创造的

In the meantime, we also hope cadre of leaders of all levels can go in for sth in a large scale the wind of investigation and study, often thorough basic level, be good at discover and summing up people to play the new experience of creation in new condition, offer for us have the deal, manuscript that has depth, issue the power of command model at filling with benefit, encouragement and solidarity people devotes into the great cause at building socialism with Chinese feature actively.

同时，我们也希望各级领导干部能大兴调查研究之风，经常深入基层，善于发现和总结人民群众在新形势下创造的新鲜经验，为我们提供有份量、有深度的稿件，以利于充分发挥榜样的力量，鼓舞和团结人们积极投身于建设有中国特色社会主义的伟大事业。

You, however, bear in yourselves the image of God, for man was created in God's image.

然而你们，在你们的心中刻印著天主的肖像，因为人是依照天主的肖像所创造的。

I love the world of nature, don''t you, but the world that is spoken of here is a world of sin and godlessness.

这段经文所说的「世界」，不是指到神创造的自然世界，而是人一手造出来的罪恶世界和无神的世界。

Their health collapses, as does the health-care system that Mr Godwin's mother, a doctor, laboured to create.

他们的健康崩塌了，随之崩塌的还有他做医生的母亲倾力创造的医保体系。

Of the five Wonders of the World created by Greeks (the Statue of Zeus at Olympia, the Temple of Artemis at Ephesus, the Colossus of Rhodes, the Mausoleum of Halicarnassus and the Lighthouse of Alexandria), only fragments survive.

作为希腊人创造的世界5大奇迹（在奥林匹亚的雕像宙斯，在以弗所的阿耳特弥斯神庙，巨人的罗德，halicarnassus陵墓和亚历山大灯塔），只有部分存活下来。

This is hands-down the best multiplayer game on the PS3 due to the ability create maps, skins and mods for the PS3 version.

本作的多人模式是ps3游戏中目前最好玩的，并且能够体验在自己创造的地图中战斗的乐趣

The view of that time was that all species were immutable, created by God.

那个时代的观点是所有的物种都是不变的，由上帝创造的。

In the broad sense, cultureincludes all material and mental things created by human beings.

广义的文化包含人类所创造的一切物质与精神成果；狭义的文化，是社会意识形态以及与之相适应的制度和组成机构。

But "" identity "" of word and improvement of "" status "" lie in scholar stratum the overbearing and insufferably arrogant overbearing proud spirit stimulate and create Song Dynasty even more.

但是，词的"身份"和"地位"的提高更在于宋代文人阶层那种不可一世的狂傲精神所激发和创造的。

Fischer made significant studio recordings in the 1950s with Otto Klemperer and Wolfgang Sawallisch, but felt that any interpretation created in the absence of an audience would necessarily be artificially constricting, since no interpretation was ever "finished."

"菲舍尔取得了重大的工作室录音在20世纪50年代与奥托克伦佩雷尔和沃尔夫冈沙华利殊，但认为任何解释的情况下创造的观众一定会人为限制，因为没有任何的解释是以往"完成。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。