利特尔罗克

Recent albums include a disc of sonatas by Debussy, Poulenc and Ravel with pianist Paul Crossley, and a Schubert chamber music disc.

最近他的专辑包括由保罗·克罗斯利钢琴伴奏的德彪西、普朗克、拉威尔的奏鸣曲和一张舒伯特室内乐的唱片。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起，包括诗篇对唱式唱法的传统溯源；第二章讨论文艺复兴时期的威尼斯，包括政经情况，及艺术、玻璃工艺、马赛克艺术的简介；第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型，及盛期的主要作曲家，包括：威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利，及巴罗克早期的孟特威尔第…等复合唱作曲家的风格；第四章整合前三章的论述，由实际的复合唱作品，讨论「立体声」的音响效果、合唱团的编制、织度问题，以及诠释及指挥上会遇到的问题。

Gilbert and Sullivan\'s light opera The Pirates of Penzance , and the swashbuckling films of Errol Flynn and Douglas Fairbanks senior, give the impression that most pirates were romantic and carefree adventurers led by aristocrats who had fallen on hard times.

吉尔伯特和沙利文的轻歌剧盗彭赞斯，和强悍的电影埃罗尔弗林和道格拉斯费尔班克斯高级，给人的印象是，大多数海盗是浪漫和无忧无虑的冒险家由贵族谁下降的困难时期。

But the Master found him disappointing; for, whereas Sri Ramakrishna expected of a saint complete renunciation of the world, Devendranath combined with his saintliness a life of enjoyment.

泰戈尔以财富、学识、圣洁的品格和社会地位而闻名于整个孟加拉，但师父却对他感到望：因为室利罗克里希纳是期待一个对世界完全弃绝的圣人，而德文特罗纳斯却把圣人与享乐合为一体。

Not at all, argues Mr Kundera. Great novels—and his exemplary figures are Rabelais, Cervantes, Henry Fielding, Laurence Sterne, Flaubert, Tolstoy, Kafka and James Joyce, as well as two lesser known authors, Witold Gombrowicz, a Pole, and the Viennese-born Hermann Broch—help us to understand "the ineluctable defeat called life".

他申辩到，不管是作为典范的拉伯雷，塞万提斯，亨利·菲尔丁，劳伦斯·斯特恩，福楼拜，托尔斯泰，卡夫卡，詹姆斯·乔伊斯，还是不甚出名的波兰作家维托尔德·贡布洛维奇和越南出生的赫尔曼·布罗克，只要是伟大的小说都能帮助理解生活这个无法逃避的失败。

Not at all, argues Mr Kundera. Great novels—and his exemplary figures are Rabelais, Cervantes, Henry Fielding, Laurence Sterne, Flaubert, Tolstoy, Kafka and James Joyce, as well as two lesser known authors, Witold Gombrowicz, a Pole, and the Viennese-born Hermann Broch—help us to understand "the ineluctable defeat called life".

他申辩道，不管是作为典范的拉伯雷，塞万提斯，亨利·菲尔丁，劳伦斯·斯特恩，福楼拜，托尔斯泰，卡夫卡，詹姆斯·乔伊斯，还是不甚出名的波兰作家维托尔德·贡布洛维奇和越南出生的赫尔曼·布罗克，只要是伟大的小说都能帮助理解生活这个无法逃避的失败。

Short Stories reunites Suzie with long time band-mates Bazil Donovan on bass, Cam Giroux on drums, Bob Packwood on piano as well as the explosive talents of Luke Doucet, Justin Rutledge and Burke Carroll.

短篇小说重逢的很长一段时间苏丝带队友Bazil多诺万上低音，凸轮吉鲁鼓，鲍勃帕克伍德钢琴以及爆炸性人才卢克杜塞特，贾斯汀拉特利奇和伯克卡罗尔。

Finally, one night they all appeared, standing around my bed ragging on me,ever last one of them, Bub Beantrap, his wife Miss Huneysuckel, Mayor Nitburn, Old absent minded Doc Sprocket, and Willie Saul Gizzard HIMSELF even started appearing.

他们站在我床边，闹哄哄地围着我，彼特罗&巴伯，他的妻子哈尼沙克，镇长尼特本，心不在焉的斯伯格特博士，还有威利&索尔吉泽他自己，统统在我脑海里挥之不去。

In Ugaritic texts, Yam's special enemy Hadad is also known as the "king of heaven" and the "first born son" of El, whom ancient Greeks identified with their god Kronos, just as Baal was identified with Zeus, Yam with Poseidon and Mot with Hades.

在乌嘎利特的传说中，Yam的死对头巴尔也称为&众神之神&和埃尔的&第一个出生的儿子&，古希腊人的传说中，埃尔等同於克罗诺斯，正如巴尔的地位等同於希腊神话中的宙斯，Yam的地位等同於波塞冬，Mot的地位等同於哈迪斯那样。

Radcliffe's true complexion is clearly visible to fans waiting outside the stage door of the Gielgud Theatre in the West End of London, where he is performing in Equus by Peter Shaffer.

哈利·波特——丹尼尔·德拉克利夫、罗恩·韦斯莱——鲁伯特·格兰特、赫敏·格兰杰——艾玛·沃特森，这些主角的扮演者们都只是普通青少年，但普通的少年都会长痘痘，难道他们没有么？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。