刺绣十字布

Cross cloth embroidered with the uniform is a woven fabric, cloth box on the form of numerous holes, each hole is the location of the pin.

布刺绣用的十字布是一种均匀编织的布料，布上的方格形成无数的孔，而每个小孔都是插针的位置。

Paiwanreligion:the supernatural and polytheistic beliefis their point of viewclothing:they are the most gorgeous and elegant clan, in early periods their favorate is weaveshowever recently they turn to love embroidery and abundant drawing whose contents almost about ancestry's spirit,head lines,the sun lines and hundred-pace snake lines.the main color of embroidery is orange,yellowAnd green nevertheless the souths is black and red.

宗教：超自然与多神只的信仰是排湾族的宗教观。服饰：排湾族在其他原住民当中堪称最为华丽典雅的一族。早期以夹织广为收藏家喜爱，近年来以刺绣、丰富的图象表现族人对刺绣艺术的天份，其图案大都为祖灵像、人头纹、太阳纹、百步蛇纹。刺绣的色彩以橙、黄、绿为主色。南部排湾族有黑、红两种色彩为主，并以贴布绣的方式表现，有别於其他地区的十字绣或一字绣。排湾族是个热爱艺术的族群，雕刻是族人日常的消遣

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。