到那时

In those days I was a pretty girl, and I soon caught Mr Philip Fairlie's eye.

那时，我是漂亮的姑娘，我很快就捕捉到菲利普芾利先生的眼神。

Well, I know that you're in love with him 'cause I saw you dancing in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pickup truck But I knew I was out of luck The day the music died I started singing Now, for ten years we've been on our own And moss grows fat on a rolling stone But that's not how it used to be When the jester sang for the king and queen In a coat he borrowed from James Dean And a voice that came from you and me Oh and while the king was looking down The jester stole his thorny crown The courtroom was adjourned No verdict was returned And while Lenin read a book on Marx The quartet practiced in the park And we sang dirges in the dark The day the music died We were singing Helter skelter in a summer swelter The birds flew off with a fallout shelter Eight miles high and falling fast Landed foul on the grass The players tried for a forward pass With the jester on the sidelines in a cast Now the half-time air was sweet perfume While sergeants played a marching tune We all got up to dance Oh, but we never got the chance 'Cause the players tried to take the field The marching band refused to yield Do you recall what was revealed The day the music died?

我知道奶爱上了他因为我看到你们在体育馆里跳舞你们踢掉鞋子老天，我深深感受到节奏与蓝调那时的我是个寂寞的年轻人别着一朵粉红色的康乃馨，有一辆小货车但我明白自己并不走运在音乐死亡的那一天我开始唱着。。。。。。如今十年了，我们全靠自己熬过来了滚动的石头上长满了青苔但，它原来不是这个样子的当弄臣为国王与皇后歌唱穿着向詹姆斯狄恩借来的外套用来自你我的声音当国王低头弄臣偷走了荆棘桂冠法庭当时休会没有任何判决宣判当蓝尼读着马克思主义的书四重奏在公园里排练我们在黑暗中唱着挽歌在音乐死去的那天我们唱着。。。。。。在酷暑中手忙脚乱鸟群飞过辐射尘防护罩高度为八英哩，急速下降错误的降落在草地上球员尝试把球向前传靠着边线上弄臣的帮忙在中场休息时间，空中充满着香味当士官们奏起了进行曲我们都起身准备跳舞但我们始终没有机会因为球员们占据了球场军乐队拒绝让步你还记得当时透露了什麽讯息吗？

Then comes the end, when he delivers the kingdom to God the Father after destroying every rule and every authority and power.

再後，末期到了，那时基督既将一切执政的、掌权的、有能的、都毁灭了，就把国交与父神。

Since then,Captain Fawcett has flown passengers to many unusual places.

从那时开始，Fawcett机长已经载送乘客到过许多不寻常的地方。

Since then, Captain Fawcett has flown many passengers to many unusual places.

从那时开始，弗西特机长已经载送乘客到过许多不寻常的地方。

As I bent down to look, just opposite, [ 460 ] A Shape within the watry gleam appeard Bending to look on me, I started back, It started back, but pleas'd I soon returnd, Pleas'd it returnd as soon with answering looks Of sympathie and love; there I had fixt [ 465 ] Mine eyes till now, and pin'd with vain desire, Had not a voice thus warnd me, What thou seest, What there thou seest fair Creature is thy self, With thee it came and goes: but follow me, And I will bring thee where no shadow staies [ 470 ] Thy coming, and thy soft imbraces, hee Whose image thou art, him thou shalt enjoy Inseparablie thine, to him shalt beare Multitudes like thy self, and thence be call'd Mother of human Race: what could I doe, [ 475 ] But follow strait, invisibly thus led?

那时，若不是一种声音的警告，我恐怕会对它凝视，直到如今，徒劳虚幻的愿望。那声音说：'你看什么？美丽的人儿，你在那儿所看的就是你自己啊；它和你一块来一块去；你跟我来，我要领你到一个不是影子，却在等着你，和你作温柔相拥的地方去。你是他的形像，你将要享受他，他是你的，不能和你分离，你将为他生下众多和你们一样的人，因此将称你为人类的母亲。虽不见人，但听了这声音，怎能不顺从？

And the children of Israel said to them, If only we had died by the hand of Jehovah in the land of Egypt, when we sat by the fleshpots, when we ate bread to the full; for you have brought us out into this wilderness to kill this whole congregation with hunger.

16：3 对他们说，巴不得我们在埃及地死在耶和华的手下；那时我们坐在肉锅旁边，有食物吃得饱足。你们将我们领出来，到这旷野，是要叫这全会众都饿死阿！

There was a slight outburst of frightfulness between the stage-manager and a Voice named Bill that came from somewhere near the roof, the subject under discussion being where the devil Bill's "ambers" were at that particular juncture.

舞台经理和天花板某处叫Bill的谱曲者有些恐慌，那时正演到该死的Bill那幕还悬而未定"琥珀"。改：舞台经理和天花板上某处一个叫BILL的声音之间忽然爆发出一阵恐慌，争论的主题是在这关键时刻，BILL的"琥珀"何在。

Played a Game 7 at STAPLES Center, George W.

要追溯到上次在斯台普斯中心的Game7，那时的拜纳姆才12岁。

That morning the whole army had admired them, when, at nine o'clock, with braying of trumpets and all the music playing "Let us watch o'er the Safety of the Empire," they had come in a solid column, with one of their batteries on their flank, another in their centre, and deployed in two ranks between the roads to Genappe and Frischemont, and taken up their position for battle in that powerful second line, so cleverly arranged by Napoleon, which, having on its extreme left Kellermann's cuirassiers and on its extreme right Milhaud's cuirassiers, had, so to speak, two wings of iron.

那时是九点钟，军号响了，全军的乐队都奏出了"我们要卫护帝国"，他们排成密密层层的行列走来，一队炮兵在他们旁边，一队炮兵在他们中间，分作两行散布在从热纳普到弗里谢蒙的那条路上，他们的阵地是兵力雄厚的第二道防线，是由拿破仑英明擘画出来的，极左一端有克勒曼的铁甲骑兵，极右一端有米约的铁甲骑兵，我们可以说，他们是第二道防线的左右两铁翼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。