace with the girl in my dreams And now that i'm here It's perfectly clear I found out what all of this means If i die tomorrow I'd be allright Because i believe That after we're gone The spirit carries on Hypnotherapist: you are once again surrounded by a brilliant white light.

如果我死在明天我就是所有权梦剧场因为我相信之后，我们正在经历精神继承从前我害怕死亡从前我认为死亡是完不过，那是以前我不害怕了我知道我的灵魂将超越我可能永远找不到所有的答案我可能永远不会明白为什么我可从来没有证明我所知道的是事实但我知道我仍然要尝试如果我死在明天我就是所有权因为我相信之后，我们正在经历精神继承维多利亚："的大举措，要有勇气因为我已不再在这里但请决不辜负你的记忆力对我的消失"尼古拉斯：安全，在轻环绕箱免费的恐惧和痛苦我的质疑态度已帮我找到意思是我人生的又维多利亚的实质最后，我觉得在和平与女孩在我的梦想现在我来这里它的完全清楚我发现什么所有这一切都意味着如果我死在明天我就是所有权因为我相信之后，我们正在经历精神继承

He drinks coffee, smokes, looks out the window and looks back on his life: on the decades he spent working as the assistant to a famous theatre director; on his grandparents, German Jews, who only managed to get out of the country at the last moment; on his mother, Matild, who refused to talk about their escape to her dying day; and on friends like sculptor Ingo Licht, who was known for his exquisitely delicate objects, or Piotr, the Paris-based lawyer who made a dramatic turnaround from staunch Trotzkyist to out-andout reactionary.

伴随着咖啡与香烟，他时常遥望着窗外，并不断追忆自己逝去的往昔：他想起了过去，作为一名助理，自己与著名的剧场总监并肩奋斗的岁月；他想起了祖父母，作为生活在德国的犹太人，虎口脱险的他们在最后一刻才成功逃离了这个国家；他想起了自己的母亲Matild，直到咽下最后一口气，对于逃亡的岁月她也始终是只字不提；他又想起了许多的故人：比如雕刻家Ingo Licht，以他巧夺天工的技艺而著称于世，还有律师Piotr，起初坚定信奉着托落茨基主义，但最终却沦为了一名彻头彻尾的反革命分子… AW

Bloom's bodyguard distribute Maundy money, commemoration medals, loaves and fishes, temperance badges, expensive Henry Clay cigars, free cowbones for soup, rubber preservatives in sealed envelopes tied with gold thread, butter scotch, pineapple rock, billets doux in the form of cocked hats, readymade suits, porringers of toad in the hole, bottles of Jeyes' Fluid, purchase stamps, 40 days' indulgences, spurious coins, dairyfed pork sausages, theatre passes, season tickets available for all tramlines, coupons of the royal and privileged Hungarian lottery, penny dinner counters, cheap reprints of the World's Twelve Worst Books: Froggy And Fritz, Care of the Baby, 50 Meals for 7/6, Was Jesus a Sun Myth?

布卢姆的卫兵们散发濯足节的贫民抚恤金、纪念章、面包和鱼、戒酒会员徽章、昂贵的亨利。克莱雪茄、煮汤用的免费牛骨、装在密封的信封里并捆着金线的橡胶预防用具、菠萝味硬糖果、黄油糖块、折叠成三角帽形的情书、成衣、一碗碗裹有奶油面糊的烤牛排、一瓶瓶杰那斯溶液、购货券、四十天大赦。）、伪币、奶场饲养的猪做成的香肠、剧场免票、电车季票、匈牙利皇家特许彩票、一便士食堂的餐券、十二卷世界最劣书的廉价版：《法国佬与德国佬》、《怎样育婴》、《七先令六便士的菜肴五十种》、《耶稣是太阳神话吗？

The Shenzhen East Athens Business Hotel with modern amenities and elegant decoration was built according to five stars standard. There is nearly 20000 square meters business acreage; it costs nearly a hundred million RMB in investment. Centralize the east and west culture distillate and design style. Dignity plunge bath, jade waterpeopleamorous feelings; the Athens theatreis resplendent and magnificent; moreover, it has a wild range of classic Chinese and Western appetizers. it has individually businesshouses,sauna,hydropath SPA, hairdressing, tea arts,chess, balls, books and net bars and so on.Multifunctional, large-scale and all-round business hotel brings you into a Xanadu to relax.

