刺绣

Assisi embroidery is a form of counted-thread embroidery based on an ancient Italian tradition where the background is filled with embroidery stitches and the ma in motifs are left void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

Assisi embroidery is a fo rm of counted-thread embroidery based on an ancient Italian tradition where the background is filled with embroidery stitches and the main motifs are left void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

Assisi embroider y is a form of counted-thread embroider y based on an ancient Italian tradition where the background is filled with embroider y stitches and the main motifs are left void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

A ss isi embroidery is a form of counted-thread embroidery based on an ancient Italian tradition where the background is filled with embroidery stitches and the main motifs are left void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

Assisi embroidery is a f orm o f counted-thread embroidery based on an ancient Italian tradition where the background is f illed with embroidery stitches and the main moti f s are le f t void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

Assisi em b roidery is a form of counted-thread em b roidery b ased on an ancient Italian tradition where the b ackground is filled with em b roidery stitches and the main motifs are left void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

Assisi embroidery is a form of counted-thre a d embroidery b a sed on a n a ncient It a li a n tr a dition where the b a ckground is filled with embroidery stitches a nd the m a in motifs a re left void ie unstitched.

阿西西刺绣是一种计算线程刺绣意大利其中一个古老的背景是与刺绣针法和图案填充的主要形式是传统的，即unstitched造成的空缺。

My company is located in China's only autonomous county of the Turkish - Tu Autonomous County in Qinghai Province mutual aid, where beautiful, the people honest, have a long history of Turkish culture and religion, the Turkish embroidery is rural territories of the people a unique way of embroidery, Turkish embroidery commonly known as "embroidery", is a clothing and furnishings an important content, the performance of a nation is the life of an important means of manual arts, is an important part of national culture, it is a national spirit of the external quality performance.

我公司位于全国唯一的土族自治县－－青海省互助土族自治县，这里风光秀丽、人民淳朴，土族有着悠久的历史文化和宗教信仰，土族刺绣是土乡人民的一种特有的刺绣方式，土族刺绣俗称&绣花&，是人们服饰和室内陈设的一种重要内容，是表现一个民族生活情趣的手工艺术的重要手段，是民族文化的重要组成部分，更是一个民族精神素质的外在表现。

Paiwanreligion:the supernatural and polytheistic beliefis their point of viewclothing:they are the most gorgeous and elegant clan, in early periods their favorate is weaveshowever recently they turn to love embroidery and abundant drawing whose contents almost about ancestry's spirit,head lines,the sun lines and hundred-pace snake lines.the main color of embroidery is orange,yellowAnd green nevertheless the souths is black and red.

宗教：超自然与多神只的信仰是排湾族的宗教观。服饰：排湾族在其他原住民当中堪称最为华丽典雅的一族。早期以夹织广为收藏家喜爱，近年来以刺绣、丰富的图象表现族人对刺绣艺术的天份，其图案大都为祖灵像、人头纹、太阳纹、百步蛇纹。刺绣的色彩以橙、黄、绿为主色。南部排湾族有黑、红两种色彩为主，并以贴布绣的方式表现，有别於其他地区的十字绣或一字绣。排湾族是个热爱艺术的族群，雕刻是族人日常的消遣

Chapter Two is about the history of embroidery including the folk embroidery and the imperial embroidery with its' embroiderers, and symbolic culture of embroidery. Chapter Three is about the rising of Zhenhu embroidery and it's relations with Zhenhu embroiderers, including leaving the soil to acknowledge the masters as their teachers, then they establish shops in the town. Chapter Four is about the producing, dealings and expanding the market of embroidery, including how to produce, transport, sell the embroidery concretely and expand the embroidery market.

第一章绪论介绍了论文的选题由来、意义和写作方法；第二章是关于苏绣的历史考察，介绍苏绣由&民间绣&向&闺阁绣&再到&宫廷绣&的历史演变及其文化象征意义；第三章是绣女与镇湖刺绣业的兴起，介绍镇湖绣女从土地上走出来拜师学艺，再到镇上开店的经过；第四章是刺绣的生产、交易和市场的扩张，介绍绣品具体的加工、运输、销售，以及绣女开拓市场的整个过程；第五章是绣女的角色转换与社会分层，介绍开店绣女的身份转变及由农到&非农&的适应过程；第六章是绣女的生活世界，介绍绣女在刺绣工作之外的家庭生活、社会活动以及思想观念的变化。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。