到那时候

We can walk right across the river form October to March when the winter cold freezes the water.

11，当冬天的寒冷将水冰冻，我们可以在10月到5月的时候向右走穿过那条河

Has a proposal during two durations receives the attention, is actually that should restore the traditional character, I thought that now the fait accomplice is so, I acknowledged in the past simplified character time has some wants its alphabetization this kind of intention, but we cannot neglect to other question, it really has other goal is its popularization, indeed this simplified character also complied with simplification of Chinese characters this kind of tidal current, is the folk folk simplification, the people are must simplify it, must universalize, popularization.

恢复繁体字的风波还能持续多久？在两会期间有一个提案是备受关注，那就是究竟该不该恢复繁体字，我觉得现在既成事实是如此，我承认当年简体字的时候是有一些想把它拼音化的这样一个意图，但是我们不能忽略到另外一个问题，它的确有另外一个目的是把它通俗化，的确这个简体字也顺应了汉字简化的这种潮流，就是民间的民间简化，人们就是要把它简化，要普及化，通俗化。

Then Tom and Bob went to the sideboard where the decanter was, and mixed a glass of bitters and handed it to him, and he held it in his hand and waited till Toms and Bobs was mixed, and then they bowed and said,"Our duty to you, sir, and madam;" and THEY bowed the least bit in the world and said thank you, and so they drank, all three, and Bob and Tom poured a spoonful of water on the sugar and the mite of whisky or apple brandy in the bottom of their tumblers, and give it to me and Buck, and we drank to the old people too.

个子高高的，肩膀宽宽的，棕色的脸，长长的黑发，两只黑黑的眼睛，都可说是一表人才。他们从头到脚，一身细帆布服装，跟老绅士一个样。戴的是宽边的巴拿马帽。然后再说说夏洛特小姐。她二十五岁，个子高高的，骄傲而挺有气派。不过只要不是在她生气的时候，她总是挺和气的。可只要她一生气，那就象她父亲一样，立时立刻，叫你蔫

War Buddies Let's be war buddies Waist deep in big money side by side I'd be the atheist in your foxhole, anytime Let's be friendly fire Body count's a mountain on a bed of barbed wire, coldly stashed As soon as the morning light has broken, then we attack If nobody tries too hard to kill you I got your back across the desert Back to brave the burning sand Back to question every effort Back to challenge your command If you got guns, well, now's the time for sticking Resistance is already forming The second shot won't be a warning Let's be collateral damage Looking down your nose like it's the best you can manage just to stand Indignity after indignation The threat of a hostile occupation The better to form a sovereign nation Here's the plan: That every man who disagrees Be roughly brought down to his knees Be starved to death and made to freeze And sentenced to the Gulag If you got guns, well, now's the time for sticking Resistance is already forming The second shot won't be a warning When the tanks roll into Warsaw, will I find you at the front Singing into a tape recorder, shouldering the brunt of the attack? Has it come to that?

战争巴迪让我们成为战争伙计在大的钱的深处肩并肩的腰我将是在你的战壕的无神论者，任何时候让我们成为友好的火在一张有刺铁丝的床上，死亡总人数是一座山，冷淡贮存早上光一打破，然后我们攻击如果没人试试太艰难不能杀死你我使你的背通过沙漠回到勇敢的烧制沙回到询问每努力回到挑战你命令如果你得到枪，嗯，现在是粘住的时间抵抗已经形成第2 枪将不是警告让我们成为附带损害看起来沿着你的鼻子象它是最好的你能应付仅仅为了站在义愤之后轻蔑一种敌对的职业的威胁更好的形成一个独立自主的国家这是计划：不同意的那每个人人被粗略带来到他的膝被饥饿死并且对冻结做并且对Gulag 宣判如果你得到枪，嗯，现在是粘住的时间抵抗已经形成第2 枪将不是警告当油箱卷成华沙，意愿时，我在前面发现你唱歌进一台磁带录音机，扛着攻击的冲击吗？

After hearing Beveridge's story of being brought to Australia as a six-month-old, the stranger- a local woman-conveyed in broken English something that Beveridge had felt all her life but had never heard from anyone else.

在她六个月大的时候被带到澳洲。听完这些，这个陌生人，一个当地人，用她那不完整的英文句子表达着 Beveridge 已经感觉到她的生活，这些从来没有听别人提过。

He hardly ever left the house now and became as much one of its inmates as the little dog Bijou.

他再也不离开公馆，同女主人亲亲热热，像那条小巧玲珑的狗一样，躲在女主人的裙子里，即使她和别的男人睡觉的时候，他也能分享到她的一点点爱宠；在她孤独寂寞时，还能得到一些意外的收获，她会对他很甜蜜，并且抚爱他。

On Fox, Brennaman said of the incident, as well as the Marlins' subsequent rally:"It's safe to say that every Cubs fan has to be wondering right now, is the Curse of the Billy Goat alive and well?"

在福斯（不知他说的是电视台还是报纸），Brennaman谈及这个事件时，正如后来马林鱼所声明的一样："现在恐怕时候让小熊要认真考虑一下，Billy那只山羊是否到现在还活着，并过得很好呢？"

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

When i was young, i'd listen to the radio waitting for my favorite songs when they piayed i'd singalong it made me smile thoese were such happy times, and not so long ago how i wondered where they'd gone but they're back again just like a long lost friend all the songs i love so well every sha-la-la-la every woo--woo still shines every sing a-ling a-ling that they're starting to sings so fine when they get to the part where he's breaking her heart it can really make me cry just like before it's yesterday once more look in back on how it was in years gone by and the good times that i had makes today seem rather sad so much has changed it was songs of love that i would sing to them and i memorize each world those old melodies still sound so good to me as they melt the years away every sha-la-la-la every woo-woo still shines every sing a-ling a-ling that they're starting to sing so fine all my best memories come back really to me some can even make me cry just like before it's yesterday once more.

年轻的时候我喜欢听收音机，等待我的至爱歌曲。歌曲播放时，我跟着一起唱，总会让我开心的笑。那是如此快乐的时光，这并不是很久以前的事情。我常常在想，以前那些歌都到哪里去了？后来他们又回来了，就象又见到久违的老朋友一样，我是多么的热爱这些歌！每个Sha-la-la-la，每个wo-wo 都在闪耀，每个shing-a-ling-a-ling都是那么美好。当歌中唱到他让她心碎时，我真的会哭起来。回想过去多年的日子，当时我曾享受过的美好时光，让我今天更感悲伤。变化实在太大了！我想把爱之歌唱给他们听，我记得其中的每个歌词，那些老旋律对我来说还是那么美妙，仿佛歌可以将岁月镕去。我最美好的记忆全都展现在面前，有些还会让我哭泣。这就象以前一样，昨日重现。这就象以前一样，昨日重现。

While he was talking to Raevsky and dictating the order, Woltzogen came back from Barclay and announced that General Barclay de Tolly would be glad to have a written confirmation of the order given by the field-marshal.

库图佐夫叫他的副官。&坐下写明天的命令。还有你，&他对另一个副官说，&到前线去宣传，明天我们要进攻。&在库图佐夫同拉耶夫斯基谈话并口授命令的时候，沃尔佐根从巴克莱那儿回来了，他报告说，巴克莱·德·托利将军希望能拿到元帅发出的那份命令的明文。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。