按五星级标准装修，经营面积近两万平方米，投资过亿元，汇集东西文化精髓，中西合壁的设计格调散发着时尚典雅的艺术气息，丰采雍雅的浴池、推珠砌玉的碧波，荡漾着万种风情；精彩纷呈的雅典剧场，风味十足的美酒佳肴，倍感浪漫的雅典风情；极具个性的商务客房、中西餐酒店、桑拿保健、水疗SPA、卡拉OK、美容美发、棋牌、琴吧、球吧、书吧、网吧、康乐健身、多功能影院为一体的大型综合性商务酒店，带您进入一个彻底放松身心的世外桃源。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说，一方面，早期极少主义的发展是符合格林伯格主张的&形式简化&原则的；但另一方面，当斯特拉提出&你看见的是什么就是什么&，贾德主张&特殊客体&，以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后，极少主义开始脱离现代主义的发展轨迹，最终走向了反现代主义的道路。1967年，格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭，此后，形式主义批评走向衰落。

Positive: he included mention of a performance by Mrs Bandmann Palmer of LEAH at the Gaiety Theatre, 46, 47, 48, 49 South King street, an invitation to supper at Wynn's Hotel, 35, 36 and 37 Lower Abbey street, a volume of peccaminous pornographical tendency entituled SWEETS OF SIN, anonymous author a gentleman of fashion, a temporary concussion caused by a falsely calculated movement in the course of a postcenal gymnastic display, the victim being Stephen Dedalus, professor and author, eldest surviving son of Simon Dedalus, of no fixed occupation, an aeronautical feat executed by him in the presence of a witness, the professor and author aforesaid, with promptitude of decision and gymnastic flexibility.

积极方面，他谈到班德曼。帕默夫人在位于南国王街四十六、四十七、四十八、四十九号的欢乐剧场扮演丽亚这一角色事；接到将在下阿贝街三十五、三十六和三十七号的怀恩饭店举行的晚餐会请帖；由一位匿名的时下名流所作的一本题名《偷情的快乐》、具有淫秽色情倾向的书；宴会后表演体操，因某个动作失误而造成暂时的脑震荡，受伤者为教师兼作家斯蒂芬。迪达勒斯，他乃无固定职业的西蒙。迪达勒斯仍健在的长子；当着一位目击者，即该教师兼作家的面，他以机敏果断和体操的弹性表演了空中特技。

It was Madame Nilsson's first appearance that winter, and what the daily press had already learned to describe as "an exceptionally brilliant audience" had gathered to hear her, transported through the slippery, snowy streets in private broughams, in the spacious family landau, or in the humbler but more convenient "Brown coupe" To come to the Opera in a Brown coupe was almost as honourable a way of arriving as in one's own carriage; and departure by the same means had the immense advantage of enabling one (with a playful allusion to democratic principles) to scramble into the first Brown conveyance in the line, instead of waiting till the cold-and-gin congested nose of one's own coachman gleamed under the portico of the Academy.

这是尼尔森夫人当年冬天的首场演出。那些被日报称为&超凡脱俗的听众&已经云集来听她的演唱。他们或乘私人马车、或乘宽敞的家庭双篷马车、或者乘档次较低却更为便利的&布朗四轮马车&，经过溜滑多雪的街道来到了这里。乘坐布朗马车来听歌剧，几乎跟坐自己的马车一样体面；而且，离开剧场时还有极大的优越性：你可以抢先登上线路上第一辆布朗马车，而不用等待自己的那因寒冷和烈酒而充血的红鼻子车夫在音乐院门廊下面显现。

These are beings of the great neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

These are beings of the GRE at neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。