利特尔罗克

Louis Malle, who was the president of the jury, Francosi Truffaut, Claude Berri, Jean-Gabriel Malle, who was the president of the jury, Francois Truffaut, Claude Berri, Jean-Gabriel Albicocco, Claude Lelouch, Roman Polanski and Jean-Luc Godard took over and interrupted the projection of films in solidarity with students and labor on strike throughout France.

当时评委会的主席路易斯马勒，以及弗朗索瓦特吕福，克洛德贝里，吉恩加百利埃比科可，克劳德勒什，罗曼波兰斯基，让吕克戈达尔联合全法国的学生和工人罢工，接管并阻止了电影节的举办。

And here's something that is still more surprising, the profession did not suddenly wake up and return to the progressive tradition of Cassel and Hawtrey and Fisher, Robertson, Keynes, Wicksell, etc.

而更出奇的是，经济学界并没有清醒过来、返回到卡塞尔和哈特利（还有费雪、罗伯森、凯恩斯、维克赛尔等等）进步的传统中来。

The primary members were Hermarchus, the financier Idomeneus, Leonteus and his wife Themista, the satirist Colotes, the mathematician Polyaenus of Lampsacus, and Metrodorus of Lampsacus, the most famous popularizer of Epicureanism.

主要成员是赫尔马库斯、金融家伊多梅纽斯、里昂特斯及夫人希米斯、讽刺作家克洛蒂斯、数学家拉姆普撒科斯的波利尼斯、拉姆普撒科斯的美特洛多罗司--最著名的享乐主义普及者。

International touring includes major festivals or seasons in London, Paris, Rome, Spoleto, Athens, Istanbul, Amsterdam, Madrid, Segovia, Santander, Lisbon, Turin, Reggio Emilia, Bari, Palermo, Syracuse, Catania, Cremona, Brescia, Florence, Zurich, Innsbruck, Mexico City, Guanajuato, Bogota, Caracas, Auckland, Wellington, Tokyo, Singapore, Hong Kong, Seoul, Pusan, Perpignan, Reims, Clermont-Ferrand, Cologne and Heilbronn.

悉尼舞蹈团巡演于世界各地的艺术节，包括伦敦、巴黎、罗马、斯波莱托、雅典、伊斯坦布尔、阿姆斯特丹、马德里、塞哥维亚、桑坦德、里斯本、都林、雷焦艾米利亚、巴厘、巴勒莫、锡拉丘兹、卡塔尼亚、克雷莫纳、布雷西亚、佛罗伦撒、苏黎世、伊斯布鲁克、墨西哥、瓜纳瓦托、波哥达、加拉加斯、奥克兰、惠灵顿、东京、新加坡、香港、汉城、釜山、Peerpignan、兰斯、克莱蒙费朗、科隆和海尔布隆。

The first half-century of sound included many of the most highly regarded Shakespeare films, among them -- Laurence Olivier's Hamlet and Henry V, Orson Welles' Othello and Chimes at Midnight, Kurosawa's Throne of Blood, Polanski's Macbeth and Zeffirelli's Romeo and Juliet.

在有声音的半个世纪里，包括大多数给予很高评价的莎士比亚电影，在它们中---劳伦斯·奥列弗《哈姆雷特》和《亨利五世》，奥森·韦尔斯的《奥赛罗》和《午夜的钟琴》，Kurosawa的《血宝座》，Polanski的《麦克白》和Zeffirelli的《罗密欧和朱丽叶》。

Many of the Fauve characteristics first cohered in Matisse 's painting, Luxe, Calme et Volupté("Luxury, Calm and Pleasure"), which he painted in the summer of 1904, whilst in Saint-Tropez with Paul Signac and Henri-Edmond Cross .

许多第一次的福夫特点凝聚在马蒂斯的绘画，奢侈品，卡尔梅等 Volupté，他画在1904年夏天，而在圣特罗佩与保罗罗希涅克和亨利爱德蒙十字。

ROQUEFORT, camembert, brie de Meaux, Saint-Félicien, gruyère, comté, münster, pont l'évêque, cantal, reblochon, tomme de Savoie, crottin de chavignol.

羊乳干酪，camembert软质乳酪，莫城干酪，圣费利西安软质奶酪，*格鲁耶尔奶酪*（注4），孔泰奶酪，门斯特奶酪，彭勒维克奶酪，冈塔尔奶酪，瑞布罗申奶酪，多姆奶酪，哥洛亭达沙维翁乳酪。

Guangzhou Baiyun World Leather Trading Centre has housed such renowned bran-ds as:Beverly Hills polo club, Laochrkar,Ropex,Biyibi,Nuoman,Louis Cardy,Mo-nalisa,Prtty Girl,Maggei Q,Yalunlai,Kaitz,US.Polo,Fringed Iris,Dotortoh,Oup-ai,MAK GOLF,Feishiman,Hualunyani,Babili,Yinusi,Annavalli,YANANO,Artistic,Ku-osh,Tosoco,Derbyiu,Volunteer Setatype,Italy David.Over 1,200 leather enterp-rises and 31,800 varieties of leather ware available here.It is the optimal area for your free options.We approach the world closer right in here.

在白云世界，集结世界各地皮具、箱包精品于一堂，吸引了包括比华利保罗、LCK、老皮匠、比比皮具、诺蔓、路易卡迪、蒙娜丽莎、俏姑娘、蔓琪、雅伦莱、开拓者、美国保罗、蝴蝶花、登喜路、麦克尔高尔夫、欧派、菲仕曼、华伦雅尼、巴比莉、亿奴斯，安娜威欧丽、啄木鸟、啊特斯蒂、寇氏、托斯苛、都宝路、华朗迪尔、树一派、意大利大卫等众多知名品牌进驻。1200多个品牌皮具企业，31800个皮具品类，种类齐全，百花齐放，异彩纷呈，奏响皮具业名品交汇的华彩乐章。

Guangzhou Baiyun World Leather Trading Centre has housed such renowned bran-ds as:Beverly Hills polo club, Laochrkar,Ropex,Biyibi,Nuoman,Louis Cardy,Mo-nalisa,Prtty Girl,Maggei Q,Yalunlai,Kaitz,US.Polo,Fringed Iris,Dotortoh,Oup-ai,MAK GOLF,Feishiman,Hualunyani,Babili,Yinusi,Annavalli,YANANO,Artistic,Ku-osh,Tosoco,Derbyiu,Volunteer Setatype,Italy David.Over 1,200 leather enterp-rises and 31,800 varieties of leather ware available here.It is the optimal area for your free options.

在白云世界，集结世界各地皮具、箱包精品于一堂，吸引了包括比华利保罗、LCK、老皮匠、比比皮具、诺蔓、路易卡迪、蒙娜丽莎、俏姑娘、蔓琪、雅伦莱、开拓者、美国保罗、蝴蝶花、登喜路、麦克尔高尔夫、欧派、菲仕曼、华伦雅尼、巴比莉、亿奴斯，安娜威欧丽、啄木鸟、啊特斯蒂、寇氏、托斯苛、都宝路、华朗迪尔、树一派、意大利大卫等众多知名品牌进驻。1200多个品牌皮具企业，31800个皮具品类，种类齐全，百花齐放，异彩纷呈，奏响皮具业名品交汇的华彩乐章。

In 1991 she founded Irma Boom Office, which works nationally and internationally in both the cultural and commercial sectors. Clients include the Rijksmuseum Amsterdam, Paul Fentener van Vlissingen (1941-2006), Inside Outside, Museum, Boijmans Van Beuningen, Zumtobel, Ferrari, Vitra International, NAi Publishers, United Nations and OMA/Rem Koolhaas, Koninklijke Tichelaar, and Camper.

她的客户有阿姆斯特丹市立美术馆、保罗·范特内尔·弗利辛根(1941-2006)，内外、波伊曼·凡·布宁根博物馆、克劳斯亲王基金会、奥地利Zumtobel 集团、法拉利、维特拉国际集团、NAi Publishers 出版社、美国、OMA/瑞姆·库哈斯、Koninklijke Tichelaar Makkum、日内瓦阿加汗基金会；西班牙看步集团、马略卡、纽约现代艺术博物馆、伦敦耶鲁报、纽约Bard Graduate Centre。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。